Keep the Change (edition 1989)

Typical McGuane. Set on ranches, with people who know how to look after steers, and unsentimental descriptions of horses and dogs, in a world where ranching is not a way to make a good living, with awkward men and admirable women, and impending financial doom. McGuane is great. ( )

This is the story of Joe Starling, Jr., who inherits the ranch in Montana after a short and spotty career in art and illustration. He finds Astrid, a woman from Miami, dallies briefly with Ellen, a girl from his youth, and finally signs the ranch over to Billy, who is married to Ellen.

This story is spare, given over to Montana-speak (like Kent Haruf, only without the depth of emotion or impressive characterization or poetry). Our hero's mood swings are sudden and uneven and sometimes mysterious. I think McGuane wanted to place Joe's emotional state in a family context, but I began shortly to wonder what was the point. And concurrently I quit caring.

I saw this book reviewed as an "epic," and that's just mistaken. I often have a hard time with prose that poses as "spare in the service of a stark story," because so often it's mishandled just enough to make motivation completely mysterious. That, I'm afraid, afflicts this book.

http://bassoprofundo1.blogspot.com/2010/07/keep-change-by-thomas-mcguane.html ( )