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Fidelio (sound recording) by Ludwig van…

Fidelio (sound recording)

by Ludwig van Beethoven

Other authors: See the other authors section.

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The tenor annoyed me here too.
  marfita | Jan 11, 2016 |
Jon Vickers - another one who seems to be singing only for himself (the way von Karajan seems to conduct only for himself). Sing out, darn you! For me, the best tenors come from the zarzuela tradition where if you want to sing lead, you have to sing baritone. Their tone is just so full! Germans sound like bright, brass instruments, which works maybe for Heldentenor, but I love that rich, rich sound coming from Domingo, Carreras, and Krauss. Listening to Fidelio, I start thinking how odd it is for an opera. It has spoken lines. It has serious themes (Beethoven was sooo idealistic) but we've got a woman dressed as a man who has another woman fall in love with her, an over-the-top villain, a joyous ending. What is this? And then I was reading a libretto (either in this set or the other one) and it said there is broke all the rules. Favorite bits: the prisoners' chorus "Die freie Luft." So beautiful.
  marfita | Jan 11, 2016 |
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» Add other authors (35 possible)

Author nameRoleType of authorWork?Status
Ludwig van Beethovenprimary authorall editionscalculated
Böhm, Karlconductorsecondary authorsome editionsconfirmed
Berlin Philharmonic OrchestraOrchestrasecondary authorsome editionsconfirmed
Bernstein, Leonardsecondary authorsome editionsconfirmed
Dohnányi, Christoph vonConductorsecondary authorsome editionsconfirmed
Herbert von Karajansecondary authorsome editionsconfirmed
Konzertvereinigung Wiener StaatsopernchorChorussecondary authorsome editionsconfirmed
Protschka, Josefsecondary authorsome editionsconfirmed
Rydl, Kurtsecondary authorsome editionsconfirmed
Schaut, Gabrielesecondary authorsome editionsconfirmed
Vienna Philharmonicsecondary authorsome editionsconfirmed
Wiener PhilharmonikerOrchestrasecondary authorsome editionsconfirmed
Ziesak, Ruthsecondary authorsome editionsconfirmed
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Please use this heading only for recordings (any format) of the complete opera. DO NOT combine with scores, etc.
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