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Loading... Kafka Americana: Fictionby Jonathan Lethem
None. This slender collection of collaborative and individual co-optations of Kafka forms a nice set. Stories range from Lethem's "The Notebooks of Bob K," which tires me in a way that reminds me that I once had boundless enthusiasm for postmodern experiments, to the co-written "Receding Horizon." Though still studded with post-modern asides that don't particularly enhance the narrative, this piece made me gasp aloud through its brilliant identification of, and play with, similarities between Kafka's "The Judgment" and Capra's It's a Wonderful Life. Yes, really. In its attention to the bizarre distortions of perception and story incumbent upon even the most stolid translation from literature to film, "Receding Horizon" also evokes Christopher Isherwood's Prater Violet(Isherwood's fictionalized account of working on the script for the film Little Friend). Read this collection, then refresh yourself with Barthelme's more accessible stories in the delicious Sixty Stories. ( )I wrote a review of this book and it can be found here: http://mewlhouse.hubpages.com/_1qsqsuzy8itx3/hub/A-Time-For-Fists A quick and satisfying read. Lethem has a fantastic imagination. Collects five stories of the absurd and fantastical. Blumfeld, An Elderly Bachelor (*** 1/2) interesting twists The Notebooks of Bob K. (*) superhero fluff, signifying nothing Receding Horizon (**) Boring, absurd account of Frank Capra's career in film. Skipped to the end after half finished. The Amount To Carry (*) Unappealing elite insurance men muse about their meaning. K for Fake (** 1/2) Another absurdist trial for Kafka with some interesting fantastical elements. This is definitely not my flavor of writing and perhaps if Kafka's novels were fresher in my memory I could have gained more from reading the stories. I was constantly distracted from reading the stories with thoughts of, "what's the point?" no reviews | add a review
Amazon.com Product Description (ISBN 039332253X, Paperback)"Inspired by affection.... Extremely witty and intelligent."—Publishers Weekly Previously published only in a signed, limited edition, Kafka Americana has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written "Receding Horizon," Hollywood welcomes Kafka as scriptwriter for Frank Capra's It's a Wonderful Life, with appropriately morbid results. Scholz's "The Amount to Carry" transports "the legal secretary of the Workman's Accident Insurance Institute" to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's "K for Fake" brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.(retrieved from Amazon Thu, 14 Feb 2013 13:52:26 -0500) Previously published only in a signed, limited edition, Kafka Americana has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem & Scholz seize a helpless Kafka by the lapels & thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written "Receding Horizon," Hollywood welcomes Kafka as scriptwriter for Frank Capra's It's a Wonderful Life, with appropriately morbid results. Scholz's "The Amount to Carry" transports "the legal secretary of the Workman's Accident Insurance Institute" to a conference with fellow insurance executives Wallace Stevens & Charles Ives, to muse on what can & can't be insured. And Lethem's "K for Fake" brings together Orson Welles, Jerry Lewis, & Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived. In an act of literary appropriation by turns witty, affectionate, and shameless, Jonathan Lethem and Carter Scholz seize a helpless Franz Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written "Receding Horizon," Hollywood welcomes Kafka as a scriptwriter for Frank Capra's It's a Wonderful Life, with appropriately morbid results. Scholz's "The Amount to Carry" transports "the legal secretary of the Workman's Accident Insurance Institute" to a professional conference with fellow insurance executives Wallace Stevens and Charles Ives, for a night of musing on what can and can't be insured. And Lethem's "K for Fake" brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial where Kafka faces, needless to say, fraudulent charges. Taking Modernism's presiding genius for a literary joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.… (more) |
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