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Loading... Furari. Sulle orme del vento (original 2011; edition 2012)by Jiro Taniguchi
Work InformationFurari by Jirô Taniguchi (2011)
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. I Go Out Walkin' Review of the Ponent Mon hardcover edition (June 2017) translated by Kumar Sivasubramanian from the Japanese language original ふらり (April 2011) I was previously only familiar with the late works of Japanese manga artist Jiro Taniguchi (1947-2017) through his commissioned views of Venice and Guardians of the Louvre. Those oversized and fully colorized editions have perhaps spoiled me somewhat for the earlier, smaller & non-colorized books such as Furari. Furari is a historical fiction based on the life of Japanese cartographer Inō Tadataka (1745-1818) who was the first person to map Japan with modern surveying techniques. Through 16 beautifully structured chapters, often inspired by nature in the form of insects, fish, animals and birds, we see Inō gradually gaining inspiration for his massive mapping project under the supportive loving eye of his wife Eï. This is a gradual process which evolves from his retirement habit of counting his paces while walking and exploring his city. The panels sometimes take on a fantastical element as Inō transmogrifies into a bird flying over the land below or an insect walking through a huge jungle of grass. Those latter sections were among my favourites. It was therefore somewhat disappointing that the book is printed in a rather small size format and is non-colorized for the most part. There is a 4-page teaser section which is colorized, as if to say "look how beautiful this book would be if we coloured it all in?". I'll confess to relying on a magnifying glass many times in order to better appreciate the care and attention that Taniguchi took on these drawings. That is my only reservation in keeping this from a 5 rating which it really otherwise deserves. See cover at https://cv.bkmkn.kodansha.co.jp/9784063729962/9784063729962_w.jpg Cover of the Japanese language original. Image sourced from Kodansha Comics Plus. Trivia and Links Read a superb review of Furari by Ilse (Belgium) on Goodreads here. See image at https://i2.wp.com/www.maproomblog.com/xq/wp-content/uploads/2020/02/ino-tadataka... A section of Inō Tadataka’s map of Japan showing Mount Fuji and surrounding areas at 1:36,000 scale. Image sourced from Mapping a Nation: Japan's Most Famous Cartographer. no reviews | add a review
"Jiro Taniguchi returns with this delightful and insightful tale of life in a Japan long forgotten. Inspired by an historical figure, Tadataka Ino (1745 - 1818), Taniguchi invites us to join this unnamed but appealing and picturesque figure as he strolls through the various districts of Edo, the ancient Tokyo, with its thousand little pleasures. Now retired from business he surveys, measures, draws and takes notes whilst giving free reign to his taste for simple poetry and his inexhaustible capacity for wonder. As he did with the lead character in The times of Botchan, the writer Soseki, Taniguchi slips easily into the heart and mind of this early cartographer and reveals his world to us in full graphic detail so we may fully perceive and understand."--Provided by publisher. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)741.5952The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections Asian JapaneseLC ClassificationRatingAverage:
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Un passo su una foglia di farfaraccio
Versi di rane. (p. 68)
Attendere... Osservare...
Va' con la schiena dritta
Continua a camminare
Corri come un filo d'erba! (p. 102)
La luna piena
Prendimela subito!
Piange il bambino. (p. 164)
Sulla montagna si fa largo tra le foglie il bramito di un cervo:
malinconia d'autunno. (p. 182)
Per caso sei diventato una formica?
Eh!
Si'. Per un attimo...
Chissa' chi le ha chiamate cosi'.
Il loro ideogramma e' composto dai caratteri "insetto" e "fedelta'".
Fedelta', o meglio "perseveranza" ...
Siamo simili... passo dopo passo... continuiamo a camminare, senza mai fermarci. (p. 193)
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