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A Little Princess by Frances Hodgson Burnett

A Little Princess (original 1905; edition 1987)

by Frances Hodgson Burnett, Tasha Tudor (Illustrator)

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8,158134384 (4.23)1 / 333
Title:A Little Princess
Authors:Frances Hodgson Burnett
Other authors:Tasha Tudor (Illustrator)
Info:HarperTrophy (1987), Paperback, 336 pages
Collections:Your library
Tags:Children, Film, England

Work details

A Little Princess by Frances Hodgson Burnett (1905)


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English (131)  German (1)  French (1)  Finnish (1)  All languages (134)
Showing 1-5 of 131 (next | show all)
This must surely be one of the sweetest, loveliest books a girl could read in childhood. It's been a long time but reading it again all these years down the line (in my early 20s), it still holds such charm, wonder and profound messages about class, poverty and happiness that I know it'll be returning to my shelf to read again and pass on to my own children.

It tells the story of Sara Crewe, a rich little girl brought up in India by her beloved father, who moves to England to go to boarding school at the gloomy seminary belonging to the formidable Miss Minchin. She is the star pupil, dressed in finery and always happy to share her good fortune and vivid imagination with her classmates. But when a tragic twist of fate strips her of everything, Sara ends up a poor orphan working as a drudge in the seminary where once she was idolised by her fellow pupils. Miss Minchin uses this as a fine opportunity to take a sort of revenge on this strange little girl, who she has never understood but has always indulged thanks to her wealth. But no matter how hard her life becomes, she remains generous and polite to those around her, rich and poor alike, pretending that she is a princess in order to keep her morals and spirits strong. Finally, just as even her fiery spirit is at breaking point, an English gentleman who has been living in India moves into the house next door and magical things start to happen as their interest in each other grows. Of course everything will come right in the end, but I won't give away any more because it deserves to be read and enjoyed...

This is a beautiful, moving, and inspiring novel, whether you're 6 or 60! It is well written, with highly individual and well-rounded characters, and a wealth of description which makes it very atmospheric and allows even a child to see Sara's London in vivid detail. There are images in the book which I could still remember clearly and recognise years after I read it as a little girl, and even now I was holding my breath and waiting for everything to fall into place! In today's selfish modern society it also provides a reminder of how a little generosity and kindness goes a long way, and is a perfect fairy tale for littler princesses too. I'd also recommend The Secret Garden for a slightly less girlie but equally sweet, timeless and beautiful story. ( )
  elliepotten | Jun 2, 2015 |
Surprisingly, I never read this when I was younger, even though I first got this book when I was 8 or 9 (yeah, it's been on my shelf for a loooong time). I absolutely love the 1995 movie version (directed by Alfonso Cuaron), so I was eager to start reading this.

Um. It was OK. I know I would have appreciated it a lot more if I read it when I was younger (although I'm pretty sure I would have thought a lavish wardrobe for a doll is silly). I liked some of the more beautiful and lyrical sentences Hodgson Burnett wrote, but the whole thing seemed overly saccharine to me, specifically the way Lottie, Ermengarde, and Becky basically worshiped the ground Sara walked on. Also, the casual racism and some of the older men's fascination with little girls does not hold up well. But I like the overall message of the book: if you remain kind and hold on to your dreams/imagination, you will be OK.

I know this is a classic, and I'm glad so many people love it; however, it just wasn't for me. ( )
  kaylaraeintheway | Apr 20, 2015 |
I absolutely adored The Secret Garden, so I read this, too. When one is a girl, one can believe such fantasies. ( )
  Cheryl_in_CC_NV | Apr 14, 2015 |

A Little Princess by Frances Hodgson Burnett

After I became a fan of Frances Hodgson Burnett, I did a little research on her. She lived to be 79 years old from 1849 to 1924. Turns out that back in her time, she was an incredibly popular author. I don't mean she was merely successful. I mean she was a celebrity. Famous. One article I read called her the "J.K. Rowling of her age."

I find that easy to believe. Her work is rife with verisimilitudinal descriptions. My favorite thing!

There are three things I love in a story. Great dialog. Poetic prose. Poignant verisimilitude. Notice I made no mention of plot or characters. Great characters and amazing storylines fall flat without those other things.

Since the original publication of the book in 1905, A Little Princess remains immensely popular and has been made into a motion picture 5 times between 1917 and 1997 and there have been nearly an equivalent number of television versions; Not to mention, approximately 8 theatrical productions.

The premise of the story is that a little English girl named Sara Crewe, living in India, is sent to a boarding school in London while her father returns to India to run a diamond mine. The 1997 movie version changes the school location to America with the father going off to fight in WWI, which I think is far more perilous and compelling, but of course, WWI didn't begin until 1914, a full 9 years after the book was written. So, there was no way the book version could have incorporated WWI into the storyline because WWI hadn't existed yet. In the movie, during that scene where Sara is saying goodbye to her father, I cry like a little girl everytime I see it. Seriously, I refuse to watch that film in the presence of other people, because because I sniffle like a baby. It's emasculating and pathetic. I'm Indiana Jones. I'm Han Solo. I'm James Bond. I can't be getting all weepy when a little girl says goodbye to her dad. But I do. Everytime.

Due to the changes in language and slang and the idiosyncrasies of the evolution in literary trends, books that are a century old can often become difficult to follow. However, once you start to read some older novels, you discover the problem isn't the language, it's just bad writing. Have you ever read The Adventures of Tom Sawyer by Mark Twain? Obviously, Mark Twain is revered as one of the greatest American authors of all time, but that book is horribly written. Within the first ten pages, Tom's Aunt Polly recites an entire page of exposition aloud, while standing in the yard, to absolutely no one. At least I think it happens in the yard, Mark Twain doesn't seem to like to write descriptions of locations. Aunt Polly just starts talking out loud, explaining all sorts of details about the story, to herself. There are no other characters around. Then a few pages later, Tom is talking to his aunt, then he's getting into fistfight which I think might be happening in front of his house. But since Mark Twain doesn't bother to give any description of where Tom is at, I really have no idea where the heck the fight takes place. Mark Twain deserves his impeccable reputation as an essayist, but he's one overrated novelist.

Obviously, this is not a review to criticize Tom Sawyer, it's a review to praise A Little Princess. I'm only citing Mark Twain to prove a point. The point I'm trying to make is, I was once of the mentality that many old classics were terrible books. What I have come to learn is, great writing is timeless. Bad books will always be bad books. Great books will always be great books. Don't be like I was. Never presume a book will be bad, just because it was written 100 years ago. Never presume a book will be good, just because the author is considered a national treasure. Some of the so-called "classics" are complete crap.

Classics like A Little Princess are golden milestones in the history of English literature. A priceless treasure that shall remain of value until the demise of humanity itself.

Frances Hodgson Burnett is an enchanting author. Like all my favorite writing, she just weaves the perfect tapestry of language to describe the emotions and thoughts of her characters. She writes in a way that makes me jealous because she so readily captures the human heart in such simple words. Perfect words. Words that could not be rearranged with synonyms and find the same meaning. For that is the ultimate alchemy of gifted authors, their sublime talent at finding exactly the right words, for exactly the right feelings, and arranging them together in a canvas so flawless, that to displace a single syllable would make the entire image dissolve into dust.

One such sentence reads:
"But what does anything matter when one's Magic has just proved itself one's friend."
Without any further explanation, we know exactly what that means. That single sentence gives me chills. To think that just one other person understands that feeling and can put it into words is astonishing.
"It's true," she said. "Sometimes I do pretend I am a princess. I pretend I am a princess, so that I can try and behave like one."
That is one of those passages I have never forgotten since the moment I read it. To think that even for one moment in this world there was a single soul who thought with such nobility in her heart is inspiring in a way I am incapable of articulating. Were I ever to become the father of daughters, they will all read that and be taught they must take it to heart. And of course a son would learn he must behave as no less than a prince. But of course, that would first require courting a mother who already held such integrity and well, there's not much hope of that. Those girls only exist in stories. That's why we write them.

When the first girl I ever loved, Michelle, was a child, her mother Brenda forbade her from playing with a troublemaker down the street, because Brenda feared this naughty girl may be a bad influence on her daughter. Michelle, at the time only 4 or 5 years old, looked at her mother and said, "Did you ever stop to think that maybe I might be a good influence on her?"

Brenda never tried to stop my love from playing with that girl again. Michelle is the kind of girl who was the embodiment of Sara Crewe. As Michelle died more than 20 years ago, there no longer exist princesses of such integrity. Nowadays, such girls only exist in myth and legend.
"How it is that animals understand things I do not know, but it is certain that they do understand. Perhaps there is a language which is not made of words and everything in the world understands it. Perhaps there is a soul hidden in everything and it can always speak, without even making a sound, to another soul."
There. The words that everyone knows. The words everyone understands. Yet I've never seen it described so perfectly.
"And there Sara would stand, sometimes turning her face upward to the blue which seemed so friendly and near - just like a lovely vaulted ceiling - sometimes watching the west and all the wonderful things that happened there: the clouds melting or drifting or waiting softly to be changed pink or crimson or snow-white or purple or pale dove-gray. Sometimes they made islands or great mountains enclosing lakes of deep turquoise-blue, or liquid amber, or chrysoprase-green; sometimes dark headlands jutted into strange, lost seas; sometimes slender strips of wonderful lands joined other wonderful lands together. There were places where it seemed that one could run or climb or stand and wait to see what next was coming - until, perhaps, as it all melted, one could float away. At least it seemed so to Sara, and nothing had ever been quite so beautiful to her as the things she saw as she stood on the table - her body half out of the skylight - the sparrows twittering with sunset softness on the slates. The sparrows always seemed to her to twitter with a sort of subdued softness just when these marvels were going on."
That is beauty so grand it soothes like warmest waters yet skewers the breast with knitting needle heartache. How can it be? How can it be to find others of my tribe upon pages a century old? With such paragraphs you begin to wonder, is this a ruse? Could it be a coincidence? Are these cruel tricks of the light shimmering across a mischievous universe of time and space? Are such words the only ones this person could ever speak to my heart? Or is there something real? Is there a magic to the workings of the world that I have merely forgotten?

For me Sara Crewe is so much more than a fiction. She is a daughter child, a sister comrade, a wise mother and a companion bride. There are no real humans who see life the way she and I do. Only the ones of which I can dream.

A Little Princess is about something that no living soul possesses. This is a story about kindness and fortitude and compassion. And it is about holding onto those things in the face of cruelty and hopelessness and loneliness and death and barren places where we sit imprisoned.

A Little Princess is better than anything I've ever written and I fear better than anything I will ever write. This story is a beacon for our tribe. This story is one of the markers. You found this review because it's time for you to meet Sara Crewe. You need to read her story. You need her to accompany you right now. This point in your life is when you were meant to become friends with A Little Princess. She might be a good influence on you. ( )
  EricMuss-Barnes | Mar 22, 2015 |
I remember watching the movie version when I was little and finding it to be so fanciful and dreamy that the story has stayed with me even into adulthood.

Suppose...just suppose that one day I become a mother. Oh how I would hope that my baby was a little daughter with whom I could share such charming stories. Wouldn't it be grand? ( )
  Mozzie | Jan 15, 2015 |
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» Add other authors (197 possible)

Author nameRoleType of authorWork?Status
Frances Hodgson Burnettprimary authorall editionsconfirmed
Armes, StephenCover artistsecondary authorsome editionsconfirmed
Betts, Ethel FranklinIllustratorsecondary authorsome editionsconfirmed
Birch, ReginaldIllustratorsecondary authorsome editionsconfirmed
Burns, RebeccaNarratorsecondary authorsome editionsconfirmed
Curiace, GismondeIllustratorsecondary authorsome editionsconfirmed
Engelbreit, MaryIllustratorsecondary authorsome editionsconfirmed
Gardam, JaneIntroductionsecondary authorsome editionsconfirmed
Gill, MargeryIllustratorsecondary authorsome editionsconfirmed
Henterly, JamichaelIllustratorsecondary authorsome editionsconfirmed
Knoepflmacher, U. C.Introductionsecondary authorsome editionsconfirmed
López, AnaTranslatorsecondary authorsome editionsconfirmed
Leishman, VirginiaNarratorsecondary authorsome editionsconfirmed
Mah, Adeline YenIntroductionsecondary authorsome editionsconfirmed
McKowen, ScottIllustratorsecondary authorsome editionsconfirmed
Piffard, HaroldIllustratorsecondary authorsome editionsconfirmed
Rust, GrahamIllustratorsecondary authorsome editionsconfirmed
Tudor, TashaIllustratorsecondary authorsome editionsconfirmed
Vielhomme-Callais, PauletteTranslatorsecondary authorsome editionsconfirmed
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First words
Once on a dark winter's day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father, and was driven rather slowly through the big thorough-fares.
When people are insulting you, there is nothing so good for them as not to say a word - just look at them and think...when you will not fly into a passion, people know you are stronger than they are, because you are strong enough to hold in your rage and they are not, and they say things they wish they hadn't said afterwards. There's nothing so strong as rage, except what makes you hold it in - that's stronger.
Never did she find anything so difficult as to keep herself from losing her temper when was suddenly disturbed while absorbed in a book. People who are fond of books know the feeling of irritation which sweeps over them at such a moment. The temptation to be unreasonable and snappish is one not easy to manage.
If Nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of that -- warm things, kind things, sweet things -- help and comfort and laughter -- and sometimes gay, kind laughter is the best help of all.
"Perhaps," she said, "to be able to learn things quickly isn't everything. To be kind is worth a great deal to other people. If Miss Minchin knew everything on earth and was like what she is now, she'd still be a detestable thing, and everybody would hate her. Lots of clever people have done harm and have been wicked. Look at Robespierre -- "
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Disambiguation notice
Sara Crewe, or What Happened At Miss Minchin's, the work on which A Little Princess is based, was first written as a serialized novella. It was published in St. Nicholas Magazine in 1888.
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Wikipedia in English (1)

Book description
A kind and wealthy Anglo-Indian girl in a posh British boarding school becomes impoverished after the death of her father and is forced to become a servant at the school, living in an unheated garret, overworked and underfed. Then a mysterious benefactor comes to her rescue.

AR 6.0, Pts 11
Haiku summary
A rich little girl / becomes an orphan and slave / but stays positive. (marcusbrutus)

Amazon.com Product Description (ISBN 0064401871, Paperback)

Generations of children have treasured the story of Sara Crewe, the little girl who imagines shes a princess in order to survive hard times at Miss Minchins London boarding school. Now, this classic novel is available in two beautiful new collectors editions. With Tasha Tudors enchanting black-and-white illustrations, and lovely details like a satin ribbon marker and glorious full-color plates in the hardcover, these new editions of A Little Princess are must-haves for anyone who wants to rediscover the magic of this beloved story.

(retrieved from Amazon Thu, 12 Mar 2015 18:10:45 -0400)

(see all 9 descriptions)

Sara Crewe, a pupil at Miss Minchin's London School, is left in poverty when her father dies, but is later rescued by a mysterious benefactor.

(summary from another edition)

» see all 34 descriptions

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3 editions of this book were published by Penguin Australia.

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