Amazon.com Product Description (ISBN 0679431977, Hardcover)
"POWERFUL...A PAGE-TURNER OF SUBSTANCE...
When [F.B.I. agent] Ana Grey is given a high-profile case involving a Hollywood actress who claims that her doctor has hooked her on illegal drugs, Ana's own puzzling history collides with her investigation and she must face an uncomfortable truth about her family and herself."
--People
"COMPULSIVELY READABLE...
A notably literate crime novel about all manner of social dividing lines--race, gender, age, class--in the rude stew of L.A.'s human melting pot."
--New York Newsday
"FINELY WRITTEN...FULL OF SURPRISES...
Smith brings an expert sense of pace to this first novel. But it is her engaging style, which blends lyric descriptions with crackling dialogue, that makes NORTH OF MONTANA such a pleasure to read."
--The Wall Street Journal
"A BREATHLESS READ FROM THE VERY FIRST SENTENCE...
This baby zips along with all the jolt of a double espresso."
--USA Today
"ABSORBING...ANA IS AN ENGAGING HEROINE
whose blend of gutsiness, humor and vulnerability may bring to mind another California crime specialist, Sue Grafton's Kinsey Millhone."
--The New York Times Book Review
A MAIN SELECTION OF THE LITERARY GUILD(c)
(retrieved from Amazon Fri, 24 Apr 2009 07:58:12 -0400)
The case seems straightforward; Jayne Mason accuses her doctor of overprescribing drugs and getting her hooked. Ana investigates this doctor and finds no evidence of wrongdoing. The one patient that also claimed she was overprescribed and hooked on drugs turns out to be a multiple personality head case who is totally unreliable. After a little more investigation, it is revealed that the good doctor is just that – he was the one who got Jayne into the Betty Ford Clinic and her manager that tried to keep her out. A little more investigation reveals that Jayne totally made up the story at the behest of her manager. The contract she signed with a cosmetics company has a morals clause. If she violates this clause, she will be in breach of contract and owe punitive damages. This the lady cannot afford, so the manager cooks up this scheme to lay blame and make Jayne out to be the victim.
Ana discovers the source of her drugs, initially thought to be the doctor’s housekeeper and her alleged cousin, Violeta. The source is her “wardrobe girl” Maureen. Violeta was never involved in drugs and her murder was just a case of at the wrong place, wrong time. But the complex family issues don’t stop there. Violeta’s friend insists that because Ana is family, she should do something about the two orphaned kids. Ana is in denial of her heritage. Her mother, long dead, was a secondary parent to her overbearing and aggressive grandfather, Poppy.
Poppy was a cop and a bigot. Blonde and blue eyed, he tried to ignore the Latino features of his granddaughter and made disparaging remarks about her erstwhile father whenever he could. He said that he was just a wet-back, beaner, migrant laborer who left her and her mother when she was a baby. Why should he care about another dead Mexican (he was from El Salvador)? A trip to a safe-deposit box at a nearby bank reveals a marriage license between her mother and father and it is dated 5 years after her birth. Why did they wait so long? It seems that Poppy berated and disparaged her father whenever he would come home from school (that’s right, school.). When he found that he married his daughter, Poppy beat him to death in front of Ana and her mother. The body disappeared and her mother worked the rest of her life in service to Poppy.
Ana has mixed feelings about all men because of this weird childhood. Apparently she had a borderline abusive relationship with another cop once, and now he lives to torment her in small ways. She hasn’t had a healthy functioning relationship with a man in her entire life. Her flirtatious partnership with Mike doesn’t help. In the end, she snaps and goes running to him late at night, snatching him from his family with the lame excuse that their supervisor has called everyone in. They end up outside screwing madly. She is literally blind with fear and dread and freaks out. I can’t really see why – the whole cover up about her father seems awful, but it was ages ago.
In the end, she ends up getting her transfer to Extortion and Kidnapping and seems relatively happy. Mike decides to leave his wife, insisting that Ana isn’t to blame. We shall see.