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The Last Policeman by Ben Winters

The Last Policeman (edition 2012)

by Ben Winters

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6739414,218 (3.87)98
Title:The Last Policeman
Authors:Ben Winters
Info:Quirk Books
Tags:Fiction, Read in 2012

Work details

The Last Policeman by Ben H. Winters

  1. 20
    Countdown City by Ben H. Winters (sturlington)
    sturlington: Countdown City is the sequel to the Last Policeman
  2. 10
    The Fractal Murders by Mark Cohen (JanesList)
    JanesList: I can't explain quite why, but these two detectives remind me of each other.

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» See also 98 mentions

Showing 1-5 of 95 (next | show all)
Winters sets his world down in bold, bleak, unforgettable strokes: gasoline is rare, suicide is rampant, and yet people still go about the business of living. The mystery is tight, the atmosphere is gloom and doom, and the writing is pitch-perfect. Damn great book, and I’m tracking down the other books in the trilogy now. I gotta know how this ends! HBO, get on adapting this now. I’m seeing a set of three movies, and then you’re done!

Read the full review here. ( )
  ShelfMonkey | Sep 4, 2014 |
What an opening. I stumbled on this book on a table at Bookshop Santa Cruz, scanned the jacket copy and thought it might be up my alley.
Was it ever.
The premise, of course, is fantastic: the world's fate is decided, stuff is about to get really, really bad, most of us won't make it. What do you do? Do you go bucket list and check off those last few things you always wanted to do? Or do you preempt the asteroid that's about to hit the planet and end it early?
New Detective Hank Palace is our guide through these end times. While the world crumbles around him he keeps digging at a scab of a death that he can't let himself think is a simple suicide, like the many plaguing the city of Concord, New Hampshire, and the rest of the world.
The writing is pretty sharp, the characters really well drawn, and the premise, of course, well, I've already mentioned that. The actual detective work is, well... perhaps it's intentional, making Detective Hank Palace seemingly oblivious to certain clues, but it was pretty easy for even me to guess what might be at the core of Peter Zell's suspicious death in the bathroom of a McDonalds, and I'm not usually one to hazard a guess in murder mysteries. So if you're looking for a mystery you can sink your teeth into and be surprised, in the great reckoning, well, maybe this book isn't it.
I spent a vacation ranting and raving about this book to friends and family (of which I have none left, because they all either got sick of me raving about the book at them or they went off to pick up a copy) -- and I hadn't even gotten to Countdown City, the next in the trilogy... I just really enjoyed this book and loved the idea of the arc of the remaining two books, as the asteroid slouched inevitably round to Bethlehem (and the rest of the world). ( )
  mhanlon | Aug 14, 2014 |
I received this book from an Early Reviewers reward and wasn't sure if I would like it. I did. Detective Hank Palace is in a heck of a pickle. Asteroid 2011GV is hurtling toward earth. Or is it? Hank stays on the job while others while away what they believe to be their last days. Pre-apocalyptic novel. I have also read the second book in the trilogy and enjoyed it as well. ( )
  kp9949 | Jul 23, 2014 |
Time is limited, we've always known that, but in this novel, time really is limited. There is an asteroid headed toward earth (think Armageddon-style), and people aren't handling it well. Most people have left their jobs to fulfill their bucket lists--including policemen. Our main character finds himself recently promoted to detective, even though the consensus is that there isn't much point to investigating--at this point, nothing will ever reach the courts. In a world where most deaths are suicides, this new detective finds a man who looks like he's committed suicide, but he has his doubts. He wants to investigate, and for the most part, his bosses let him, even though they think he is wasting his time.

Is it suicide? A murder? Even if it is a murder, is there any point to investigate it? ( )
  csweder | Jul 8, 2014 |
Certain phenomena contribute to crime rates. Full moons. Sporting events. Or, say, a giant asteroid on a collision course with Earth, threatening to snuff out all life.

Wait, what?

Thus is the premise of Ben H. Winters's The Last Policeman (Quirk Books, 2012).

Henry Palace is a newly minted detective on the Concord (New Hampshire) Police Department. A beat cop for just over a year, Henry was promoted a few months ago due to the unusual circumstances; scientists calculated with 100% certainty that an asteroid with a seven kilometer radius would soon strike Earth. In the wake of this catastrophic knowledge, the global economy has collapsed, society has disintegrated, and people are "going bucket list," using what time they have left to do all the things they've always wanted. Meanwhile, Detective Palace is in a McDonald's restroom in the middle of the night, the scene of a another "hanger." Palace isn't sure that Peter Zell's was a straightforward suicide. But who's solving crimes with the apocalypse coming?

Motivation--in police jargon, "motive"--is a concern of Winters'. Of course, given the scenario he constructs, Winters is interested in how people face the threat of imminent death. Winters portrays a world tottering forward despite the promise of its certain demise. Many people, including the suicide, Zell, an actuary, continue to go to work, the end of the world notwithstanding. It's as if routine is an opiate, making bearable the knowledge of the coming cataclysm, or perhaps an instinct, a behavior coded so deeply into our beings that we're powerless to do otherwise. Palace, mysteriously, almost supernaturally, remains calm and focused on the events immediately before him, the little pieces that seem so inconsequential compared to the larger story. Palace is the kind of quiet, workaday person who would be unremarkable in normal circumstances, but who, in his stolid acceptance of the hopeless future, and his defiance of it, by doing his job the best that he can, achieves heroic status.

Really, when you get down to it, The Last Policeman is less a detective story--although it is that--than it is an existential mystery. When Palace begins considering the "motive" of Zell's murderer, he inadvertently raises the question of his motive, of why he continues to care in a world gone mad. Palace's fellow detectives retreat into their own consolations, whether it's conspiracy theory, or gluttony, or smoking marijuana (which has been legalized). Palace plods onward, applying to the case the lessons he learned from textbooks on police work.

Ultimately, Winters' asteroid might be read as a metaphor. Aren't we all dying, whether or not a giant rock plows into Earth? There are fleeting moments when we're aware of "the human endeavor," the "connectedness" of all things, if you will, but our individual wants and needs crowd out that awareness. (There is a scene in the sequel, Countdown City, in which a college student forlornly caresses his dead iPhone, as if it's still operational, that expertly captures our tendency toward solipsism.) On that level, the individual, personal level, we're all facing down our own doom; when we die, we're dead and gone, whether by asteroid, hanging, or getting hit by a bus. Like Winters' characters, we carry on knowing that we will die. How we do so, and why, is the real mystery at the heart of Winters' novel.

That's not to say that Winters doesn't deliver a satisfying "whodunnit." Zell's death and the circumstances surrounding it are well crafted, and Winters introduces us to a variety of characters, from Zell's family, to his former best friend, drug dealer Toussaint, to Palace's love interest, Naomi Eddes. The latter is particularly welcome, as she serves to humanize Palace, who is sometimes so literal and intense as to border on being alien, a notion supported by his appearance (very tall, and, I imagine, quite thin).

Indeed, if there is a weakness in The Last Policeman, it is the character of Palace, who, despite being the narrator, remains frustratingly opaque for much of the early portion of the novel. The first person narrative device, of course, limits readers' knowledge to only that which Palace himself knows, serving an important function in terms of the mystery. Likewise, first person permits Winters to describe the events he describes as they're being experienced by a character living through them. Still, it is not until the story is well underway that readers first begin to catch glimpses of Palace's character--of his motives and motivations. Humorless, intense, Palace responds to his colleagues' jokes dismissively, with "Okay," and, "Sure." He doesn't have time for the niceties that permit people to function in normal society, especially when the world's about to end and time is short. Palace's back story informs his present, and readers will welcome the revelations as they're shared. The character of Palace's younger sister, "Nico," not only serves to further humanize him, but also advances a subplot that carries into, and plays a larger role in, Countdown City.

Winters received the Edgar Award for The Last Policeman, an honor of which readers are likely to approve. Winters uses a compelling, plausible end of the world scenario to establish a fatalistic atmosphere that lends itself both to a detective story and to the larger philosophical questions in which he's interested. The sense of doom Winters creates, his vision of collapse, renders the story poignant; readers will find themselves drawn in. The characters are well drawn and recognizable; Winters manages to humanize Palace and invest readers in his fate. The Last Policeman will appeal to lovers of mysteries and speculative fiction, but fantasists should beware: This novel remains firmly in the real world, and Detective Palace wouldn't have it any other way. Highly recommended. ( )
  LancasterWays | Jul 7, 2014 |
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Author nameRoleType of authorWork?Status
Winters, Ben H.primary authorall editionsconfirmed
Horner, DoogieDesignersecondary authorsome editionsconfirmed
McGurk, John J.Production managersecondary authorsome editionsconfirmed
Pushnik, JonathanCover photosecondary authorsome editionsconfirmed
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"Even for Voltaire, the supreme rationalist, a purely rational suicide was something prodigious and slightly grotesque, like a comet or a two-headed sheep." -- A. Alvarez, The Savage God: A Study of Suicide
"And there's a slow, slow train comin', up around the bend." -- Bob Dylan, "Slow Train"
To Andrew Winters, of the Concord Winters
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I'm staring at the insurance man and he's staring at me, two cold gray eyes behind old-fashioned tortoiseshell frames, and I'm having this awful and inspiring feeling, like holy moly this is real, and I don't know if I'm ready, I really don't.
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Book description
What’s the point in solving murders if we’re all going to die? Detective Hank Palace has asked this question ever since asteroid 2011L47J hovered into view. Several kilometers wide, it’s on a collision course with planet Earth, with just six precious months until impact.

The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. Industry is grinding to a halt. Most people have abandoned their jobs. But not Hank Palace. As our story opens, he’s investigating the latest suicide in a city that’s full of suicides—only this one feels wrong. This one feels like homicide. And Palace is the only one who cares. What’s the point in solving murders if we’re all going to die?

The Last Policeman offers a story we’ve never read before: A police procedural set on the brink of an apocalypse. What would any of us do, what would we really do, if our days were numbered?
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When the Earth is doomed by an imminent and unavoidable asteroid collision, New Hampshire homicide detective Hank Palace considers the worth of his job in a world destined to end in six months and investigates a suspicious suicide that nobody else cares about.… (more)

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