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Dost thou love picking meat? Or would'st thou see/A man in the clouds, and have him speak to thee? -- Bunyan  | |
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Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.  | |
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Introduction by Quentin Crisp (p. ix), Introduction by Anthony Burgess (p. 1), Titus Groan (p.7), Gormenghast (p. 397), Titus Alone (p. 809), Critical Assessments (p.1025) includes: "The critical reception of Mervyn Peake's Titus Books" by G. Peter Winnington; "Memories of Mervyn Peake" by Louise Collis; "The Gutters of Gormenghast" by Hugh Brogan; "Situating Gormenghast" by Ronald Binns; "'The Passions in their Clay': Mervyn Peake's Titus Stories" by Joseph L. Sanders; "Titus and the Thing in Gormenghast" by Christiano Rafanelli; "Fuschia and Steerpike: Mood and Form" by G. Peter Winnington; "Gormenghast: Psychology of the Bildungsroman" by Bruce Hunt; "Gormenghast: Fairytale gone wrong" by Margaret Ochocki; "The Cry of a Fighting Cock: Notes on Steerpike and Ritual in Gormenghast" by Ann Yeoman; "Beowulf to Kafka: Mervyn Peake's Titus Alone" by Colin Greenland; "A Critical Conclusion: The End of Titus Alone" by Laurence Bristow-Smith; "A Barrier of Foolery? The Depiction of Women in Titus Alone" by Tanya Gardiner-Scott Titus Awakes (p. 1165)  | |
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Mervyn Peake's gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle. The trilogy continues with the novels Gormenghast and Titus Alone, and all three books are bound together in this single-volume edition. The Gormenghast royal family, the castle's decidedly eccentric staff, and the peasant artisans living around the dreary, crumbling structure make up the cast of characters in these engrossing stories. Peake's command of language and unique style set the tone and shape of an intricate, slow-moving world of ritual and stasis: "The walls of the vast room which were streaming with calid moisture, were built with gray slabs of stone and were the personal concern of a company of eighteen men known as the 'Grey Scrubbers'.... On every day of the year from three hours before daybreak until about eleven o'clock, when the scaffolding and ladders became a hindrance to the cooks, the Grey Scrubbers fulfilled their hereditary calling." Peake has been compared to Dickens, Tolkien, and Peacock, but the Gormenghast trilogy is truly unique. Unforgettable characters with names like Steerpike and Prunesquallor make their way through an architecturally stifling world, with lots of dark corners around to dampen any whimsy that might arise. This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded. --Therese Littleton
(retrieved from Amazon Mon, 25 Aug 2008 12:50:23 -0400) (see all 2 descriptions)
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