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Loading... 1001 Movies You Must See Before You Dieby Steven Jay Schneider
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will love Sign up for LibraryThing to find out whether you'll like this book. Another subjective 1001 blah, blah, blah to do before you die books. Somehow i had seen and heard of many more of these, working my way through the rest. ( )I think the most common question I get when I mention this book is, "so what makes one guy the authority on which movies you HAVE to watch?" Mr. Schneider did not, in fact, pick out the 1001 films on his own. Rather, this is an expansive tome with 60 contributors with a backgrounds in film theory, criticism, film and literature and film history. The book takes care to span several countries but is heavily favored towards American cinema. That being said, this is not all high-fallootin' intellectual fare. There are surprise entires in the form of classic horror (Texas Chainsaw Massacre, The Hills Have Eyes), 80's Teen Classics (Breakfast Club), classic comedy (Nutty Professor, Airplane!) sitting alongside much heavier fare. Each film is given an essay as to why the film was on the list. My edition is the second edition, but I've compared it to the 1st. While the 1st edition and 2nd edition only added 2 years, it's obvious that 1980 - Present went through many changes on the "must see" list. Off the top of my head, the 1st edition lists "Lock Stock and Two Smoking Barrels" as a must-see while it seems by the 2nd edition Guy Ritchie has been officially stricken from the records. I think this says much about the difficulty of maintaining a "modern classic" in this day and age. I've begun an attempt at watching these films with husband and have started a blog devoted to the process (linked in my profile). I must say I geeked out a bit and in homage to the 1001 Books spreadsheet, created one for the films as well. It certainly helps out with keeping track! http://stephmosmovies.blogspot.com/ This book is a perfect gift for any movie buff. A movie "bible," it includes reviews of 1001 must-see movies, from 1900 to the present. While there are a few blockbusters and Academy Award Winners included in the anthology, there are many indie, cult, and foreign films as well. It's now DH's goal to get through the entire list, and we determined that approximately 75% of the titles are available from the library, and almost all of the remaining titles are available from Amazon (a couple hard to find exceptions). Each movie is highlighted by a page of text, describing the plot and the qualities that make the film notable. Cast, major awards, available languages, associated books, and color photos are also included. There were some surprising omissions, but overall, this is a great reference. This is a terrific companion for the committed film buff, or someone looking forward to expanding their knowledge of world cinema. I am sure many discussions have and will be provoked by what has been included, what left out. I have already started writing a list of omissions which I find scandalous! I am sure it won't accord with anyone else's! I really like the genre indices - for dipping into when you are in the mood for finding something at the video shop in a certain style. My personal 'shock-horror' omissions? So far: They Shoot Horses, Don't They? Le Cercle Rouge Funny Girl Harvey Guess Who's Coming To Dinner Mrs Miniver Carnival of Souls The Party The Court Jester Zulu Ryan's Daughter (if only because it played forever in Australia!) This is a sumptuous collection of movie reviews by a multitude of critics, compiled and organized by Schneider, the general editor. The listings are chronological, although there are several appendices, including one listing movies by genre. Each review also lists the producers, directors, cast, technical details, and awards and nominations. The selection lives up to the title of the book; these are not neccessarily all movies that the American Film Institute would include... although, probably all the "classic" movie selections are included here. I was able to make good use of this reference to add to (and complete, I hope) my own "must see/possess" list of coveted movies. 0.046 seconds to build listing no reviews | add a review
Amazon.com Product Description (ISBN 0764157019, Hardcover)"You played it for her, Sam. Now, play it for me." Everybody loves a good movie, and Casablanca is just one of the classics described in this, the ultimate book about movies! This volume's expert team of authors spans a full century of production, concisely describing 1001 of the best films from around the world. The listings are dramatically augmented with memorable photos, both in color and black and white. The book is a chrono-logical survey covering the best cinematic dramas, comedies, westerns, musicals, suspense and horror films, gangster classics, films noir, sci-fi epics, documentaries, and adaptations of novels and stage plays. Starting in 1902 with the French production, Le voyage dans la lune (A Trip to the Moon) and the famous 1903 American short, The Great Train Robbery, this immensely enjoyable read moves forward chronologically. Film fans review the 1920s silent classics of D. W. Griffith and the comedies of Chaplin and Keaton, then go on to the era of sound films, beginning in 1927 with Al Jolson in The Jazz Singer. Soon to follow were von Sternberg's 1931 classic with Marlene Dietrich, Der Blaue Engel (The Blue Angel), the Bela Lugosi portrayal of Dracula, and the inimitable King Kong. Other highlights from the 1930s include screwball comedies like It Happened One Night and Bringing Up Baby, the elegant song-and-dance fests that paired Astaire and Rogers, the crazy antics of the Marx Brothers, and the classic Warner Brothers gangster films where James Cagney, George Raft, and Edward G. Robinson were brought to justice in the final reel. In the 1940s, The Maltese Falconand Casablanca made Humphrey Bogart a household name--and spanning nearly a half-century, from the 1930s to the '80s, Alfred Hitchcock's suspense classics thrilled millions. Also well represented are the post-World War II European New Wave directors, including Pasolini, Fellini, and Antonioni from Italy, Resnais and Truffaut from France, and many others. Here too in words and photos are the classic westerns, from epics starring John Wayne and Gary Cooper to those in which Clint Eastwood shot it out with the bad and the ugly. --And certainly not to be overlooked are the great musicals, from Singin' in the Rain to Chicago.Readers who open this book to any page will find a major film described with a complete list of credits, an essay summarizing its story line and screen-history, and still shots of some of the film's memorable scenes. At the back of the book, both an alpha-betical index and a genre index will help readers find any film they're looking for in a hurry. Collectors of DVDs and video tapes will find this volume a must for their bookshelf, but even casual moviegoers will enjoy browsing through this big, entertaining reference book. For students of cinema, for discerning film buffs, for general moviegoers, and for readers who enjoy reminiscing over unforgettable lines of dialogue, here's the best place to start.(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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