HomeGroupsTalkZeitgeist
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

The picture of Dorian Gray by Oscar Wilde
Loading...

The picture of Dorian Gray (1891)

by Oscar Wilde, Ton Heuvelmans

MembersReviewsPopularityAverage ratingConversations / Mentions
22,98836051 (4)13 / 948
Member:Esther1987
Title:The picture of Dorian Gray
Authors:Oscar Wilde
Other authors:Ton Heuvelmans
Info:Groningen : Wolters-Noordhoff; 208 p, 20 cm; http://opc4.kb.nl/DB=1/PPN?PPN=126517347
Collections:Buitenlandse literatuur, Your library, Gelezen
Rating:****
Tags:None

Work details

The Picture of Dorian Gray by Oscar Wilde (1891)

  1. 190
    The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (chrisharpe)
  2. 140
    The Importance of Being Earnest by Oscar Wilde (sturlington)
    sturlington: Read Oscar Wilde at his finest.
  3. 120
    The Tell-Tale Heart and Other Writings by Edgar Allan Poe (WSB7)
  4. 83
    Death in Venice by Thomas Mann (roby72)
  5. 83
    Perfume: The Story of a Murderer by Patrick Süskind (spiphany)
  6. 40
    Against Nature by Joris-Karl Huysmans (roby72, Zeeko, JuliaMaria)
    JuliaMaria: Wie in Wikipedia zu 'Gegen den Strich' beschrieben: "Ein französischer Roman, der den Protagonisten in Oscar Wildes Roman Das Bildnis des Dorian Gray zu dekadenten Ausschweifungen inspiriert, wird häufig als Anspielung auf À rebours gedeutet. Wilde war - wie auch Stéphane Mallarmé - ein Bewunderer des Romans."… (more)
  7. 51
    The Stranger by Albert Camus (SanctiSpiritus)
  8. 30
    The Man in the Picture by Susan Hill (OneMorePage)
  9. 30
    The Secret Life of Oscar Wilde by Neil McKenna (unknown_zoso05)
    unknown_zoso05: McKenna touches upon what influenced Wilde to write "The Picture of Dorian Gray".
  10. 31
    Oscar Wilde: A Certain Genius by Barbara Belford (veracity)
    veracity: Belford discusses both editions of Dorian Gray.
  11. 66
    The Scarlet Letter by Nathaniel Hawthorne (chrisharpe)
  12. 11
    A fehér tigris by Ervin Lázár (Lucy_Skywalker)
  13. 00
    Shadow Dance by Angela Carter (rbtanger)
  14. 11
    Six Characters in Search of an Author by Luigi Pirandello (SandSing7)
  15. 00
    Picture of Evil by Graham Masterton (Scottneumann)
  16. 01
    The Invention of Morel by Adolfo Bioy Casares (StevenTX)
  17. 03
    Darker Still by Leanna Renee Hieber (Joles)
  18. 48
    Heart of Darkness by Joseph Conrad (lucyknows)
    lucyknows: Heart of Darkness could be paired with Oscar Wilde's The Picture of Dorian Gray or the strange Case of Dr Jekyll and Mr Hyse by Robert Louis Stevenson. In all three novels the authors depict the struggle of people against the forces of evil.
1890s (5)
Read (49)
Romans (26)
Unread books (1,143)
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

English (334)  Spanish (9)  French (8)  German (3)  Italian (1)  Dutch (1)  Finnish (1)  Portuguese (Portugal) (1)  Hungarian (1)  Swedish (1)  All languages (360)
Showing 1-5 of 334 (next | show all)
Note to self: Try to read this again another time. ( )
  PiperUp | Aug 14, 2015 |
Upon seeing his own striking portrait, Dorian Gray is bewitched and offers his soul if only the painting will age while he remains eternally youthful. Believing himself incorruptible, Dorian indulges in a life of pleasure and excess. But what has become of his portrait?
  KunmingERC | Aug 9, 2015 |
There's something in nineteenth-century British literature that I am drawn to—there is a certain musicality or lyricism to it that I love, despite its inspirations often being delusional, fantastical and at times even fetishistic. So it is of little surprise that I found The Picture of Dorian Gray a sweeping read, and one that I had little dissatisfactions with, stylistically.

When painter Basil Hallward first sets his eyes upon Dorian Gray, he is a young, captivating soul of speechless beauty. Combined with his social standing, his allure sets his name aflame across countless of social spheres within England. The story begins when Basil makes Dorian his muse, and asks him to sit for a portrait that, little do they both know, will become much more than the painter's magnum opus. Lord Henry, a wealthy friend of Basil, quickly enters the scene, instilling in the Adonis a roaring, dizzying passion for life: “the few words that Basil’s friend had said to him…had touched some secret chord that had never been touched before, but that he felt now was vibrating and throbbing to curious pulses” (21). It is the whimsical, at times paradoxical musings of Lord Henry that transform Dorian Gray, whose adoration for his own portrait become the root of the story’s unfoldment.

This was my first proper exposure to Wilde’s work, and it surely was a pleasant experience. I do not know the reason as to why this was his only novel, but it certainly encapsulates his interest in the Aesthetic Movement (“Art for Art’s Sake”). Filled with a rather spiritualistic love for art, humor, and thrill it makes for a lovely (and easy) read, though it lacks the depth, the grittiness, that I was looking for. But this may very well be as a consequence of its loyalty to the values of Wilde’s movement, where art existed free of social, moral and even logical obligations. This novel lacks substance or a core, but ultimately our own conclusions, our own thoughts emerge out of it to appease our own sense of what good literature should be.

If you want to read more of my reviews, check out my book blog! ( )
1 vote themythbookshelf | Aug 8, 2015 |
I read it so long ago I don't remember as much than I do from the movie. ( )
  joeydag | Jul 23, 2015 |
Showing 1-5 of 334 (next | show all)
no reviews | add a review

» Add other authors (37 possible)

Author nameRoleType of authorWork?Status
Wilde, Oscarprimary authorall editionsconfirmed
Ackroyd, PeterIntroductionsecondary authorsome editionsconfirmed
Beraud, JeanCover artistsecondary authorsome editionsconfirmed
Brassinga, AnnekeTranslatorsecondary authorsome editionsconfirmed
Bristow, JosephEditorsecondary authorsome editionsconfirmed
Callow, SimonIntroductionsecondary authorsome editionsconfirmed
Calzini, RaffaeleTranslatorsecondary authorsome editionsconfirmed
Cauti, CamilleIntroduction and Notessecondary authorsome editionsconfirmed
Clark, Emma ChichesterIllustratorsecondary authorsome editionsconfirmed
Corcos, LucilleIllustratorsecondary authorsome editionsconfirmed
Crossley, StevenNarratorsecondary authorsome editionsconfirmed
Drew, John M LIntroductionsecondary authorsome editionsconfirmed
Eugenides, JeffreyIntroductionsecondary authorsome editionsconfirmed
Gaulke, JohannesTranslatorsecondary authorsome editionsconfirmed
Gómez de la Serna, JulioTranslatorsecondary authorsome editionsconfirmed
Gullvåg, HåkonIllustratorsecondary authorsome editionsconfirmed
Heuvelmans, TonAfterwordsecondary authorsome editionsconfirmed
Jones, GarethDesignersecondary authorsome editionsconfirmed
Kaila, KaiTranslatorsecondary authorsome editionsconfirmed
König, Eva-MariaEditorsecondary authorsome editionsconfirmed
Kosztolányi, DezsőTranslatorsecondary authorsome editionsconfirmed
Manso, LeoIllustratorsecondary authorsome editionsconfirmed
Mathias, RobertCover designersecondary authorsome editionsconfirmed
Maurois, AndréIntroductionsecondary authorsome editionsconfirmed
Mighall, RobertIntroductionsecondary authorsome editionsconfirmed
Murray, Isobel M.Editorsecondary authorsome editionsconfirmed
Naugrette, Jean-PierreIntroductionsecondary authorsome editionsconfirmed
Novák, Jiří ZdeněkTranslatorsecondary authorsome editionsconfirmed
Nuis, AadAfterwordsecondary authorsome editionsconfirmed
Page, MichaelNarratorsecondary authorsome editionsconfirmed
Piglia, PaolaIllustratorsecondary authorsome editionsconfirmed
Prebble, SimonNarratorsecondary authorsome editionsconfirmed
Ross, TonyIllustratorsecondary authorsome editionsconfirmed
Sheen, MichaelNarratorsecondary authorsome editionsconfirmed
Shi, YuanIllustratorsecondary authorsome editionsconfirmed
Toledo, RubenIllustratorsecondary authorsome editionsconfirmed
Trugo, LuiIllustratorsecondary authorsome editionsconfirmed
Vance, SimonNarratorsecondary authorsome editionsconfirmed
Welsh, IrvineIntroductionsecondary authorsome editionsconfirmed
White, EdmundIntroductionsecondary authorsome editionsconfirmed
Winwar, FrancesIntroductionsecondary authorsome editionsconfirmed

Is contained in

Is retold in

Has the adaptation

Is abridged in

Is an expanded version of

Is parodied in

Is replied to in

Inspired

Has as a student's study guide

You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
First words
The studio was filled with the rich odor of roses, and when the light summer wind stirred amid the trees of the garden, there came through the open door the heavy scent of lilac, or the more delicate perfume of the pink flowering thorn.
La fragancia de las rosas llenaba el estudio y, al soplar entre los árboles del jardín la suave brisa estival, entraba por la puerta abierta el fuerte olor de las lilas o el perfume más sutil del rosado espino en flor.
Quotations
'Your rank and wealth, Harry; my brains, such as they are -- my art, whatever it may be worth; Dorian Gray's good looks -- we shall all suffer for what the gods have given us, suffer terribly.'
'Harry,' said Basil Hallward, looking him straight in the face, 'every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.'
He played with the idea and grew willful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and Philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat's black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes.
Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.
The only thing worse than being talked about is not being talked about.
Last words
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is the main work for The Picture of Dorian Gray by Oscar Wilde. Please do not combine with any adaptation, abridgement, etc.
Publisher's editors
Blurbers
Publisher series
Original language

References to this work on external resources.

Wikipedia in English (3)

Book description
Dorian Gray has just had his portrait painted. It is a perfect likeness of the quite extraordinary beautiful young man, and it prompts him to make a mad wish for eternal youth. In the years to come, he devotes his public life to and aestheticism-and his private one to decadence and debauchery.
AR7.7, 14 Pts
Haiku summary
Miroir, oh, miroir.
Dis-moi qui est le plus beau!
Je sais le plus laid.

Amazon.com Amazon.com Review (ISBN 0375751513, Paperback)

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

(retrieved from Amazon Thu, 12 Mar 2015 18:06:24 -0400)

(see all 8 descriptions)

An exquisitely beautiful young man in Victorian England retains his youthful and innocent appearance over the years while his portrait reflects both his age and evil soul as he pursues a life of decadence and corruption.

(summary from another edition)

» see all 45 descriptions

Legacy Library: Oscar Wilde

Oscar Wilde has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

See Oscar Wilde's legacy profile.

See Oscar Wilde's author page.

Quick Links

Popular covers

Rating

Average: (4)
0.5 9
1 66
1.5 19
2 227
2.5 85
3 984
3.5 291
4 2049
4.5 306
5 1859

Audible.com

36 editions of this book were published by Audible.com.

See editions

Penguin Australia

6 editions of this book were published by Penguin Australia.

Editions: 0141439572, 0141037687, 0141442468, 014119264X, 0143106147, 0141199490

Urban Romantics

An edition of this book was published by Urban Romantics.

» Publisher information page

Tantor Media

An edition of this book was published by Tantor Media.

» Publisher information page

Recorded Books

An edition of this book was published by Recorded Books.

» Publisher information page

 

Help/FAQs | About | Privacy/Terms | Blog | Store | Contact | LibraryThing.com | APIs | WikiThing | Common Knowledge | Legacy Libraries | Early Reviewers | 99,153,914 books! | Top bar: Always visible