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Northanger Abbey by Jane Austen
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Northanger Abbey (original 1817; edition 2010)

by Jane Austen

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12,110219178 (3.81)2 / 816
Member:HeatherMcCullough
Title:Northanger Abbey
Authors:Jane Austen
Info:CreateSpace (2010), Paperback, 168 pages
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Northanger Abbey by Jane Austen (1817)

1001 (64) 1001 books (68) 19th century (441) Austen (242) British (254) British literature (211) classic (747) classic fiction (65) Classic Literature (78) classics (584) ebook (95) England (257) English (120) English literature (231) fiction (1,685) gothic (276) humor (78) Jane Austen (318) Kindle (78) literature (334) novel (288) own (92) parody (71) read (168) regency (162) romance (422) satire (156) to-read (115) unread (96) women (66)
  1. 184
    The Mysteries of Udolpho by Ann Radcliffe (upstairsgirl, Hollerama)
    upstairsgirl: This is the book that Austen's heroine is reading (and which Austen is wryly mocking) in Northanger Abbey. Fun to read with each other; Udolpho is possibly less fun on its own.
  2. 103
    Cold Comfort Farm by Stella Gibbons (ncgraham)
    ncgraham: Another brilliant parody.
  3. 31
    Evelina by Frances Burney (flissp)
  4. 32
    Nightmare Abbey & Crotchet Castle by Thomas Love Peacock (SomeGuyInVirginia)
    SomeGuyInVirginia: Both satirize gothic gaspers.
  5. 43
    Cousin Kate by Georgette Heyer (inge87)
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English (206)  Spanish (3)  German (3)  Italian (2)  French (2)  Swedish (1)  Lithuanian (1)  Norwegian (1)  All languages (219)
Showing 1-5 of 206 (next | show all)
3.5/5

I suppose that it's a mark of maturity that I can no longer enjoy something without stepping back and asking "Yes, but what does it all mean?". Either that, or I'm taking this reviewing business way too seriously. Anyways.

This is the first novel that Austen composed, and it shows. Many of the ideas that she wishes to share with her readers are good ones, to be sure, but her delivery of them is not in a coherently fictional form. Much of it felt as if the reader was being led around a science fair exhibit or artistic diorama by an overenthusiastic child; there was much to smile at, but not much to sink ones teeth into. It must also be taken into consideration that the writing could have really used some more editing, but whether this is the fault of the edition or the author is up to consideration.

Still. It was very adorable in a wittily amusing sense. Also, many of the critiques and comments were spot on when it came to themes such as popular views of women in society, the oftentimes conniving methods of ensuring matrimony, and most importantly the power of fiction. While it's true that the heroine formed some particularly peculiar opinions regarding reality as a result of her reading novels, the book also demonstrates that one need not read overly dramatic tales involving supernatural elements in order to make extremely poor decisions. In comparison to the amount of useless drama and antagonism that resulted from misguided rumors, the heroine's actions based on her choice of reading were almost sensible.

In light of all that, while the writing itself is a bit discombobulated and rather shallow, there's also a lot of entertainment and a decent amount of sense to be found. It's not Austen's best, but considering her later works, I'd say it was a promising start. ( )
1 vote Korrick | May 14, 2013 |
Important as a comparison to her later works. you can see glimpses of Austen's future themes and pathways to better character development. I tended to get bored while reading it. ( )
  Elpaca | May 1, 2013 |
This is my final Jane Austen book - the only one I hadn't read. It's definitely not up with my top three (Pride and Prejudice, Emma, and Persuasion), but at the same time I did really like it. I'd probably place it on about a par with Sense and Sensibility (I didn't like Mansfield Park at all). There's something totally endearing about the whole thing, the satire being a little more obvious than in the others I've mentioned. I read somewhere that although this was the last book published, it was the first one she wrote? It definitely shows, particularly in the lack of subtlety, but it's no bad thing. The story is also notably slighter than some, but again, this isn't necessarily a critcism. It's just a completely different beast to the other books.

I loved Catherine. She was so charmingly naive, which is refreshing, given that Austen has a tendency towards very knowing protagonists. She's a little younger than her typical protagonist, which probably accounts for this somewhat, but I just liked her being a little less streetwise than perhaps Elizabeth or Emma (who obviously had their own blind spots, but that's for another review). I felt some elements of Henry's character weren't really fleshed out properly - I couldn't really "see" him the way I could see Knightly or Darcy, for example - but, again, given that this is more of a straightforward story than the others, it was kind of acceptable. I do wish Eleanor's affair had been a little more fleshed out, but again, I mostly put that down to the youth of the author at the time.

John Thorpe (who I kept accidentally calling Iain in my head - sorry, Iain!) was a complete git, which I know was the intention, and made me really, really angry. I find it a little annoying when authors use a set of crossed wires to (in particular) keep couples apart, but the few instances of this are resolved pretty quickly, so I can't complain too much.

In comparison to most other things, this is definitely five stars. I only gave it four because it's not quite a classic Austen, but a very good one nonetheless! ( )
  heterocephalusglaber | Apr 26, 2013 |
I really couldn't stand Pride and Prejudice, when I read it, a fact I've made no great pains to disguise. But I was determined to get all the way through a Jane Austen book without chucking it across the room at any point, and Northanger Abbey made this easy on me. The tone of the novel is quite fun, and it was quite easy for me to see the cleverness and wit of the author I'd heard so much about and hadn't liked or noticed very much in Pride and Prejudice. Any complaints I might have about the character -- her ignorance, her silliness -- are sort of necessary for the plot to proceed as it does. I think if the novel had been much longer, I'd have got a bit sick of the tone, but it was just the right length, I think. ( )
  shanaqui | Apr 9, 2013 |
Northanger Abbey is about Catherine Morland, an average girl and avid reader of gothic romances, and her adventures vacationing in Bath and visiting friends at their home, Northanger Abbey. To say more than that is to give away plot points.

According to the introduction to this edition, Northanger Abbey is the earliest of Jane Austen's published novels but the last to be published, and even then it was published posthumously. I could tell this was an early work of hers, because her sarcasm and social commmentary is much more obvious and pointed than in the other Jane Austen books I've read. This was still a decent book, but I much prefer Austen's sly, subtle barbs to this transparent disdain for social climbers, silly rules of etiquette and propriety, and the gothic romances of her time. ( )
  JG_IntrovertedReader | Apr 3, 2013 |
Showing 1-5 of 206 (next | show all)
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» Add other authors (114 possible)

Author nameRoleType of authorWork?Status
Austen, Janeprimary authorall editionsconfirmed
Johnson, Claudia L.Introductionsecondary authorsome editionsconfirmed
Lane, MaggiePrefacesecondary authorsome editionsconfirmed
Ross, JosephinePrefacesecondary authorsome editionsconfirmed
Sanderson, CarolinePrefacesecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Wiltshire, JohnPrefacesecondary authorsome editionsconfirmed

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No one who ever had seen Catherine Morland in her infancy, would have supposed her born to be an heroine.
Quotations
"Oh! It is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. "It is only Cecilia, or Camilla, or Belinda"; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.
Friendship is certainly the finest balm for the pangs of disappointed love.
...but while I have Udolpho to read, I feel as if nobody could make me miserable.
Young people do not like to be always thwarted.
Give me but a little cheerful company, let me only have the company of the people I love, let me be where I like and with whom I like, and the devil may take the rest
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(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This LT work, Jane Austen's Northanger Abbey, is the original form of this novel. Jane Austen's Northanger Abbey [ISBN 1854598376] is a dramatization of this work by Tim Luscombe. Please do not combine the two; thank you.
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Book description
Catherine, at seventeen, is an insatiable reader of 'horrid' novels full of villainous monks, secret corridors and blameless heroines. So, when, during an eventful visit to Bath, she is invited to the Tilneys' family home, Northanger Abbey, her cup is full. The quizzical Henry Tilney embarrasses her by guessing at her vivid speculations and she fears that she has lost his good opinion for ever. Just as she begins to hope again, his father inexplicably banishes her...In a lively novel, portraying social life in fashionable Bath and the terrors of an imposing country house, Jane Austen exposes the dangers of an over-active imagination, of mistaken ideals and of bad faith. But while Catherine's youthful blunders are treated with reconciling good humour, hypocrisy, avarice and social climbing are unmercifully delineated in this joyously incisive love story.
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Amazon.com Amazon.com Review (ISBN 0141439793, Paperback)

Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.

Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber

(retrieved from Amazon Thu, 14 Feb 2013 13:48:16 -0500)

(see all 7 descriptions)

Catherine Morland meets all the trappings of Gothic horror and imagines the worst. Disaster does eventually strike, as it does in the real world as distinct from the romantic one, but without spoiling the wonderful atmosphere of this story.

(summary from another edition)

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Four editions of this book were published by Penguin Australia.

Editions: 0141439793, 0141028130, 0141194855, 0141197714

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