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The Phantom of the Opera by Gaston Leroux
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The Phantom of the Opera (1910)

by Gaston Leroux

Other authors: See the other authors section.

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  1. 50
    Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson (ncgraham)
    ncgraham: Another great Victorian horror novel.
  2. 50
    Dracula by Bram Stoker (Anonymous user)
  3. 11
    The Scarlett Pimpernel (TineOliver)
  4. 12
    The Collector by John Fowles (Anonymous user)
    Anonymous user: Both have "monsters" holding the object of their affection captive
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English (92)  German (2)  Dutch (1)  Spanish (1)  All languages (96)
Showing 1-5 of 92 (next | show all)
The Phantom of the Opera was quite a page-turner, I enjoyed the Gothic elements involved in the novel and the characters were very interesting. You could read my full review of the novel over at my blog: http://www.rulethewaves.net/blog/?p=5159 ( )
  caffeinatedlife | Apr 26, 2013 |
I found this hilariously over the top, for the most part, helped by the fact that in one of the versions I read, all emphasis was done by capitalisation. It just made me think of Erik as a troll on the internet, honestly...

It's interesting how much more popular I'm told the musical is, than the book. And the book did badly originally, if I remember that rightly. There is something very dramatic about the book that might be best dealt with on the stage. And, of course, you can't hear the enchantment of Erik's singing, in the book.

It's also interesting how devoid of a hero this book is, at least from my perspective. Christine is central, in that it's her that Erik fixates on, and who Raoul loves. Erik is central, in that he's probably the most fascinating figure of the book, but he's also self-centered and murderous and more like a villain. Raoul is important, but doesn't take much action. The Persian, with his ideas of saving Christine, is perhaps the most heroic, but rather in the background for most of the book. There's not much to hang onto and care about, in terms of characters. ( )
  shanaqui | Apr 9, 2013 |
I enjoyed the musical more. "Music of the Night" always gives me goosebumps! ( )
  JG_IntrovertedReader | Apr 3, 2013 |
this was fun, well written, and engaging. and a thousand times better and less offensive than the musical production. all of the romanticizing of stalking that the musical does is gone here - he's described as a monster, and while some characters have compassion for him, that's because it's realistic. he's evil because of his past and how his experiences have made him that way, and that's worth feeling compassionate about. and it doesn't excuse his kidnapping of the woman, which is made into some kind of romantic gesture in the play. definitely a good read, and one that exceeded my expectations. ( )
  elisa.saphier | Apr 2, 2013 |
Loved it. Was spooky, atmospheric...the setting, the Opera House, is amazing. I now have to visit there in my lifetime. My most favourite part of the book was when he mentions this old couple, still living in a hidden apartment in the opera house, undiscovered by others! How magical is that?? Imagine living in this incredible building!! Wow!!
  Pinky22 | Mar 31, 2013 |
Showing 1-5 of 92 (next | show all)
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» Add other authors (85 possible)

Author nameRoleType of authorWork?Status
Gaston Lerouxprimary authorall editionsconfirmed
Adams, AlexanderNarratorsecondary authorsome editionsconfirmed
Bair, LowellTranslatorsecondary authorsome editionsconfirmed
Cosham, RalphNarratorsecondary authorsome editionsconfirmed
Flynn, John L.Introductionsecondary authorsome editionsconfirmed
Gibson, FloNarratorsecondary authorsome editionsconfirmed
Hildebrandt, GregoryIllustratorsecondary authorsome editionsconfirmed
Teixeira de Mattos, AlexanderTranslatorsecondary authorsome editionsconfirmed
Whitener, BarrettNarratorsecondary authorsome editionsconfirmed
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First words
The opera ghost really existed.
Quotations
None will ever be a true Parisian who has not learned to wear a mask of gaiety over his sorrows and one of sadness, boredom or indifference over his inward joy.
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(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This work refers to full text unabridged versions of The Phantom of the Opera (including translations).

Abridged or early reader versions which do not contain the full text should not be combined here.
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Wikipedia in English (3)

Book description
blurb: In a cavernous, the lights dim. A beautiful young soprano, Christine Daae, comes onstage to sing Marguerite in Gounod’s ‘Faust’. In the audience, the Vicomte de Chagny is overcome with love. But unbeknownst to Chagny, he has a rival for the singer’s affections: the Opera Ghost, a spectre sometimes called the Angel of Music.This is the appropriately gothic set up for The Phantom of the Opera, Gaston Leroux’s enduringly popular thriller. With a plot as convoluted as the hidden passages beneath the opera house and a cast of characters as numerous as the chorus of Aida, the novel works its spell through a sheer accumulation of intricate detail and shadowy menace. A falling chandelier (taken from a true incident) and an underground lake add to the gloom and dread. The novel, richer than any of it’s adaptations, is best read at night, with the lights turned low, and with music - ‘Faust’, perhaps - playing softly in the background.

AR7.1, 12 Pts
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Amazon.com Product Description (ISBN 0060809248, Mass Market Paperback)

The novel that inspired the Lon Chaney film and the hit musical. "The wildest and most fantastic of tales."--New York Times Book Review.

(retrieved from Amazon Thu, 02 Sep 2010 10:17:38 -0400)

(see all 6 descriptions)

A disfigured musical genius who lives beneath the Paris Opera House falls in love with a beautiful soprano and, in his desperation to have his love returned, embarks on some terrifying means towards that end.

» see all 13 descriptions

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Audible.com

Eigthteen editions of this book were published by Audible.com.

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Penguin Australia

Two editions of this book were published by Penguin Australia.

Editions: 0141035935, 0141191503

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