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Strangers on a Train by Patricia Highsmith
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Strangers on a Train

by Patricia Highsmith

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Showing 1-5 of 9 (next | show all)
A really good book. Enjoyed the whole Alfred Hitchcock-y feel (have not seen the movie though). It is quite a journey into the psyche of two men. Their thoughts to their words to their actions. Psych and Comm students will enjoy seeing theories and models come to life. Certainly makes me want to read other Highsmith books. ( )
  bridgetmarkwood | Oct 10, 2009 |
While this book certainly has it's weaknesses, I feel it's worth reading for it's cultural impact. Obviously there's the classic Hitchcock film, as well as references/homages/ripoffs in countless other shows. Comparisons to Crime and Punishment is probably inevitable, particularly when one compares the detectives.

As with Crime and Punishment, though, the book kind of falls at the end for me. It ends rather abruptly for my taste, but I don't really know how else it could have ended.

While I do prefer Highsmith's other novels, I feel it's still worth reading. If I could give half stars, I'd probably give it a 3.5, but it's not quite to a four for me. ( )
  darklorelei | Jul 29, 2009 |
I've been reading a lot of Patricia Highsmith this past year, and I have to say I was a little disappointed with this one, her first novel and still one of her most famous.

The premise is quite good. When I heard the basic plot summary, I thought it was going to be about two people conspiring together for mutually beneficial murders. That's actually not at all how the story goes, it's really more than one of the strangers (Bruno) is borderline insane, and not only does he do a murder without the other person's (Guy's) consent, he then coerces, blackmails, and basically haunts Guy until he commits the murder he imagines he's earned in exchange.

Bruno doesn't have any problem with what he's done, but a lot of the last third of the book is about Guy's conscience and how his deed weighs on him. The pace slows way down through these sections, and I found myself wondering where the story was going while Guy continued to deal with his guilt and the continued insistence by Bruno that the two are friends. I liked Bruno a bit for that, he was a very believable borderline crazy.

The investigations catch up to the two and then fizzle out, but I have to admit the ending was quite good, even if it took me forever to get through the large sections immediately before it. I probably would have liked it a lot more without Guy's lengthy diatribes about the dichotomy of good and evil within the self. It was still a good book though, a very enjoyable read, but just not as fantastic as everything else I've read by Highsmith. ( )
  ConnieJo | Feb 17, 2009 |
I have the feeling I have read this book before. Now I am listening to it, unabridged, of course.

Scary that sociopaths can go unnoticed in society, but that is no surprise. Guy meets Charles Bruno on a train, confides in Bruno about his wife (whom he has discarded and wants a divorce from pronto). Bruno is then unleashed, creating in his own mind an unnaturally intimate relationship with Guy. He executes "the perfect crime" seemingly without a motive when he kills Guy's wife. But, of course, there is a motive--Bruno wants Guy to kill his father.

How far will Guy go? I will have to listen on..... ( )
  blockbuster1994 | Jan 9, 2009 |
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Book description
Almost against his will, Guy Haines is trapped in a nightmare of shared guilt when he agrees to kill the father of the man who will kill Guy's wife.

Amazon.com Book Description (ISBN 0393321983, Paperback)

A major new reissue of the work of a classic noir novelist. With the acclaim for The Talented Mr. Ripley, more film projects in production, and two biographies forthcoming, expatriate legend Patricia Highsmith would be shocked to see that she has finally arrived in her homeland. Throughout her career, Highsmith brought a keen literary eye and a genius for plumbing the psychopathic mind to more than thirty works of fiction, unparalleled in their placid deviousness and sardonic humor. With deadpan accuracy, she delighted in creating true sociopaths in the guise of the everyday man or woman. Now, one of her finest works is again in print: Strangers on a Train, Highsmith's first novel and the source for Alfred Hitchcock's classic 1953 film. With this novel, Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday contemporary life.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:09 -0400)

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