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The Wreck of the River of Stars by Michael Flynn
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The Wreck of the River of Stars

by Michael Flynn

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155339,160 (3.75)10
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Tor Books (2004), Paperback

Member:usnmm2
Collections:Your libraryRating:**1/2
Tags:Science Fiction
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ZB9
  mcolpitts | Aug 17, 2009 |
A novel -- SF, natch, since I don't read much *mundane* fiction.
  fpagan | Dec 16, 2006 |
http://nhw.livejournal.com/699586.htm...

Years and years ago I remember "A Ship Is Dying" by Brian Callison, a fantastic book about a cargo ship sinking in the North Sea. There were only about half a dozen characters who all abandoned ship in the space of forty minutes; the author sketched them each memorably and effectively and it took about a hundred pages.

Michael Flynn has done much the same here, though with a dozen or so characters and a timescale of a couple of weeks rather than a few minutes. Not all the characters survive - indeed, the captain dies on the fourth page, with over 500 pages left to go - but all are depicted with great depth and compassion. Flynn picks up beautifully on those little misunderstandings where what appears to be a clear statement of fact, or even a sympathetic remark, to the speaker is picked up as an intentional slight or insult by the addressee, or by other listeners.

Each crew member has a formally assigned role, but each comes from a different part of Flynn's vividly imagined solar system, bringing their own personal ghosts to the ship, working with, arguing with, and occasionally having sex with each other in a series of tightly controlled shifts of narrative perspective. In what is essentially a rather grim story, there are occasional shafts of humour as well: at one difficult moment, the ship's cook decides to eschew the usual synthetic food, "thinking that a feast upon real mutton would relax the crew and ease the pressure - a sort of pascal lamb" - I had to read that a couple of times before I got the joke.

At first I was so interested in the people that the setting of the spaceship in trouble felt like a mere backdrop for the character interactions. But then the ship itself emerged as an interesting player in its own right: both technically, in terms of the challenge faced by the crew in reviving its solar sails to add crucial extra momentum after its ion thrusters are disabled in an accident, and in character terms, as its AI system starts to behave more and more as a character in itself. None of the lazy spaceship = Napoleonic warship stuff that so annoyed me with Honor Harrington: the engineering issues here do involve a certain amount of handwaving (what, I wonder, is "hobartium" when it's at home) but it all hangs together as an independent construction. ( )
2 vote nwhyte | Aug 7, 2006 |
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Amazon.com Amazon.com Review (ISBN 076534033X, Mass Market Paperback)

In his excellent novel The Wreck of The River of Stars, Michael Flynn looks back on the romantic Age of Sail: the second, high-tech Age of Sail, when spaceships with vast magnetic sails rode the solar winds across the immense ocean of space, and the greatest of the luxury spaceliners was The River of Stars. But the second Age of Sail is dead: the magnetic sails all were struck, and the spaceships all were retrofitted with the new Farnsworth fusion drive. Once a legend, The River of Stars is now a tramp cargo freighter, plying the outer planets with a scanty crew of men and women with questionable pasts, private agendas, and more than a little interpersonal friction.

When a bizarre failure disables the Farnsworth engines driving The River of Stars, the crew has a problem no Earthly sailor ever faced: their ports don't stay put. If The River of Stars doesn't arrive on schedule, Jupiter will be somewhere else in its enormous orbit. That means the damaged ship will speed out of the solar system and drift forever among the stars. The crew's only hope appears to be the magnetic sail. But recreating a long-gone high-tech sail isn't the worst problem this motley crew faces. To survive, they must achieve something even more herculean: they must overcome their own intricately entangled fears, hatreds, power struggles, and romantic disasters. --Cynthia Ward

(retrieved from Amazon Tue, 05 Jan 2010 16:24:19 -0500)

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