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Island: The Complete Stories by Alistair MacLeod
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Island: The Complete Stories

by Alistair MacLeod

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305517,813 (4.44)9
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This book is a wonderful collection of short stories based mostly in Cape Breton. Each and every story is beautifully written. MacLeod is a gifted writer who has a gentle sincere style that sets the mood and the scene so well, that you feel as though you lived the experience yourself. There are no bells and whistles to his writing...just his voice, which pulls you right into the hearts and lives of the people of the East coast. I loved the characters, I loved the places and I loved the stories. I would highly recommend this book to people who enjoy reading Canadian literature. ( )
  Iudita | Dec 7, 2009 |
Currently reading
  bojanfurst | May 11, 2009 |
Brilliant short stories, finely crafted with not a single wasted word. Beautifully captures the complex lives and relationships of seemingly simple people living difficult lives in a stark landscape. ( )
  bobprior | Sep 1, 2008 |
An amazing and moving work. It will leave you wanting more of Alistair MacLeod. These stories are snapshots of life that you will never forget. ( )
  LilMiriam | Oct 10, 2006 |
A lyrical and often heartbreaking collection of short stories about the people of Cape Breton, whether they be coal miners, fishermen or farmers. Wonderfully written, I strongly recommend this book to all. ( )
  Highlander99 | Jul 11, 2006 |
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Book description

Amazon.com (ISBN 0375713042, Paperback)

"Once there was a family with a Highland name who lived beside the sea." So begins "As Birds Bring Forth the Sun," a 1985 entry from Island. The story continues, "And the man had a dog of which he was very fond." And there you have the basic elements of an Alistair MacLeod story: dog, family, and sea. The author--whose 2000 novel No Great Mischief won him a measure of long-overdue acclaim--shuffles these elements into a surprisingly infinite variety of configurations, always with the same precise, confident, quiet language.

His big theme is the abandonment of the rural. Though his characters live in the fishing communities of Newfoundland and Nova Scotia, the seaside isn't a place where they dwell contentedly. In half the stories, young men and boys feel a pull toward academe and the center of the country. In the other half, academically successful middle-aged men return to the wild eastern coast of Canada to try to reclaim the life they left behind. Both dilemmas are impossible to resolve--no one can be both a city mouse and a country mouse--and MacLeod wisely doesn't offer easy solutions.

What makes the writing sing, though, is the specificity of his descriptions of rural life. He tells you exactly how things work: "The sheep move in and out of their lean-to shelter, restlessly stamping their feet or huddling together in tightly packed groups. A conspiracy of wool against the cold." The people here are ultimately defined by the physical world, and MacLeod has a farmer's visceral feel for geography. As he writes in "The Lost Salt Gift of Blood": "Even farther out, somewhere beyond Cape Spear lies Dublin and the Irish coast; far away but still the nearest land, and closer now than is Toronto or Detroit, to say nothing of North America's more western cities; seeming almost hazily visible now in imagination's mist." This is regional fiction in the best sense: it belongs to one perfectly evoked place. --Claire Dederer

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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