|
Loading... The Picture of Dorian Grayby Oscar Wilde
LibraryThing recommendationsMember recommendations
Loading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. The Picture of Dorian Gray is a well known classic and many people have some idea about the story line; a magic picture ages and bears the marks while Dorian himself doesn't change. While that is an important part, there is a lot more to the story. I felt it was well worth the time to read this one. I admit ignorance in the subject but the first section of the book felt very much like a chaste homosexual romance. Recognizing the time it was written, I can see why many considered it lurid, one reviewer was almost apoplectic in his revulsion of the work (5-6 contemporary reviews of the work were available in the appendixes). There were 3 main characters; Dorian, his artist friend Basil Hallward and Lord Henry Wotten. Basil and Henry gravitate around Dorian and appear to be like the little angel and the little devil that sit on each shoulder. Basil an artist in love with beauty and purity. Lord Henry, a cynic who enjoys putting down everything others hold in high regard. Since this is a moral tale, Dorian slowly listens to his little devil more and more, and as he suffers no serious repercussions for his forays into sin, his experiments become darker and more elaborate. His portrait, painted by Basil, is a road map and mirror to Dorian's depravity. This starts to eat away at Dorian's sanity. Overall a fairly good tale, a little flowery like much of the Victorian lit but not nearly to the extent of Dracula. I was blown away by Wilde's 'The Picture of Dorian Gray', an intelligently written piece of literature which cleverly shows the way that we value the visual, and how it can determine our actions in society. The characters of Lord Henry and Basil Hallward are powerful ideologies through which we find ourselves influenced through the initially innocent Dorian Gray, and as we follow him throughout the book, this influence leads us to view with horror how it can lead a human being to do things far from the imaginable. The writing is brilliant and witty but the content is horrifying. I particularly found myself loathing Lord Henry - he is one of the most truly evil characters - all gloss and polish and all nastiness underneath. In the end, I think Mr. Wilde makes a terrific case against the sophistries of men who think they can erase consequences merely by saying they don't exist. What you do does matter and does have consequences that you can't avoid. I read a part of this book in our textbook and I wanted to know the whole story. It's kind of the fantasy (horror) story. Dorian Gray, main character of this story, believes the beauty is everything. I don't think so but it is really important for his life... no reviews | add a review
Amazon.com (ISBN 014043187X, Paperback)A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." (retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
Abebooks |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Anyway, I enjoyed learning some new words, or old meanings of words, plus comparing the story of Dorian Gray to other Gothic tales like Uncle Silas. I felt this was a good introduction and I look forward to reading the rest of Oscar Wilde's work. (