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Aller Tage Abend by Jenny Erpenbeck
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Aller Tage Abend (original 2012; edition 2012)

by Jenny Erpenbeck

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906135,585 (4.05)9
Member:teofilaruch
Title:Aller Tage Abend
Authors:Jenny Erpenbeck
Info:Knaus Albrecht (2012), Hardcover
Collections:Read but unowned
Rating:*****
Tags:None

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The End of Days by Jenny Erpenbeck (2012)

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» See also 9 mentions

English (3)  German (2)  Dutch (1)  All languages (6)
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http://msarki.tumblr.com/post/108666282228/the-end-of-days-by-jenny-erpenbeck

There is an old man back in my home town in Michigan, my place of birth, who sits alone in a chair in a rest home, no longer aware of who he is or what he is doing there, or anywhere. He no longer remembers what certain words mean nor what gadgets are meant to do, or even why tasks have to be performed. The only meaning left in his life are the brief moments of memory that come to him in a flash, but then mostly escape him. It seems his days are spent simply waiting for whatever it is, this life, to end.

But there are countless other ways his life, instead, could have meandered. And Jenny Erpenbeck relates a tale to us in five separate parts that show us how and perhaps what might have happened along the way to the woman she profiles who is afforded the chance to live and to die herself five distinct times.

It may be Erpenbeck’s honesty that is the tie that binds me to her work, her world, and thus, her thinking. Living in my America, a United States full of promise and deception, falsehood and pretension, it is comforting to feel someone is telling me the truth especially in a work of fiction. Jenny Erpenbeck may be the most gifted storyteller living in our midst these days. And by my lights there are not many.

She is obviously a sharp and clever woman, and certainly well-served by a Bernofsky translation. Such a powerful team, and one I am sure will be recognized in time for its several brilliant acts upon the page. There is no telling where a story will go with Erpenbeck at the helm, but it is guaranteed to be interesting and thoughtful to the core.

The first two books in this collection of a total of five interconnected pieces, and each leading to a longer life and different death for an unnamed woman protagonist, were what was predictably expected of Erpenbeck, her typically strong and piercingly good literature. But the third book, in the middle of it all, its focus being on comrades and fellow communists, her detainment and her acquaintances who either became traitors or executed because of their political or religious affiliations, was certainly boring and hard for me to to get a firm handle on. I kept waiting for the reason of my continued reading to reveal itself and to answer finally why I was still attempting to engage with this book when I rarely give another writer the same latitude with my precious time. But historically Erpenbeck has often delivered the goods for me and I expected she would find a way through all this sludge to again knock my socks off. I kept reasoning that this communist party preview was somehow preparing me for a better ending, even if it would ultimately be the protagonist’s own.

The cruelty and bitter truth behind the meaning of this life portrayed in The End of Days is that ultimately by the moment of our death none of it really matters. We have what we have when we have it, and then all is taken away from us. And the very cruelest of these awful days must begin with the ending of language. And though it took Erpenbeck far too long to get to where she was going, the fact remains that she tried. And that is all we can possibly do until we lose our understanding. For me, this Erpenbeck novel could just as easily been titled The End of Words. Compared to the strength and hardness of her previous collections, this book fails. And I must admit, that saddens me. ( )
  MSarki | Jan 24, 2015 |
I’m glad I managed to get Jenny Erpenbeck’s The End of Days read before the end of the year because it definitely belongs on my 2014 “Best Of” list.

The End of Days is powerfully built. The structure is original; the scope is broad. If I had to say what it’s about, I’d have to give three answers:

1. It’s a sequence of five “novels,” each a life story of the same woman. With a few events changed, the course of her life expands. In the first “novel” of this novel, she dies as an infant of what is most probably Sudden Infant Death Syndrome. By the time the reader reaches the fifth and final “novel,” she’s lived a long life, become an acclaimed writer, and is living in an assisted care facility.

2. It’s a devastating depiction of the many waves of anti-Semitism that swept Europe during the 20th Century.

3. Finally, it’s an examination of the hopes behind and the subsequent betrayal of European socialism, beginning with anti-WWI pacifism, extending through much of the history of the Soviet Union, and ending with the fall of the Berlin Wall.

Remarkably, The End of Days, succeeds at doing all of these without sacrificing any one of them to another.

The End of Days requires slow, careful reading. Part of this may result from the German original. I don’t know enough to say for sure, but I suspect that many of its muti-layered, multi-directional sentences are a result of the language it was originally written in. The blessing of this demanding style is that it requires one to read at a pace that allows for close attention to details.

The End of Days is the sort of novel one should read when one is ready to do some real work in reading—and to reap the rewards this work generates. None of the central character’s lives ends well, but by watching her path through each of them, we are confronted with many of the failings of the century we’ve just left behind. ( )
1 vote Sarah-Hope | Dec 15, 2014 |
vooraf:
Vijf mogelijke levens die de jonggestorvene zou kunnen hebben gehad als zij een handvol sneeuw had gekregen, zo stukjes uit Oost-Europese geschiedenis verteld. ( )
  EMS_24 | May 28, 2014 |
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Afgelopen zomer zijn we nog van hier naar Mariënbad gegaan. En nu, waar gaan we nu heen? (W.G. Sebald in Austerlitz)
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De Heer heeft gegeven, de Heer heeft genomen, had haar grootmoeder aan de rand van het graf tegen haar gezegd.
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Wie beslist met welke gedachten de tijd wordt gevuld? (in tweede intermezzo)
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