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The New Biographical Dictionary of Film by David Thomson
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The New Biographical Dictionary of Film

by David Thomson

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Invaluable resource...even though I sometimes find myself in sharp disagreement with Mr. Thompson over some of his very personal views on my favorite (and least favorite) film stars and auteurs.

And why is there an entry for Willis O'Brien but nothing for the GREAT Ray Harryhausen? And why no mench of one of my favorite character actors and tough guys, Brian Dennehy? I thought of other omissions but forgot to write them down.

Invaluable, yes, absolutely. A definitive compendium of film, an exhaustive "Who's Who" of 100+ years of cinema? Absolutely NOT. ( )
  CliffBurns | Mar 12, 2009 |
A major work of literate, insightful, readable film criticism in the guise of a biographical dictionary. Thomson's book ignores the (relatively recent) convention of the impersonal, objective, unbiased reference work, using the format to give us as much critical opinion as biographical fact. The best entries are defnitive or near-definitive essays on film figures, mostly actors and directors with some major writers, technicians, and moguls included. Hawks (as the cover might suggest) and Grant are placed near the summit; Chaplin is taken down. Thomson's judgments can be severe. As the focus is on the lives and careers of film people, individual films are often praised or dismissed in less than a line - these sub-capsule reviews should have fans of the Dictionary eagerly anticipating Thomson's new "Personal Introduction to 1000 Films". FYI - Thomson has been adding and updating biographical entries on guardian.co.uk.
  sb3000 | Dec 10, 2008 |
A good reference for movies pre-2000, but the reviews are often oblique, and the author has strange opinions that are not well defended.
  averypalmer | Sep 15, 2007 |
David Thomson knows his stuff and his writing is wry, smart and very, very funny. This book is a delight for any film fan -- flip open to any page and enjoy.
--Michael
  BaileyCoy | Jun 7, 2007 |
Curious, maddening, edifying, occasionally completely wrong. When you get to the point where Thomson includes both his dead best friend and his son ("when will he make his first film?" he muses), you realise that this is a dictionary of [i]Thomson's[/i] biography, refracted through film. The diverse editions (five, at this writing) bear this out: the earlier entries from past editions (on, say, Hitchcock) show a more academic, theory-oriented stamp, whereas progressive entries (say, on Nicole Kidman) evince his decades-long evolution into a gossipy queen. (The infamous entry on Wes Andersen alone, plus some other comments in other entries stating "look at the damn IMdB if you want facts," more or less, speak to a kind of glibness that infects his later work.) Thomsen is an important, lucid critic when he chooses to be (his writing on Welles and Selznick is superb), but he tends to the self-important and grandiose (a tendency which makes his recent long-form "The Whole Equation" virtually unreadable), so it's best to read him in discrete chunks. The dictionary form is ideal.
  jrimorin | May 31, 2007 |
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Amazon.com Product Description (ISBN 0375709401, Paperback)

For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone).

This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone.

In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more.

Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”

(retrieved from Amazon Fri, 24 Apr 2009 07:58:17 -0400)

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