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Rebecca by Daphne du Maurier
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Rebecca (original 1938; edition 1962)

by Daphne du Maurier

MembersReviewsPopularityAverage ratingConversations / Mentions
12,913381177 (4.22)3 / 1335
Member:chrisharpe
Title:Rebecca
Authors:Daphne du Maurier
Info:Penguin (1962), Paperback, 376 pages
Collections:Your library, Favorites
Rating:*****
Tags:Itziar's

Work details

Rebecca by Daphne du Maurier (1938)

  1. 294
    Jane Eyre by Charlotte Brontë (chrisharpe, fannyprice, ladybug74, Hollerama)
    chrisharpe: There are some similarities between these two books: a young woman marries an older widower and moves to his mansion, where the marriage is challenged by the unearthly presence of the first wife.
    fannyprice: These two books reminded me a lot of each other but Rebecca was more modern and somewhat less preachy.
    Hollerama: Since Rebecca was published, observers have noticed that it has parallels to Jane Eyre. Both are dark stories about young women who marry wealthy Englishmen.
  2. 171
    My Cousin Rachel by Daphne du Maurier (Hollerama, EllieH)
    Hollerama: Daphne Du Maurier's My Cousin Rachel has a similar theme as Rebecca.
  3. 110
    Jamaica Inn by Daphne du Maurier (katie4098)
  4. 143
    The Thirteenth Tale by Diane Setterfield (citygirl)
  5. 90
    The Woman in White by Wilkie Collins (starfishian)
  6. 70
    The Scapegoat by Daphne du Maurier (lois1)
  7. 60
    Lorna Doone by R. D. Blackmore (Sylak)
    Sylak: Another saga set against a hauntingly beautiful landscape - but this time its in Exmoor.
  8. 60
    Lady Audley's Secret by Mary Elizabeth Braddon (kiwiflowa, lahochstetler)
  9. 50
    Thornyhold by Mary Stewart (whymaggiemay)
    whymaggiemay: Although I believe that du Maurier was the better writer, Thornyhold and many others by Mary Stewart give the same suspenseful feeling.
  10. 72
    We Have Always Lived in the Castle by Shirley Jackson (teelgee)
  11. 40
    Nine Coaches Waiting by Mary Stewart (nu-bibliophile)
  12. 84
    Mistress of Mellyn by Victoria Holt (kraaivrouw, FutureMrsJoshGroban, nu-bibliophile)
  13. 41
    The Forgotten Garden by Kate Morton (DaraBrooke)
  14. 30
    Don't Look Now by Daphne du Maurier (Z-Ryan, cometahalley)
  15. 20
    Freedom and Necessity by Steven Brust (bjappleg8)
    bjappleg8: first person narrative; ambiguous supernatural elements; slow unravelling of a mystery in a historical British setting
  16. 31
    A sucessora by Carolina Nabuco (Hollerama)
    Hollerama: When Rebecca came out, there were accusations that Daphne du Maurier had plagiarized A sucessora (The Sucessor) by Brazilian author Carolina Nabuco. Read it and decide for yourself.
  17. 10
    Vanishing Cornwall by Daphne du Maurier (Z-Ryan)
  18. 10
    Vera by Elizabeth von Arnim (bell7)
  19. 10
    Yes, My Darling Daughter by Margaret Leroy (WildMaggie)
  20. 00
    The Secrets Between Us by Louise Douglas (generalkala)

(see all 31 recommendations)

1930s (6)
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English (366)  Spanish (4)  French (3)  German (3)  Italian (2)  Norwegian (1)  Portuguese (Portugal) (1)  Swedish (1)  All languages (381)
Showing 1-5 of 366 (next | show all)
The first 5 pages I could barely get through, but once the story got going, it had my attention. The narrator is a little annoying, but the story is good. I suppose I would recommend it. ( )
  katcoviello | Sep 21, 2016 |
I now understand why this book has become a classic. It is absolutely wonderfully written and completely engaging to the modern reader despite the fact that it was written in 1938. The world building and the character development, to me, was spotless. The audio recording by Anna Massey was brilliant and well executed. I just could not bring myself to turn off the recording once I got to the last hour. I had to finish it no matter what.

As the heroine of this story, the second Mrs. De Winter, recounts the story of her new husband and his late wife, Rebecca, a new world unfolds in front of the readers eyes which is neither expected nor guessed at. The details, at first, begin to unfold as insignificant and almost boring; however, as the story grows more complex, we discover that a mystery is on our hands. Very quickly, I was listening feverishly unable to contain my excitement for the next sentence, the next word..... And all the while, Dephne du Maurier, with her excellent sense of authorship, dragging me along for the ride until the very last sentence and the very last word when the final, and utterly shocking, discovery is made. I actually had to rewind and relisten to the last sentence several times until I believed what I had heard.

I highly recommend this book for everyone. It is a terrific rendition of a Classic Gothic novel - so much so that it won the Anthony Award for Best Novel of the Century.

Happy Reading! ( )
  Bubamdk | Sep 9, 2016 |

Originally posted here

A breathtaking work of gothic fiction, Rebecca haunted me from the very beginning. The whole novel is told through the first person narrative of a symbolically nameless woman who finds married life to be not what she was expecting as the new Mrs. de Winter. Upon arriving at Mr. de Winter's stately home of Manderley, the narrator discovers that there is a third person in her marriage - the recently deceased first wife, Rebecca. Rebecca's presence is still oppressively felt throughout the estate and like the narrator, I felt just as stifled by her.

Rebecca has many similarities with Jane Eyre, one of my favourite books. There is a vast estate, a romance between a young woman and a much older man, strange servants, atmospheric fog - all the ingredients I absolutely love in a gothic novel. I really liked the nameless narrator, she had married up and was completely overwhelmed by Manderley and her place in it. I felt an affinity with her as I can imagine being similarly unsure if I were put in a similar situation. I just loved the over hasty marriage to Maxim de Winter, it captured instant infatuation perfectly. Maxim completely dominates the narrator and it was very entertaining to see it unfold.

I don't think I have ever come across a character that has creeped me out more than the housekeeper Mrs. Danvers. What a horrifying woman. She is essentially described as a skull dressed in black. There was one scene in particular that freaked me out so much, I actually got goosebumps. She is a 'cut off your face to wear to her birthday party' kind of person. I would not have been able to sleep in the same house as that creep, I have no idea how the narrator did it.

As for the climax of the novel, I have mixed feelings about it. I think a particular character was an unreliable narrator and I just doubted everything that person said. I think the whole situation was majorly misunderstood. If you read the book, you will understand what I am getting at here. Something didn't feel quite right to me, so that is why I don't feel like I can rate this brilliant novel higher even though I really want to. The ending was just perfect, could not have ended any other way. I would highly recommend to everyone. ( )
  4everfanatical | Sep 5, 2016 |
I read this book when I was still in high school and I think it has one of the most iconic first lines in literature. It was really accessible for me to read when I was 17, and it got me reading one of my favourite authors.

Daphne du Maurier's writing is layered and haunting and full of this dark dread you can't really name. She uses so many little motifs to subtly drive the plot. The house, Manderley becomes a character, the great and terrible cliffs and the environment create the mood for the characters and we as readers never actually learn the female protagonist's name.

It's not actually my favourite novel of hers but it is by far one of her best. This novel stayed with me and is a book that I recommend to a lot of people.

If you've been putting off this book for a while - do me a favour and don't put it off any longer. You won't regret it when you pick it up, because whether you like it or not this book will stay with you for a long time. ( )
  lydia1879 | Aug 31, 2016 |
Rebecca was the first Mrs de Winter, who died tragically in an accident. The story's first-person, unnamed narrator is her successor, whose namelessness highlights the way that Rebecca's memory constantly overshadows her. She hasn't the talent or instinct to take possession of the Manderley estate or her new role, and the consequence is that she always feels her inferiority, metaphorically haunted by the spectre of Rebecca at every turn. At least, that's how it begins. This is a novel that offers greater rewards when you know less in advance.

Daphne du Maurier sold me on her talent within the first fifty pages, with brilliantly astute comparisons between youth and middle-age, observations on first love, and on the sweet pains of memory and its association with place. These drop away as the narrator becomes more distant and the tone alters when suspense comes into play. The 2nd Mrs de Winter is a victim of frustrating timidity and frequent daydreaming, and the novel seems listless at determining its genre - but both of these faults are startlingly revealed as virtues. There are no rules in literature, only technique. ( )
1 vote Cecrow | Aug 15, 2016 |
Showing 1-5 of 366 (next | show all)
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» Add other authors (96 possible)

Author nameRoleType of authorWork?Status
Maurier, Daphne duprimary authorall editionsconfirmed
Beauman, SallyIntroductionsecondary authorsome editionsconfirmed
Burnett, VirgilCover artistsecondary authorsome editionsconfirmed
Massey, AnnaNarratorsecondary authorsome editionsconfirmed
Stibolt, HelenTranslatorsecondary authorsome editionsconfirmed
Vasara, HelviTranslatorsecondary authorsome editionsconfirmed
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Dedication
First words
Last night I dreamt I went to Manderley again.
Quotations
'You see,' she said, snapping the top, and walking down the stairs, 'you are so very different from Rebecca.'
We came to Manderley in early May, arriving, so Maxim said, with the first swallows and the bluebells. It would be the best moment, before the full flush of summer, and in the valley the azaleas would be prodigal of scent and the blood-red rhododendrons in bloom.
Forget it, Mrs. de Winter, forget it, as he has done, thank heaven, and the rest of us. We none of us want to bring back the past, Maxim least of all. And it's up to you, you know, to lead us away from it. Not to take us back there again.
If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.
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Wikipedia in English (1)

Book description
"Last night I dreamed I went to Manderley again..."

So the second Mrs. Maxim de Winter remembered the chilling events that led her down the turning drive past the beeches, white and naked, to the isolated gray stone manse on the windswept Cornish coast. Working as a lady's companion, she learns her place. Her future looks bleak until, on a trip to the South of France, she meets Max de Winter, a handsome widower whose sudden proprosal of marriage takes her by surprise. She accepts, but whisked from glamorous Monte Carlo to the ominous and brooding Manderley, the new Mrs de Winter finds Max a changed man. 

With a husband she barely knew, the young bride arrived at this immense estate, only to be inexorably drawn into the life of the first Mrs. de Winter, the beautiful Rebecca, dead but never forgotten... her suite of rooms never touched, her clothes ready to be worn, her servant -- the sinister Mrs. Danvers -- still loyal. And as an eerie presentiment of evil tightened around her heart, the second Mrs. de Winter began her search for the real fate of Rebecca... for the secrets of Manderley.
Haiku summary
Nameless narrator

marries wealthy widower;

haunting Rebecca.

Amazon.com Product Description (ISBN 0380730405, Paperback)

With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten—a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim's first wife—the late and hauntingly beautiful Rebecca.

This special edition of Rebecca includes excerpts from Daphne du Maurier's The Rebecca Notebook and Other Memories, an essay on the real Manderley, du Maurier's original epilogue to the book, and more.

(retrieved from Amazon Thu, 12 Mar 2015 18:09:11 -0400)

(see all 8 descriptions)

The second Mrs. Maxim de Winter finds it difficult and frightening to live in the shadow of her predecessor, a situation that is exacerbated by her husband's moodiness, and the presence of sinister housekeeper, Mrs. Danvers.

(summary from another edition)

» see all 20 descriptions

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