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Loading... Dying of the Light (1977)by George R. R. Martin
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Disliked so much, did not finish. Did not find characters or story engaging. ( ) I had absolutely no issues in giving this a full 5 star rating, because even though the novel was nominated in '78 for the Hugo, that it comes out of the mind of one of the more well-beloved SF/F authors of our times, the novel is absolutely gorgeous all on its own. Why? Because we're getting such depth of world-building, from the science of the solar/planetary, to the culture it spawned, to an absolutely amazing depth of social explorations, to a very cool discourse on the sexes as seen from multiple cultures and their conflicts. Sound impressive? It only gets better, because the story is oh so solid and very complex. This is the novel highlights all the things we truly love about his SoIaF series, establishing characters as one thing only to break the mold completely, crossing all the boundaries of evil to good and back again. No one is a secondary character, either. This is the precursor to the series we know, only it's Science Fiction. It's easy to get carried away with the misogynic society of men and the desire of a single woman to free herself after having got caught, and it is a major theme, at first, but then we begin to see how truly disturbing the society is not because it does such male-centered things, but because of it's tragic history and how it had almost died out because it had lost most of its females, and as such, had changed them into true treasures and communal properties over a few generations despite the original star-faring society being perfectly egalitarian. It sounds bad, but then you start to see a particularly complex bond/love relationships between men, almost like honor, almost like romance, and it's made even more complex by the deep rules of duels, warfare, and conquest, all while having such strange mixes of old and rediscovered tech. And of course we get to see and explore it all through both their eyes and an outsider's eyes in the greater galactic civilization, full of misunderstandings, surprises, hate, love, little heroisms and subversions. Sound like a deeply complex storyline full of surprises and adventure? Well it is, and we get to see a deeply imagined physical world, too, not just of the people and the social structures. The planet is within a strange and chaotic start system and they cannot even see more than twelve stars. With so many multiple suns, we also discover that the planet had a near brush with a sun and is now on it's way out of the system entirely. The planet will go from great heat into an eventual iceball. See a theme? Only this time, it's explained in science, even if the inhabitants truly have little recourse or satisfaction in the knowledge. When I first read SoIaF, I loved to speculate about the planetary system that would cause centuries of winter and a few small generations of summer. It's a very SF thing to do for an epic fantasy. Imagine how delighted I am to learn that he'd been long thinking of these specific plans within his fantasy? It's obvious from this book. :) This should be a must read for all his fans, and even of fans of LeGuin. The deeper social aspects are quite fascinating, indeed. :) no reviews | add a review
Belongs to Publisher SeriesKnaur Science Fiction (701) Orpheuse Raamatukogu (44) Science Fiction Book Club (3215) SF Masterworks (new design) Awards
Fantasy.
Fiction.
Romance.
Science Fiction.
HTML:In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable. A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise. Praise for Dying of the Light “Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon “Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times “Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine “The galactic background is excellent. . . . Martin knows how to hold the reader.”—Asimov’s “George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys. No library descriptions found. |
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