Allan Gurganus documents the daily dreams that sustain us. In the title novella of his extraordinary new collection,
The Practical Heart, the narrator tells how his Aunt Muriel, a dour, genteel-poor Scottish immigrant, came to be painted by John Singer Sargent. This bit of family history turns out to be a fiction of the narrator's making, invented in an attempt to express how grand his aunt
might have been, given an entirely different life. The other novellas likewise give us narrators interpreting and inventing the people around them. In "Preservation News" a woman eulogizes a historical preservationist who taught her the language of architecture; in "He's One, Too," a gay man looks back on his 1950s youth, when a stolid neighbor was arrested for indecent exposure in a public lavatory; in "Saint Monster," a son mourns his homely, good-hearted father, giving us parent-love as perhaps the most ordinary fantasy of all.
--Claire Dederer
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