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Hearts in Atlantis by Stephen King
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Hearts in Atlantis

by Stephen King

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4,83049867 (3.64)84
1960s (27) anthology (25) collection (36) coming of age (19) dark tower (62) ebook (16) fantasy (85) fiction (522) first edition (15) hardcover (29) horror (421) King (50) movie (18) mystery (15) novel (53) novellas (15) own (29) paperback (18) read (88) science fiction (18) short stories (79) Stephen King (121) supernatural (33) suspense (39) thriller (47) to-read (19) unread (47) Vietnam (41) Vietnam War (38) war (17)
  1. 30
    Insomnia by Stephen King (Pigletto)
    Pigletto: Both books have several references to the Dark Tower series.
  2. 20
    The Gunslinger by Stephen King (sturlington)
    sturlington: There are thematic connections between the title story of Hearts in Atlantis and The Dark Tower series.
  3. 10
    The Regulators by Stephen King (sturlington)
    sturlington: The Low Men remind Bobby of the movie The Regulators, a reference to another Stephen King work.
  4. 10
    From the Corner of His Eye by Dean Koontz (derelicious)
  5. 11
    July, July by Tim O'Brien (sturlington)
  6. 00
    Lord of the Flies by William Golding (sturlington)
    sturlington: Ted Brautigan gives Bobby a copy of Lord of the Flies to read in "Low Men in Yellow Coats."
  7. 01
    Duma Key by Stephen King (SqueakyChu)
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English (48)  Italian (1)  All languages (49)
Showing 1-5 of 48 (next | show all)
These 5 loosely connected novellas left me confused and cold. It never came together for me. ( )
  srboone | Apr 3, 2013 |
A collection of two novellas and three short stories about the Baby Boomer generation, specifically their experiences relating to the Vietnam War and their failure to carry through on the promise and ideals of their generation.

This is an unusual collection that mixes genres, throwing in some of the Dark Tower mythos with more mainstream writing. The stories are connected by theme — the failures of the Baby Boomer generation — as well as by recurring characters. The first novella, “Low Men in Yellow Coats,” is my favorite because it plays on King’s strengths as a writer. It is about childhood in a small town, set in a time of nostalgia (1960), and while it is a coming-of-age story, it also has a strong sense of fantasy and the supernatural. For more constant King fans, it is strongly connected to the Dark Tower stories.

The other stories are more closely tied to the Vietnam War. The second novella, “Hearts in Atlantis,” made an impression on me because it reminded me of my high school experiences. The characters in the story fritter away their time in college obsessively playing Hearts (for us in high school, it was Spades); however, the stakes are higher for them, because if they flunk out of college, they will be sent to Vietnam. The next two stories, “Blind Willie” and “Why We’re in Vietnam,” take place after the Vietnam War, showing its fallout. The second of these was the more memorable for me because of a dreamlike, surreal sequence taking place during a traffic jam that I thought was very well done. The final story, “Heavenly Shades of Night Are Falling,” is a bookend to the opening novella and wraps up the recurring characters’ stories.

Read upon release because I like the author (1999). ( )
  sturlington | May 22, 2012 |
Another loose end from The Dark Tower is tied up, which is always good. King's theory of everything is at work in these five stories and I like them for that. ( )
  barpurple | Oct 11, 2011 |
A lo largo de cinco relatos escalofriantes, basados en tres temas principales y protagonizados por los mismos personajes a lo largo de casi cuatro décadas, Stephen King disecciona implacablemente los fantasmas, miedos y frustraciones de la sociedad norteamericana. En Hampones con chaquetas amarillas un niño es víctima de macabras cicunstancias que lo convertirán en un delincuente. Corazones en la Atlántida narra las dramáticas peripecias de un grupo de universitarios sobre los cuales pende la amenaza de ser reclutados y acabar en Vietnam. ( )
  ARICANA | Aug 16, 2011 |
Showing 1-5 of 48 (next | show all)
In ''Hearts in Atlantis,'' it's as though King has written two lengthy prologues and two brief epilogues but left out the novel proper. Or perhaps he hasn't. The book's juxtapositions set me wondering: maybe Vietnam is the archetype not only of the otherworldly horror Bobby chooses to avoid in ''Low Men in Yellow Coats'' but of all King's supernatural horror.
 
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Epigraph
Number 6: What do you want?

Number 2: Information.

Number 6: Whose side are you on?

Number 2: That would be telling We want information.

Number 6: You won't get it!

Number 2: By hook or by crook...we will.
--The Prisoner
Simon stayed where he was, a small brown image, concealed by the leaves. Even if he shut his eyes the sow's head still remained like an after-image. The half-shut eyes were dim with the infinite cynicism of adult life. They assured Simon that everything was a bad business. -- William Golding, Lord of the Flies
"We blew it." -- Easy Rider
Dedication
This is for Joseph and Leanora and Ethan: I told you all that to tell you this.
First words
Bobby Garfield's father had been one of those fellows who start losing their hair in their twenties and are completely bald by the age of forty-five or so.
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(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (5)

Book description
Hearts in Atlantis is a collection of two novellas and three short stories by Stephen King, all connected to one another by recurring characters and taking place in roughly chronological order. The stories are about the baby boomer generation, specifically King's view that this generation (to which he belongs) failed to live up to its promise and ideals.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0671024248, Mass Market Paperback)

With his idiosyncratic blend of patrician airs and boyish charm, narrator William Hurt provides a wonderful complement to this wildly imaginative collection of short stories by author Stephen King. Hurt carefully weaves the disparate elements into a cohesive whole, embracing the subtle complexities of each character; one moment a wizened sadness leaks into his voice as a haunted old man, pursued by demons, asks his 11-year-old lookout, "You know everyone on this street, on this block of this street anyway? And you'd know strangers? Sojourners? Faces of those unknown?" Then, in a profound yet almost imperceptible switch, he exposes the boy's naive enthusiasm, "I think so." Right about here your neck hairs will stand at attention. Hurt's peculiar vocal style is in perfect pitch to King's dark, surreal vision of growing up amid the monsters of post-Vietnam America. (Running time: 21 hours, 16 cassettes) --George Laney

(retrieved from Amazon Thu, 14 Feb 2013 13:30:40 -0500)

(see all 7 descriptions)

Five interconnected, sequential tales set in the years between 1960 and 1999 focus on the Vietnam War and weave together innocence, experience, truth, deceit, loss, and recovery.

» see all 7 descriptions

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