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Human Traces by Sebastian Faulks
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Human Traces: A Novel

by Sebastian Faulks

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570138,483 (3.28)13

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Showing 13 of 13
Psychiatry vs. Psychology vs. Neurology. What is the difference anyway? This was an interesting history and discussion of how the three divisions came about for the first half, overshadowed by soap opera nonsense in the second.

Too much that the psychoanalist Freudian follower was the one who had an affair.

A difficult subject to tell a story about really as it has no happy ending, just tails off into modern day achievements or lack thereof. ( )
  sarah_rubyred | Dec 28, 2009 |
An epic tale of two psychiatrists at the begining of the 1900's. The historical context was interesting and carefully explained. The pace and interest was maintained throughout the book and the characters were well developed. It certainly felt well researched, although I'm no expert . A good, but not a light, read. ( )
  bookmart | Sep 28, 2009 |
I found this story dragged on too long. Started off well but got tiresome in the end. ( )
  bennyb | Sep 8, 2009 |
I did not particularly love or enjoy this book, but I admired it greatly. I was awestruck by Faulks's ability to accumulate a vast amount of historical scientific knowledge and build around it the story of the lives of two fictional characters, one English and one French, who set out with the bold ambition of curing madness. ( )
  dsc73277 | Aug 23, 2009 |
Extremly thought-provoking, and sometimes heart wrenching, amazing read. I was thoroughly gripped from beginning to end by this book, as it traced the careers of two well-described and easily-imaginable characters and those around them. Many historical insights into past attitudes towards the mind set within a emotional story. I thoroughly recommend this book.
  abigail.ann | Aug 21, 2009 |
There's no point in writing a review about just HOW good a writer Faulks is. The word on this fellow has long been out. But I am amazed to see just how deep and wide his toolbox is.

This book just hits the ground running in a way that reminded me of T.C. Boyle, Michael Ondaatje and the late great Robertson Davies. Yeah, he's THAT good.

The puzzle for me is why he is also the new James Bond novelist. I'm quite sure this will be the best written and possibly most intricate Bond novel ever - but I'm not sure this isn't a little like killing the proverbial gnat with a howitzer. Which book of proverbs had howitzers? In any case, it will gets the job done but it's probably a bit of overkill.

I suspect a truckload of money and some fan-boy idolatry were involved.

- Barney Dannelke ( )
  Dannelke | Jul 24, 2008 |
This is an incredibly incredibly ambitious and thoughtful, much more subtle and wide-ranging than the previous works by Faulks that I've read. It deals with some of the same issues that he's dealt with in his previous works—the spectre of the First World War hangs over this as it does in Birdsong—but this is a much more expansive book, one which looks at sanity and insanity, what it is to be human, what it is to think.

This can, admittedly, make the book a little heavy-going at times, especially since Faulks manages a very admirable pastiche of the kind of writing to which medical researchers were prone in the nineteenth century, but I found it fascinating and thought-provoking, sufficiently so that I devoured it in the departure lounge/on the plane—which is definitely a sign of approval given that it's over six hundred pages long, and the flight was very much a short haul one.

The prose is beautifully lucid, evocative without ever being anything like purple, and Faulks somehow manages the feat of shifting the tone of the novel almost imperceptibly as it progresses, so that the opening feels very appropriate to its setting (the early 1870s) while its conclusion is very much of the twentieth century. If the novel has a flaw, it is that its characters always take second place to its ideas; Thomas and Jacques, Sonia and Kitty, though finely drawn, are never characters which seize the imagination. ( )
1 vote siriaeve | Apr 26, 2008 |
Apparently got some bad reviews but I loved this book. Fascinating. Great detail. Charts the decades with aplomb. ( )
  towncalledmalice | Apr 14, 2008 |
Breathtaking ( )
  Faradaydon | Nov 25, 2007 |
This is my first experience of Sebastian Faulks and unfortunately it is not a favourable one. I plodded my way through the novel struggling to find a character or something that would engage my attention but nothing seemed to work. I eventually gave up two thirds of the way through; something which I very rarely do! A poor read. Hopefully his other novels are better. ( )
2 vote lhuggins | Apr 11, 2007 |
Read
frustrating ( )
  julylo7 | Feb 4, 2007 |
I've read Charlotte Gray and Birdsong, so was expecting good thing from this book. Somehow it didn't quite match up. It was an enjoyable read, and there's nothing I can put my finger on as such, but the characters never really grabbed me in the same way. There were some pretty long philosophical passages as well, about the origins of humanity, which i felt were a bit wordy and didn't grab my attention. ALSO - nayone else who has read the book - were you a bit puzzled as to why 'Midwinter' (not Thomas, the one in the tower at the asylum) seemed to be introduced as a character with a huge part to play and was then never mentioned again? ( )
  trench_wench | Jan 28, 2007 |
Quick march through late 19th centrury psychiatry and neuroscience before ending up in Faulks' familar First World War stomping ground. Strangely fails to mention Freud by name despite comprehensively duffing him up. ( )
  jmireland | Sep 19, 2006 |
Showing 13 of 13

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