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The Woman in White by Wilkie Collins

The Woman in White (1860)

by Wilkie Collins

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
8,021220400 (4.09)6 / 1044
  1. 131
    Rebecca by Daphne du Maurier (starfishian)
  2. 154
    Wuthering Heights by Emily Brontë (Cecilturtle)
  3. 40
    Freedom and Necessity by Steven Brust (aulsmith)
    aulsmith: Both novels take place in Victorian England. They have convoluted plots, many surprises and a whiff of the occult. Although Freedom and Necessity was not a Victorian novel, it reads like one, complementing the style of Collins.
  4. 51
    The Yellow Wall-Paper {story} by Charlotte Perkins Gilman (wonderlake)
  5. 30
    Lady Audley's Secret by Mary Elizabeth Braddon (joririchardson, Hollerama)
  6. 31
    The Seance by John Harwood (bibliobeck, simon_carr)
  7. 53
    Fingersmith by Sarah Waters (wonderlake, teelgee)
    teelgee: Definitely see where Sarah Waters got her inspiration!
  8. 32
    The Suspicions of Mr Whicher or The Murder at Road Hill House by Kate Summerscale (wonderlake)
    wonderlake: Victorian crime
  9. 10
    Uncle Silas: A Tale of Bartram-Haugh by J. Sheridan Le Fanu (Hollerama)
  10. 11
    The House of Ulloa by Emilia Pardo Bazán (cammykitty)
    cammykitty: Spanish *gothic* from about the same time period.
  11. 12
    The Truth about the Savolta Case by Eduardo Mendoza (caflores, caflores)
  12. 48
    The Count of Monte Cristo, Vol. 2 by Alexandre Dumas (caflores)

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English (211)  Spanish (3)  Dutch (2)  French (1)  Catalan (1)  Swedish (1)  Italian (1)  All languages (220)
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Collins, Wilkie
The Woman in White

Classic Fiction
Wilkie Collins wrote what was called "sensation" novels in his day. The "sensations" that comprise this novel would probably be considered hohum by today's standards but that aside, The Woman in White still manages to maintain a level of almost excruciating suspense throughout. The story is well-populated with well-drawn and despicable characters acting out against a detailed backdrop of the culture, history, and economics of the time. The result is a rewarding immersion akin to time travel and a sense of familiarity with a humanity that existed before our level of technology.
Recommended December 2006
  dawsong | Jun 12, 2015 |
Laurie Fairlie marries Sir Percival Glyde, an older man, chosen for her by her dead father, despite the fact that she and her drawing master Walter Hartright are in love with one another. Sir Percival runs out to be cruel and to have a Secret, which is connected with a mysterious woman Walter met and helped to escape from an asylum.

I read this as a teenager, but had forgotten it completely. I found it a bit lacking in pace in places, although almost exciting in others. There were elements which are firmly Victorian - Laura's lack of any real personality, the close relationships between Walter, Laura and Marian, particularly at the very end, the string of coincidences, the secret Brotherhood and so on. The precarious position of women at the time was well-drawn out, with Frederick Fairlie almost criminal in his failure to protect Laura's interests. I liked the way the narrative was told by witness statements from various perspectives. I know we are supposed to love/hate the character of Fosco, but I didn't find his wife's character understandable and would have liked to know more about their relationship. ( )
  pgchuis | May 6, 2015 |
Henry James não gostou da "ponderosity" de The Woman in White, chamando o romance de "uma espécie de versão de Clarissa Harlowe do século 19". No entanto, James reconheceu que o livro tinha "introduzido na ficção os mais misteriosos dos mistérios, aqueles que estão em nossas portas". Apontado como o texto inaugural da "sensation fiction" - uma espécie de sub-gênero do gênero tremendismo, distinguido por seu eletrizante suspense e, às vezes, horripilantes enredos, bem como pelos temas desagradáveis - intriga, inveja, homicídio, adultério e quejandos, A Mulher de Branco foi uma sensação imediata de mérito próprio. Enquanto Margaret Oliphant o saudava como "um novo começo, em ficção", Edward Bulwer-Lytton descartava-o como "great trash". Mais de um século e meio depois, seja como for, sem jamais ter sido grande literatura, o livro não perdeu o seu poder de thrill. ( )
  jgcorrea | Apr 24, 2015 |
Whilst reading the first two-thirds of this book, it was primed in my mind for a 5 star review. But now that I've finished it, I think it's dropped to 4 stars (which still ranks as very good, but not quite reaching personal 'favourite' status).

Firstly, to the immense positives - this book is a complex, gripping Victorian detective-style story (albeit without a traditional detective), and despite the novel's size (c. 650 pages) I felt it successfully worked towards dramatically building up and then slowly unravelling the plot. There was no treading water, and I can have no causes for complaint about it aimlessly drifting off at any point. It's one of those books were you hardly dare mention any aspect of the plot for fear of creating a spoiler for the next reader, and it was definitely page-turning for much of the way through.

The characters were incredibly well developed, and the larger than life character of the supremely vain Count Fosco was especially memorable - a character I'm sure I will remember for years to come despite my usual inability to remember the plot of any book for more than a nano-second. He really was the most superb villain, full of cunning, power and nerve, his fear-factor heightened fantastically by his patience for the long-game and a calculated ability to never drop his guard as an unimpeachable man of chivalry and position.

So despite my own accolades, why did it not quite reach the hallowed status of personal favourite? Gripping as it was, I think it was just played out a little too long for me, and my attention began to wane. I also found it too explained at times - sometimes it's nice to leave the reader with a little work to do themselves, but Collins regularly made a point of stating the obvious (not completely breaking the rule of 'show, don't tell' - more of a case of 'show but then tell as well just in case they don't entirely get it'). Mind you, at times these recaps were much appreciated, saving me from having to thumb back through the book to remind myself again about something which had happened some 200 pages before.

A somewhat neglected classic which has deservedly received a resurgence in popularity in recent years ( 1001 books you must read before you die effect, no doubt), if you enjoy Victorian suspense, intrigue, foreboding country houses and dastardly doings you are in for a superb treat. ( )
  AlisonY | Feb 19, 2015 |
Pretty good-- but would have been much better, had Collins left out all the "as a woman,..." "the weakness of a woman," sort of stuff. ( )
  KatrinkaV | Feb 19, 2015 |
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» Add other authors (185 possible)

Author nameRoleType of authorWork?Status
Wilkie Collinsprimary authorall editionsconfirmed
Dei, FedoraTranslatorsecondary authorsome editionsconfirmed
Sutherland, JohnEditorsecondary authorsome editionsconfirmed
Sweet, MatthewEditorsecondary authorsome editionsconfirmed
Symons, JulienEditorsecondary authorsome editionsconfirmed
Willis, ChristineEditorsecondary authorsome editionsconfirmed
Woolf, GabrielNarratorsecondary authorsome editionsconfirmed
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This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve.
The soft hazy twilight was just shading leaf and blossom alike into harmony with its own sober hues as we entered the room, and the sweet evening scent of the flowers met us with its fragrant welcome through the open glass doors.
There are three things that none of the young men of the present generation can do. They can't sit over their wine, they can't play at whist, and they can't pay a lady a compliment.
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Book description
When Walter Hartwright encounters a solitary, terrified, beautiful woman dressed in white on a moonlit night in London, he feels impelled to solve the mystery of her distress. The story, full of secrets, locked rooms, lost memories, and surprise revelations, features heroine Marian Halcombe and drawing-master Walter Hartright as sleuthing partners pitted against the diabolical Count Fosco and Sir Percival Glyde. This gothic psychological thriller, a mesmerizing tale of murder, intrigue, madness, and mistaken identity, has gripped the imagination of readers since its first publication in 1860. The breathtaking tension of Collins's narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing.
Haiku summary
Identity theft,
Money, madness, hidden crimes:
A Collins classic.
(passion4reading - thank you, wisewoman)

Amazon.com Product Description (ISBN 0141439610, Paperback)

Generally considered the first English sensation novel, The Woman in White features the remarkable heroine Marian Halcombe and her sleuthing partner, drawing master Walter Hartright, pitted against the diabolical team of Count Fosco and Sir Percival Glyde. A gripping tale of murder, intrigue, madness, and mistaken identity, Collins's psychological thriller has never been out of print in the 140 years since its publication.

(retrieved from Amazon Thu, 12 Mar 2015 18:24:48 -0400)

(see all 9 descriptions)

When Walter Hartright has a mysterious moonlit encounter with a woman dressed all in white, his world changes forever.

» see all 22 descriptions

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15 editions of this book were published by Audible.com.

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Penguin Australia

2 editions of this book were published by Penguin Australia.

Editions: 0141439610, 0141389435

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