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will love Sign up for LibraryThing to find out whether you'll like this book. pretty good. i listened to it and couldn't remember the minor characters. ( )I first heard of this book from my Swedish step-father-in-law. I had asked him who his current favorite author was last August. Stieg Larsson's three books are very popular in Sweden. His second book is due to be published in U.S. this summer. Shortly after handing in the three manuscripts for his mysteries, he died.This was a very cool mystery about a disgraced journalist hired to investigate the disappearance of a young girl in the late sixties. The characters are all fully-realized, interesting individuals and story takes several interesting twists and turns. Curiously, the book's title in Sweden was Man Som Hatar Kvinnor which translates as The Man Who Hates Women. I like the English title better. Recommended for mystery-lovers. (There are a few Swedish words that are left in the text, but you'd guess their meaning from the context. Fröken is one example. It means Miss. And it may help to know that the suffix gatan means street.) I honestly have no idea why The Girl with the Dragon Tattoo is such an international sensation. The mystery was easy to figure out, and there's all this extraneous detail about the investigator that just seemed like boring filler. And the eponymous "girl" is 1) a woman and 2) a standard male fantasy of the perfect heroine. And for some reason, every woman in the book throws herself at the protagonist, who has nothing interesting to recommend him. Yeah, pretty lame all around. I finished The Girl with the Dragon Tattoo by Stieg Larsson this morning, after ploughing through a huge chunk of it over the weekend whilst on the train to/from my parents’ house. It was originally written in Swedish, and is the first part of a trilogy. Essentially, it’s a crime mystery, with some thriller aspects thrown in for good measure. Being relatively modern, it relies quite heavily on some technological features, with one of the main characters a hacker of quite extraordinary prowess. The central mystery is well constructed, with enough twists and surprises to keep you guessing through to the end. Admittedly, there’s a couple of “handily placed” characters and coincidences, but then that’s always the way in any novel or film of this type. What’s more interesting is the hacker character, who I understand becomes the focus of the second novel. She’s described more than once as anorexic and young-looking, but there’s a real fire to her actions. Larsson describes how she gradually opens herself up to other people, from being a completely aloof and deliberately isolated character at the beginning. The writing style is pretty solid, frenetic at times but also measured in other places. It’s a real page-turner without being too simple (a la The Da Vinci Code), and certain set pieces are done fantastically well. I should admit I "listened" to this rather than read it and that I listened to the abridged version which I bought by accident. I liked it. It was perfect for the commute--mostly convincing and compelling plotting and more distinct characters than usual for this kind of book. There's a strong, young female character, though she is, of course, mostly a male fantasy of a strong, young female character. She ends up in love with the older male main character, and she ends up broken-hearted. The end pretty much lost its marbles, as most novels I've read do. It got oversized and unlikely and bloated, which often happens as everything swells toward that defining gesture.
[Richman reviews several Scandinavian novels, including Larsson's.] Why have readers taken to these writers? The novels are not formally innovative: With a few exceptions, these are straightforward whodunits, hewing closely to conventional models from the English tradition. Nor does their appeal depend on a "relentlessly bleak view of the world," as a writer for the London Times has put it. Bleak worldviews are not particularly hard to come by in crime novels, no matter what country they come from. What distinguishes these books is not some element of Nordic grimness but their evocation of an almost sublime tranquility. When a crime occurs, it is shocking exactly because it disrupts a world that, at least to an American reader, seems utopian in its peacefulness, happiness, and orderliness. The novel offers a thoroughly ugly view of human nature, especially when it comes to the way Swedish men treat Swedish women. In Larsson’s world, sadism, murder and suicide are commonplace — as is lots of casual sex. (Sweden isn’t all bad.) The first-time author's excitement at his creation is palpable, strangely, in the book's sometimes amateurish construction. There are frequent long digressions in this big book (more than 500 pages) in which he laboriously fills in back-story details. Then there is the Vanger family; what might have seemed like a bit of fun gets out of hand as easily more than 20 people with the surname Vanger are mixed into the story. To his credit, though, he always regains control and restores momentum.
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| Book description |
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A sensation across Europe—millions of copies sold
A spellbinding amalgam of murder mystery, family saga, love story, and financial intrigue.
It’s about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden . . . and about her octogenarian uncle, determined to know the truth about what he believes was her murder.
It’s about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to get to the bottom of Harriet’s disappearance . . . and about Lisbeth Salander, a twenty-four-year-old pierced and tattooed genius hacker possessed of the hard-earned wisdom of someone twice her age—and a terrifying capacity for ruthlessness to go with it—who assists Blomkvist with the investigation. This unlikely team discovers a vein of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialism—and an unexpected connection between themselves.
It’s a contagiously exciting, stunningly intelligent novel about society at its most hidden, and about the intimate lives of a brilliantly realized cast of characters, all of them forced to face the darker aspects of their world and of their own lives.
(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400)
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