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Loading... A Constellation of Vital Phenomena: A Novel (original 2013; edition 2014)by Anthony Marra
Work InformationA Constellation of Vital Phenomena by Anthony Marra (2013)
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. This took me a fair time to really get into, but once I did, I felt gripped - around throat and heart - by the tragic and absurd losses that gather momentum and gravity towards the end of the book. Without much guidance or context, and an initially disorienting series of flashbacks, Marra drops the reader into the deep end of Chechnya around the most recent turn of the century, as the country tries and fails twice to extract itself from Russian colonisation in a pair of bloody internecine wars. But while the political and martial backdrop is important, the really vital phenomena are the relationships, emotions and choices in which the main characters stumble through a wintery bleak world in which moral compasses are spinning and family ties are questioned or betrayed. Marra's writing is delightful - precisely crafted, and funny, gentle or shocking by sudden turns. How to maintain hope amid despair: that's both a prevailing theme in the book, and the experience of at least one reader willing their way with increasing anxiety and urgency towards the last page. This is a book that does everything right. I got it from the library but I'm going to buy it because it's so beautifully written that I found myself reading certain lines and paragraphs more than once. This is the kind of book that gives you book hangover because you can't start another book right away. Parts of it are brutal but the author manages to gentle you through it somehow. Do yourself a favor and get it when you have all day to read. Another book along the line of The Orphan Master's Son, in that it was excellent, beautifully written, but difficult to read because of the subject. War is so much more than the headlines portray. First Worlders, in general, are so unaware of the personal tragedies wrought by wars fought far from our shores, and we do humanity a disservice by not informing ourselves of the full human condition.
This novel is, among other things, a meditation on the use and abuse of history, and an inquiry into the extent to which acts of memory may also constitute acts of survival. AwardsDistinctionsNotable Lists
In a rural village in December 2004 Chechnya, a failed doctor Akhmed harbors the traumatized 8-year-old daughter of a father abducted by Russian forces and treats a series of wounded rebels and refugees while exploring the shared past that binds him to the child. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.6Literature English (North America) American fiction 21st CenturyLC ClassificationRatingAverage:
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The question of sacrifice permeates the novel. When the story opens, the Russians are raiding a small village and taking away a man, Dokka, whom we understand immediately will not be left living much longer. His 8 year old daughter Havaa escaped, but the Russians want her too (shared familial guilt is also a Chechen concept, as is illustrated elsewhere). Their neighbor Akhmed, kind and compassionate and self-acknowledged worst doctor in Chechnya, will take her to a place where she will not be found, and in a few days an informer will turn him in for it, and that will do for Akhmed, our noble though not exactly ethically scrupulous hero.
A more interesting character though is Ramzan, the informer. At the start we feel the scorn one naturally feels for the informer who turns in his neighbors for execution, handsomely benefiting materially from his crimes. Later we learn that Ramzan has a much more complex and painful story than first appears, and if we can't forgive, we might at least comprehend.
Ramzan's father Khassan struggles deep in his soul with what his son has done. Though they must share a house in the village, he has not spoken to his son since the informing began almost two years previous. He endures guilt for the death Ramzan has brought to their neighbors and for his own failings as a father. He wonders if, like Abraham, he is called to sacrifice his son, and if he can kill his child by his own hand.
And there's Sonja, ethnically Russian but born and raised in Chechnya. A surgeon in London when the first war breaks out, she leaves her life and breaks off her pending marriage to return home and find her sister Natasha when the Russians withdraw after two years that have left Chechnya in ruins and Natasha missing.
While for the first 150 pages or so I found this to be an average book, interesting but afflicted with an obvious case of first-time-itis, the book really comes together beautifully and powerfully. The plot threads are unwound nearly perfectly, and the characters gain richness and depth and fragility. Which ultimately I think leaves me with a 4 star rating for a book that felt like it was a 5 by the time I turned the last page. ( )