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House of Leaves by Mark Z. Danielewski

House of Leaves (2000)

by Mark Z. Danielewski

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
8,627224353 (4.14)2 / 339
  1. 120
    The Haunting of Hill House by Shirley Jackson (macart3)
    macart3: Those who read the "House of Leaves" will recognize how the house also consumes people in "The Haunting of Hill House" and the feeling that there is something unearthly inhabiting the house.
  2. 81
    The Raw Shark Texts by Steven Hall (Liyanna)
  3. 70
    Infinite Jest by David Foster Wallace (Torikton)
    Torikton: Danielewski and Wallace both satirize academic writing by playing with footnotes.
  4. 40
    The House on the Strand by Daphne du Maurier (PandorasRequiem)
  5. 30
    At Swim-Two-Birds by Flann O'Brien (Fenoxielo)
    Fenoxielo: At Swim-Two-Birds is the grand-daddy of all meta-fiction and House of Leaves owes a great deal to it.
  6. 10
    Ficciones by Jorge Luis Borges (fundevogel)
  7. 10
    S. by Doug Dorst (Kordo)
  8. 10
    Vellum: The Book of All Hours by Hal Duncan (MyriadBooks)
    MyriadBooks: For a sincere ambition to figure out what the hell is going on.
  9. 10
    The Red Tree by Caitlín R. Kiernan (ligature)
  10. 10
    How to Live Safely in a Science Fictional Universe by Charles Yu (sduff222)
  11. 10
    Gravity's Rainbow by Thomas Pynchon (AndySandwich)
    AndySandwich: Gravity's Rainbow = paranoia House of Leaves = claustrophobia
  12. 10
    Chunnel Surfer II by Scott Maddix (aaronius)
    aaronius: Another experimental narrative that takes you different places than ordinary fiction.
  13. 11
    Empire of the Ants by Bernard Werber (guyalice)
    guyalice: The mysterious basement and the unending staircase draw parallelisms.
  14. 00
    Icelander by Dustin Long (sduff222)
  15. 00
    The third policeman by Flann O'Brien (owen1218, ateolf)
    owen1218: It seems to have been influenced by this book.
  16. 04
    BLAME!, Vol. 1 by Tsutomu Nihei (Anonymous user)

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English (212)  German (4)  Dutch (3)  French (2)  Spanish (2)  Italian (1)  All languages (224)
Showing 1-5 of 212 (next | show all)
Wow! There is a reason it took me so many months to finish this book. I'll have to think on my review for a time in order to do justice to this very complex story. ( )
  elizabeth.b.bevins | Nov 4, 2014 |
I cannot make up my mind about this book.

I might do a proper review, at some point but a. I have no idea what to feel about it, and b. my boyfriend can see this and hasn't read it yet and I don't want to spoil it for him; though I'm not sure if I could.

Waaargh. ( )
  humblewomble | Oct 19, 2014 |
When I was a kid, I had this fantasy that there was an entrance to a secret passageway through the back of my bedroom closet. It didn't go Narnia; it went a variety of places — sometimes into secret underground lairs, sometimes to the mountains, and sometimes to other places within the house. House of Leaves by Mark Z. Danielewski takes a similar concept and turns it into something sinister.

The book (a literal house of leaves) is metafiction horror made up of multiple narratives. There's a tattoo artist who is telling his demented account of things. Then there's a scholarly essay recounting and analyzing the Navidson videos showing explorations of a rather ordinary house that over time becomes more and more extraordinary and wrong.

House of Leaves is old enough to predate many of the internet memes that it would have / should have embraced. For instance, the Navidson videos are shot on super-8 or on camcorders and somehow widely shared (before YouTube, back when most users were still on dialup and video was both expensive to put online and painful to watch because of the lag), enough so to be a thing. These videos are more like grudge ghost infested VHS tape of The Ring, where nowadays, the ghost would just be stuck waiting for a victim for years, possibly decades.

And then there is the carefully reproduced colors within House of Leaves. The author maintains a forum for anyone to discuss the colors or other themes and Wikipedia has some interesting thoughts too. Here are mine, taken with in the context of the book's publishing date, 2000.

Back in the early days of a publicly available internet when the emphasis was on the hyper-text part of HTML, rather than the mark-up language part, web pages consisted of text and links and nothing more. The default colors were blue for the unvisited links and purple for the visited ones. Later as font tags were included (in the precursor days to CSS), the blue and purple colors were still holy, untouchable things, because users might be confused if the link colors were changed. But red was adopted as an IMPORTANT color, to highlight things that needed a viewer's attention.

Astute readers who have a full color edition will see that the house and any synonym for it is rendered in blue. Purple shows up in the story of P. (Pelafina), the tattoo artist's institutionalized mother. And the minotaur's story is done in red. In the parlance of early internet, it tells me that the house, while on the surface, the story, is the part of it never actually visited. The house is either to scary to visit or is an illusion that can't be visited. Johnny's story of his mother with the purple links, while tied to the color of her fingernails and his tattoo ink, is also the color of links visited recently and perhaps frequently. Finally, there is the Minotaur — the half man - half bull trapped below ground in an unsolvable (unless you have enough of a klew/clue) labyrinth. In red, the Minotaur is the IMPORTANT part of the story. To understand the house, one must understand the minotaur. ( )
3 vote pussreboots | Sep 21, 2014 |
In Vladimir Nabokov’s novel Pale Fire, a madman hijacks a long narrative poem called Pale Fire created by a professor of literature to cope with a significant personal loss. The poem’s style is conventional, with no theoretical axes to grind, the subject is a straightforward. The madman’s commentary, on the other hand, reads an imaginary subtext into the poem that transforms it into a history of the madman’s life of exile (from an imaginary kingdom). The core of the novel Pale Fire is in the commentary on the poem Pale Fire; the ostensible subject of the book is secondary. House of Leaves doubles down; the subject of is a “making of” commentary by the blind Zampano on a non-existent documentary by Will Navidson, a professional photographer. In turn, Zampano’s commentary is edited and footnoted by one Johnny Truant, who may have inherited a touch of schizophrenia from his institutionalized mother. Although the documentary itself is about a labyrinth with antecedents in the mythological King Minos and with the stories of Jorge Luis Borges (the 20th century godfather of metafiction), the structure of the documentary’s narrative follows the conventions of pulp fiction: the macho hunter who goes native, the “coward” twin brother Tom who “redeems” himself by saving his brother’s daughter, the black hole opening behind the wife in peril unbeknownst to her, the rescue of Navidson just at the point of death, the hero photographer haunted by the death of a child (children are exploited to the hilt in the narrative/commentary). A child is also exploited in the footnotes, but the story carried sporadically by the notes is messy, naturalistic, sometimes truth averse, and realistically sad. Unlike Pale Fire, it’s hard to determine the primary narrative thread, and it may well be that the real story is the interplay of the conventional science fiction/fantasy tale with the life story of the editor. In addition to JT’s footnotes, Zampano has provided source footnotes for his cinema commentary. Too many of the footnotes are sophomoric lampoons of academic footnotes; a missed opportunity, since a number of the citations (Martin Heidegger, Freud, the echo chapter) enrich the labyrinth as a symbol, and the story/stories as a whole. The source notes could have functioned throughout as a third commentary instead of deflecting the reader from further exploration and encouraging close-mindedness. In addition the jokey source notes have the effect of dating the work in the popular culture of the 90s. At this time, for me, reading HoL was an incentive for the future to re-read Pale Fire and more Nabokov, to read Bachelard and go deeper into Heidegger, as well as into William Hope Hodgson, H.P Lovecraft and Stephen King, but not to re-read HoL. I don’t regret reading it once, however. Don’t be afraid of the size; a lot of the pages are (mostly) blank. ( )
1 vote featherbear | Sep 7, 2014 |
It's hard to know how to explain the story of House of Leaves, which is deeply layered. I suppose one could start the explanation with what is essentially the core story, Navidson, an acclaimed photographer moves with his family into a country home in order to rebuild bonds and find a calmer, more cohesive life together, only to discover that the house is much more than it seems.

That explanation just barely scratches the surface of this book, however. The story begins with Johnny Truant, who learns of the death of a man named Zampanó and discovers a chaotic stack of papers in the man's empty apartment. As he starts to put them together, his life starts to fall apart.

The papers involve a heavily footnoted critical analysis of what may or may not be a documentary called The Navison Report, which reveals the story of the family in the house with dark, abysses in its corners.

At every layer, there's the chance that the person recording the story and their own story could be falsifying, shifting the meaning, changing the story. Yet, despite all this layering, I managed to still connect with the Navidson family and feel for their ordeal. The house lost none of its unsettling terror and there was more than one night I found myself staring into the dark of my room thinking about this book, body tense with anxiety and fear.

Since the book is told through Johnny Truant and his assemblage of discovered papers, it's a bit disjointed as parts of it have been torn up, burned, or lost in some form or another. The assemblage sometimes unfolds in knots of disjointed text and footnotes that barely seem to make sense, at other times, almost all text seems to vanish from the page. In each case, the nature of the text on the page parallels the experiences of the family and companions who attempt to explore and discover the secrets of the house.

This is a book that certainly will not work for everyone. The layering, the disjointed text takes more work to get through, and might cause some to loose the thread of the story and connection with the characters.

For me, this book worked perfectly. I adored it and will definitely be buying it again, so I can read it again. ( )
1 vote andreablythe | Sep 2, 2014 |
Showing 1-5 of 212 (next | show all)
House of leaves by Mark Z. Danielewski runs to 710 pages: 13 pages of introduction, 535 of text, followed by three appendices and a 42-page, triple-column index.
added by KayCliff | editThe Indexer, Hazel K Bell (Aug 4, 2009)
... let me say right off that his book is funny, moving, sexy, beautifully told, an elaborate engagement with the shape and meaning of narrative. For all its modernist maneuvers, postmodernist airs and post-postmodernist critical parodies, ''House of Leaves'' is, when you get down to it, an adventure story: a man starts traveling inside a house that keeps getting larger from within, even as its outside dimensions remain the same. He is entering deep space through the closet door.

» Add other authors (12 possible)

Author nameRoleType of authorWork?Status
Danielewski, Mark Z.primary authorall editionsconfirmed
Santen, Karina vanTranslatorsecondary authorsome editionsconfirmed
Schuenke, ChristaTranslatorsecondary authorsome editionsconfirmed
Vosmaer, MartineTranslatorsecondary authorsome editionsconfirmed

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This is not for you.
First words
I still get nightmares. In fact I get them so often I should be used to them by now. I'm not. No one ever really gets used to nightmares.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Wikipedia in English (1)

Book description
Some deep shit -- for readers with thick skins and wide open minds. A schitzoid, barely sober tattoo artist tries to amass his intellect upon the fractured manuscripts of a dead, blind man. Said documents purport the fictitious story/ filming of a photographer's family and their shape-shifting, undulating house. Add in some wanton sex, a need for fumigation, two rambunctious kids, creative typesetting and some unspeakable horror -- and there you have it... HOUSE OF LEAVES.
Haiku summary
One creepy closet,
Holds plenty of shoes, coats and
Navidson Records

Amazon.com Amazon.com Review (ISBN 0375703764, Paperback)

Had The Blair Witch Project been a book instead of a film, and had it been written by, say, Nabokov at his most playful, revised by Stephen King at his most cerebral, and typeset by the futurist editors of Blast at their most avant-garde, the result might have been something like House of Leaves. Mark Z. Danielewski's first novel has a lot going on: notably the discovery of a pseudoacademic monograph called The Navidson Record, written by a blind man named Zampanò, about a nonexistent documentary film--which itself is about a photojournalist who finds a house that has supernatural, surreal qualities. (The inner dimensions, for example, are measurably larger than the outer ones.) In addition to this Russian-doll layering of narrators, Danielewski packs in poems, scientific lists, collages, Polaroids, appendices of fake correspondence and "various quotes," single lines of prose placed any which way on the page, crossed-out passages, and so on.
Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record,
For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.
We'll have to take his word for it, however. As it's presented here, the description of the spooky film isn't continuous enough to have much scare power. Instead, we're pulled back into Johnny Truant's world through his footnotes, which he uses to discharge everything in his head, including the discovery of the manuscript, his encounters with people who knew Zampanò, and his own battles with drugs, sex, ennui, and a vague evil force. If The Navidson Record is a mad professor lecturing on the supernatural with rational-seeming conviction, Truant's footnotes are the manic student in the back of the auditorium, wigged out and furiously scribbling whoa-dude notes about life.
Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi

(retrieved from Amazon Mon, 30 Sep 2013 13:36:33 -0400)

(see all 5 descriptions)

One of the most acclaimed fiction debuts of 2000, national best-seller House of Leaves influenced, and was influenced by, the music of POE, Mark Z. Danielewski's sister. Her highly anticipated new album, Haunted, which includes many songs inspired by House of Leaves, will be released in September 2000 by Atlantic Records.… (more)

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