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Wuthering Heights by Emily Bronte
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Wuthering Heights (original 1847; edition 1996)

by Emily Bronte

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37,15954026 (3.91)5 / 1688
Member:thescream
Title:Wuthering Heights
Authors:Emily Bronte
Info:Dover Publications (1996), Edition: 1, Paperback, 256 pages
Collections:Your library
Rating:*****
Tags:None

Work details

Wuthering Heights by Emily Brontë (1847)

  1. 442
    Jane Eyre by Charlotte Brontë (roby72, Bronwyn1334)
  2. 263
    Rebecca by Daphne du Maurier (Bonzer)
  3. 152
    The Tenant of Wildfell Hall by Anne Brontë (Catreona, Bronwyn1334)
  4. 122
    The Mill on the Floss by George Eliot (roby72)
  5. 122
    Far from the Madding Crowd by Thomas Hardy (lesleymc)
  6. 156
    The Thirteenth Tale by Diane Setterfield (brightbel, coffee.is.yum)
  7. 112
    My Cousin Rachel by Daphne du Maurier (Bonzer)
  8. 50
    Persuasion by Jane Austen (sturlington)
    sturlington: Persuasion is the antidote to Wuthering Heights.
  9. 42
    The Woman in White by Wilkie Collins (ainsleytewce)
  10. 32
    Manon Lescaut by Abbé Prévost (roby72)
  11. 10
    Hungry Hill by Daphne du Maurier (Anonymous user)
  12. 32
    Camille: The Lady of the Camellias by Alexandre fils Dumas (peleiades22)
  13. 22
    The White Earth by Andrew McGahan (Sassm)
    Sassm: This is an offbeat recommendation, but I believe it's a good one. The White Earth is another well written book in which the landscape is closely entwined in a rather gothic tale of human interaction.
  14. 22
    Northanger Abbey by Jane Austen (kara.shamy)
  15. 34
    Going Wrong by Ruth Rendell (WildMaggie)
    WildMaggie: Rendell tells a modern tale of obsessive love similar to Bronte's classic.
  16. 78
    Ethan Frome by Edith Wharton (opf)
  17. 01
    Dracula by Bram Stoker (Bronwyn1334)
  18. 12
    Dina's Book by Herbjørg Wassmo (Eustrabirbeonne)
    Eustrabirbeonne: Lord David Cecil's classification for the characters in "Wuthering Heights" - children of calm and children of storm - may be applied to Herbjorg Wassmo's book, and especially the eponymous heroine. What a child of storm we find in the tall, dark, savage, sensual, ruthless figure of Dina!… (more)
  19. 23
    Moonfleet by John Meade Falkner (elizabeth.a.coates)
    elizabeth.a.coates: Both have very vivid settings that are well-described
  20. 24
    The Shadow of the Lynx by Victoria Holt (nu-bibliophile)

(see all 31 recommendations)

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English (504)  Spanish (13)  Italian (8)  German (3)  Portuguese (2)  French (2)  Swedish (2)  Finnish (2)  Dutch (1)  Portuguese (Portugal) (1)  Portuguese (Brazil) (1)  Piratical (1)  All languages (540)
Showing 1-5 of 504 (next | show all)
A man obsessed with his childhood friend spends his lifetime destroying her family.

3/4 (Good).

This is a wild ride. It's a continuous stream of Big, Dramatic Scenes. There's no protagonist, and consequently no satisfying story arc, which normally would be guaranteed to make me dislike a book. But in this case, it works somehow. ( )
  comfypants | Sep 14, 2018 |
Yet another book that I was sure I had read in full as a child but didn't. How was it possible for a reclusive figure to write such a book before the age of 30? How did she understand the passions and emotions that drive people to extreme behaviour and actions? Once I had sorted out the various Catherines, the Earnshaws and the Lintons, and some Yorkshire dialect, I became engrossed. The remoteness and isolation of the setting provide the ideal claustrophobic context for the passions to burst forth and wreak havoc. Yet the passions and emotions are universal. ( )
1 vote jon1lambert | Sep 7, 2018 |
Despite this being an acknowledged classic that shows up on such lists as 1001 books to read before you die I was not overly impressed with this book. I think the main problem for me was how easily everyone resorted to violence. Was this really indicative of life in the rural reaches of England in the early 1800s?

The Earnshaw and the Linton families lived near to each other in Yorkshire and were the gentry of the neighbourhood. Both families had one son and one daughter but Mr. Earnshaw added a foundling whom he called Heathcliff to his family. Heathcliff and Cathy Earnshaw formed a deep friendship which became almost monomaniacal as they grew older. Yet Cathy decided to marry Edgar Linton which caused Heathcliff to retaliate by eloping with Isabella Linton. When Heathcliff and Isabella returned to Wuthering Heights Cathy was very ill. Edgar forbade Heathcliff from seeing Cathy but Heathcliff would not be put off. Cathy died the next day but did succeed in giving birth to a daughter who was named Catherine. Heathcliff had managed to acquire all the land associated with Wuthering Heights by gambling with Hindley Earnshaw. Through his marriage to Isabella he would gain the Linton property as well since Edgar did not have a male heir. Isabella soon ran away from Heathcliff and Wuthering Heights. She gave birth to a son, Linton, and kept him with her until her death. Then Linton came under the parentage of Heathcliff who had nothing but contempt for this sickly child. Nevertheless he was determined to marry his son to Cathy's daughter and he carried this out by kidnapping Catherine and her maid. Catherine and Linton were married but it is hard to believe there was any consummation of the marriage since Linton was so ill. Linton died shortly after Catherine's father which left Catherine to the mercy of Heathcliff. Somehow Catherine fell in love with her other male cousin, Hareton Earnshaw, who was uneducated and brutish but quite smitten with Catherine. Heathcliff died and was still so much in love with Cathy that he insisted on being buried by the side of her grave with the sides of their two coffins knocked out so they could rest eternally together.

I know this book is supposed to be an example of a great love affair but I just thought both Cathy and Heathcliff were bordering on insanity. And Heathcliff had no redeeming qualities as far as I am concerned. He was violent, sadistic, selfish and miserly. What did Cathy see in him? And how did a sheltered young lady come up with such a character? Since she died soon after the book was published there was never any explanation fom Emily Bronte. ( )
  gypsysmom | Sep 6, 2018 |
Upper-Intermediate Early,
  ChatterMatters | Aug 12, 2018 |
I enjoyed my second visit to “Wuthering Heights” more than the first. This is partly because my first read was spread out over 4 –6 weeks (I think in 2005, though it could’ve been a couple of years either way), whereas my second read took 6 days, commencing from Emily Brontë’s 200th birthday, which is why I thought I’d give it another look.

I was also less enthused during my first read because I'd previously watched numerous adaptations of “Wuthering Heights” over the years, with all but one (which I saw after reading the novel) skipping much, if not all, of the story’s second half.

In short, my expectations were that this tale would revolve around Cathy and Heathcliff’s unique relationship. In a sense it does (won’t add more in case I spoil things for anyone), but from about halfway through, we see other characters emerge who rarely appear in most screen adaptations.

Another pre-reading influence was Kate Bush's song “Wuthering Heights”, which I’ve always loved, and this also made me think the main theme would be Heathcliff and Cathy’s passion for each other. Therefore, during my first read I felt a little disappointed that their relationship wasn’t as emphasised as expected.

When I approached “Wuthering Heights” for a second time, I knew what to expect, though after such a long gap since I first read it, I’d naturally forgotten a lot, especially events in the second half. This is by no means a beautiful love story, but rather a bleak tale of sadness, loneliness, loss, cruelty, and misery, yet it’s not entirely devoid of hope.

I admire how the author structured the narrative. It’s multi-first person, predominantly told by Nelly and Mr Lockwood, with smaller parts filled in by other characters. It all blends in very well together, and what makes the narrative’s construction even more impressive is that it’s not strictly linear. This type of thing can often prove messy, but Emily Brontë handles it smoothly.

One review I saw criticises “Wuthering Heights” for have no sense of place. This I must disagree with. In fact, I consider the sense of place as one of the book’s great strengths. I could vividly “see” the moors, the landscape, plus the rooms at the Heights and at the Grange.

My only real criticism is Joseph’s dialogue. Although I’m a Yorkshireman myself, much of Joseph’s broad dialect took some understanding – and the odd phrase I couldn’t fathom out – and overall his dialogue really slows the narrative down. I imagine anyone outside of Yorkshire – and even more so anyone outside of England – would have immense trouble understanding Joseph.

An interesting aspect to this story is of course the supernatural element. I suspect anyone who hasn’t read this book has at least seen an adaptation where, at the end, Cathy and Heathcliff reunite after death.

I was actually disappointed this wasn’t developed to a similar extent in the book, as it’s something special in the well-done adaptations where we see these thwarted lovers reunited. In the novel, however, their reunion is more of a casual reference. It's still a poignant moment – or moments – though, and reading it for the second time I appreciated it more than the first.

We also see Mr Lockwood endure a supernatural encounter at a window early on, which is one of my favourite scenes, and an important one.

I don’t always appreciate the supernatural seeping in to novels that are essentially “real life”, but in this case, the supernatural parts not only feel believable, they also add hope to a tragic story. Without the afterlife moments, “Wuthering Heights” wouldn’t hit the mark in the same way. The ending would’ve been too depressing. As it is, we’re left with hope for the living and for the dead.

While I feel Heathcliff and Cathy’s story is the novel most appealing element, I do like the story which revolves around the new characters featured in the second half, and how they interact with Heathcliff’s deceptive and despicable nature. In fact, my favourite character is the younger Catherine. She, along with Hareton and Isabella, are the three who I feel the most sympathy towards.

Most of the misery in this story stems from Heathcliff’s actions, though the likes of Hindley and Joseph don’t exactly spread light into the world. It’s hard to feel sympathy for many of the characters because of their selfishness and unkindness.

It’s debateable whether Cathy is more selfish than Heathcliff. Despite Heathcliff affecting more people’s lives for the worst, much – if not all – of this is through Cathy and her brother Hindley’s treatment of Heathcliff during his youth. While Hindley causes Heathcliff physical and mental torment, Cathy's brand of mental anguish is surely worse. I don’t think Cathy does this deliberately, as she’s too self-absorbed to realise how her motives will devastate Heathcliff.

The younger Catherine comes across as selfish and haughty many times, but I like her because deep down she has a good heart and she’s a bright character in a dark world. She’s horrible to poor Hareton, who deserves better, yet she goes out of her way to help Linton, who doesn’t deserve her attention.

Linton, in my opinion, is the most detestable character of all. Granted, some of his behaviour is owing to Heathcliff’s influence, but at heart Linton is a spineless, self-obsessed creature.

Heathcliff, whatever you think of him, is a fascinating character. The whole story pretty much revolves around his treatment of others, and how others treat or perceive him. He has that “lost soul” element about him, with his origins shrouded in mystery. I commend the author for creating such a vivid and memorable character.

I originally rated “Wuthering Heights” four stars when I added it to my Goodreads shelf in 2013. This was based on reading it circa 2005. After finishing it again in August 2018, I felt four stars was a fair rating; however, the characters and various scenes from the book have stayed with in the subsequent days.

Not many novels have this type of potency to “haunt” me, so on reflection, I feel “Wuthering Heights” deserves five stars. ( )
1 vote PhilSyphe | Aug 5, 2018 |
Showing 1-5 of 504 (next | show all)
"In Wuthering Heights the reader is shocked, disgusted, almost sickened by details of cruelty, inhumanity, and the most diabolical hate and vengeance" ... "[it is] impossible to lay it aside afterwards and say nothing about it".
added by GYKM | editDouglas Jerrold's Weekly Newspaper
 
"How a human being could have attempted such a book as the present without committing suicide before he had finished a dozen chapters, is a mystery. It is a compound of vulgar depravity and unnatural horrors."
added by GYKM | editGraham's Lady Magazine
 
"We know nothing in the whole range of our fictitious literature which presents such shocking pictures of the worst forms of humanity."
added by GYKM | editAtlas
 
a "disagreeable story" ... the Bells "seem to affect painful and exceptional subjects"
added by GYKM | editAthenaeum, H. F. Chorley
 

» Add other authors (162 possible)

Author nameRoleType of authorWork?Status
Emily Brontëprimary authorall editionscalculated
Becker, May LambertonIntroductionsecondary authorsome editionsconfirmed
Booker, NellIllustratorsecondary authorsome editionsconfirmed
Cai, RovinaIllustratorsecondary authorsome editionsconfirmed
Daiches, DavidEditorsecondary authorsome editionsconfirmed
Dobrée, BonamyIntroductionsecondary authorsome editionsconfirmed
Eichenberg, FritzIllustratorsecondary authorsome editionsconfirmed
Exell, FredCover designersecondary authorsome editionsconfirmed
Flosnik, AnneNarratorsecondary authorsome editionsconfirmed
Forster, PeterIllustratorsecondary authorsome editionsconfirmed
Henderson, PhilipEditorsecondary authorsome editionsconfirmed
Hill, JamesCover artistsecondary authorsome editionsconfirmed
Holway, Tatiana M.Introductionsecondary authorsome editionsconfirmed
Jack, IanEditorsecondary authorsome editionsconfirmed
Kellendonk, FransTranslatorsecondary authorsome editionsconfirmed
Kitchen, MichaelNarratorsecondary authorsome editionsconfirmed
Lane, MargaretIntroductionsecondary authorsome editionsconfirmed
Macaulay, RoseIntroductionsecondary authorsome editionsconfirmed
Marchetti, LouCover artistsecondary authorsome editionsconfirmed
Merkin, DaphneIntroductionsecondary authorsome editionsconfirmed
Nestor, PaulineEditorsecondary authorsome editionsconfirmed
Nicoll, HelenProducersecondary authorsome editionsconfirmed
Peters, DonadaNarratorsecondary authorsome editionsconfirmed
Routledge, PatriciaNarratorsecondary authorsome editionsconfirmed
Small, HelenIntroductionsecondary authorsome editionsconfirmed
Smith, PattiIntroductionsecondary authorsome editionsconfirmed
Stoneman, PatsyIntroductionsecondary authorsome editionsconfirmed
Ward, CandaceEditorsecondary authorsome editionsconfirmed

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1801—I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.
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...he shall never know how I love him; and that, not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of, his and mine are the same, and Linton's is as different as a moonbeam from lightning, or frost from fire.
...my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and, if all else remained, and he were annihilated, the universe would turn to a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath - a source of little visible delight, but necessary. Nelly, I am Heathcliff- he's always, always in my mind- not as a pleasure, any more than I am always a pleasure to myself - but, as my own being -...
...for what is not connected with her to me? and what does not recall her? I cannot look down to this floor, but her features are shaped in the flags! In every cloud, in every tree - filling the air at night, and caught by glimpses in every object, by day I am surrounded with her image! The most ordinary faces of men, and women - my own features - mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her!
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This is the complete, unabridged work - Wuthering Heights, by Emily Brontë.  Please combine this ONLY with editions which are the complete, unabridged work.  Please do not combine this work with works about Wuthering Heights, abridged versions, adaptations, or (according to convention) the Norton Critical Editions.
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Amazon.com Product Description (ISBN 0553212583, Mass Market Paperback)

"My greatest thought in living is Heathcliff. If all else perished, and he remained, I should still continue to be... Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure... but as my own being." Wuthering Heights is the only novel of Emily Bronte, who died a year after its publication, at the age of thirty. A brooding Yorkshire tale of a love that is stronger than death, it is also a fierce vision of metaphysical passion, in which heaven and hell, nature and society, are powerfully juxtaposed. Unique, mystical, with a timeless appeal, it has become a classic of English literature.

(retrieved from Amazon Thu, 12 Mar 2015 18:16:31 -0400)

(see all 6 descriptions)

The passionate love of Catherine Earnshaw and Heathcliff mirrors the powerful moods of the Yorkshire moors

(summary from another edition)

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Penguin Australia

8 editions of this book were published by Penguin Australia.

Editions: 0141439556, 0141023546, 0143105434, 0141326697, 0141045205, 1846146097, 0141199083, 0734306423

Tantor Media

An edition of this book was published by Tantor Media.

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Urban Romantics

2 editions of this book were published by Urban Romantics.

Editions: 1907832742, 1907832750

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