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Wieland by Charles Brockden Brown
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Showing 4 of 4
Eh. It was all right. Started out as a very intriguing ghost story and I was looking forward to finding out what was really going on. But the ending was a let-down. There were a couple of plot holes, even though the last chapter read entirely as an attempt to fill a couple of them. But it would probably make a great PBS miniseries. ( )
  Joanna.Conrad | Nov 4, 2015 |
I really didn't like this book. At first, I thought it was because of the style of writing. This book was written in 1798, and it is a little difficult to get used to some of the conventions of that time period. But that wasn't it. Even excusing the writing style, I didn't like this book.

I didn't like the characters at all. Clara Wieland and her family all struck me as bored young men and women with nothing better to do than sit around gossiping. The "villian" of the piece, Carwin, reminded me of many of the villians in real life today who claim "It's not my fault. I couldn't help myself". He spent three chapters explaining how he just couldn't keep from using his "evil power" and came off sounding like a whiny adolescent.

But, worst of all, this is a book where NOTHING happens. The reader isn't shown anything; we're told the whole story. And, there's no indication of the "invisible power and nameless fear" mentioned on the back cover. There's just nothing spooky or suspenseful about this story.

I found the biography of the author from the 1856 Cyclopedia of American Literature, included in this volume, much more interesting than the novel. It seems Brown was quite prolific; as Wieland was his first published novel, it would be interesting to see if his later works improved. ( )
  dulcibelle | Oct 8, 2008 |
Our ancestors sought different pleasures in their reading than we do. Realism? That's what daily life is for. Authentic dialogue? Contrived eloquence is more pleasing. Plausibility? Thrills and towering passions are better. One should not merely "read" this book; one should "earnestly betake oneself to perusal" of it. There's one thing it has in common with modern-day thrillers: The protagonists are all superbly gifted, resourceful, and good-looking. Make that two things: The author seeks to spice up the tale with borrowings from the latest science. The book appeared in 1798, so that means the latest dope on spontaneous combustion, mania, and the obscure but powerful art of "ventrilocution."

N.B. The title character is a fictional cousin of a real German Romantic author (often forgotten today) named Christoph Martin Wieland. You might look him up.
5 vote Muscogulus | Oct 2, 2008 |
This is very firmly a late-18th/early-19th century novel, but shouldn’t be shied away from as boring or staid. Yes, there is a perfect and pure heroine who faints away from time to time, but really the narrative is almost entirely plot-driven and a real page-turner. Setting a gothic romance among American Quakers proves to be an interesting conceit, as is allowing the swooning heroine to narrate the whole thing herself. The tale also has many elements of the mystery, and Carwin’s long soliloquy presages in many ways the final scene of a detective novel, where the investigator reveals everything and all becomes so suddenly obvious. (That explanation, in this case, may seem to us a bit silly but I understand it was much more exciting in 1798.) Those who follow the 50-page rule (of which I seriously disapprove) may not make it out of the initial exposition and into the real story, which would be a shame, because soon enough the plot takes a much more exciting and breathless turn.

This was not just an enjoyable and unusual execution of the gothic novel, but simply a good read, and a fascinating precursor to other American writers like Edgar Allen Poe.
(More at http://www.bibliographing.com/2008/09/15/wieland-or-the-transformation-an-americ... ) ( )
4 vote nperrin | Sep 15, 2008 |
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From Virtue's blissful paths away
The double-tongued are sure to stray;
Good is a forth-right journey still,
And mazy paths but lead to ill.
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Advertisement: The following Work is delivered to the world as the first of a series of performances, which the favorable reception of this will induce the Writer to publish.
Wieland, Chapter 1:
I feel little reluctance in complying with your request.
Memoirs of Carwin:
I was the second son of a farmer, whose place of residence was a western district of Pennsylvania.
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Amazon.com Product Description (ISBN 0385031009, Paperback)

An American Tale

(retrieved from Amazon Thu, 12 Mar 2015 18:15:45 -0400)

(see all 6 descriptions)

This pioneering work constitutes a classic modern study of the mystical experience. Author Richard Maurice Bucke, a distinguished progressive psychiatrist, explores the phenomenon of transcendent realization, or illumination. Bucke draws upon his firsthand experience of a life-altering insight to explore the theory of cosmic consciousness, an advance in mental evolution with the potential to raise existence to a higher plane. As valuable today as it was upon its 1901 publication, this landmark survey treats illumination from the standpoint of psychology, as a rare but definite and well-documented mental condition. It cites instances of sudden enlightenment experienced by mystics, philosophers, writers, and artists throughout history, noting an increasing frequency of episodes consistent with an evolutionary trend. Numerous case studies offer intriguing, real-life particulars of people and their personal epiphanies - from Buddha, Jesus, and Mohammed, to Dante, William Blake, Walt Whitman, and lesser-known individuals. A work of uplift and promise, this book offers readers a vista of extraordinary possibilities and a renewed capacity for hope and wonder.… (more)

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