For this reader, the sixth volume of 100 Bullets is the best one so far. While there is no strong central narrative at work this time around, the volume does succeed mightily in advancing the larger meta-narrative of 100 Bullets. And to top it off, Eduardo Risso is in unusually fine form when it comes to the artwork. He manages to go beyond eye candy into the realm of genuinely thought-provoking layout and graphic presentation. What is most remarkable about 100 Bullets as a series is the fact that Risso's line drives the narrative - considerably more so than Brian Azzarello's words do. But that's all to the good, since it's a graphic novel, an art form which inherently demands a superior visual language and execution. 100 Bullets delivers that in spades. ( )

Graves is hovering around, hoping to foment some problems in the ranks of the trust. While that is going on, we get the back story of several of the pivotal, or presumably pivotal characters that Graves is gathering and influencing with his mystery briefcases and past ties. This includes minutemen both new and old.

http://graphicsf.blogspot.com/2006/12... ( )