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Loading... A Prayer for the Dyingby Stewart O'Nan
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will love Sign up for LibraryThing to find out whether you'll like this book. O'nan proves that an excellent novel can be written 'simply'. ( )I found this book during a random search of the "O's" in the fiction section of the library. I'm ashamed to say I don't remember hearing of Stewart O'Nan until I picked this book up. It's not for everyone. It is Gothic with a capital "G", but if that's your shot of rot-gut, then this is a book for you. The writing is stupendous. This is the story of a Good Man (Jacob Hansen) caught in circumstances beyond his capacity to deal and the decisions he makes as a result. While this may be a familiar theme, this is far from a familiar story. It begins slowly but as events spiral out of control and Jacob begins to run faster and faster to try to stay ahead of things, the writing picks up and the reader goes faster and faster, and eventually down, with him. When I turned the last page, the outcome seemed inevitable. Pretty close to perfect. Stewart O'Nan explores the core themes of literature in a compelling novel set in post-Civil War Wisconsin. This is unquestionably a book you need to take off the list of the best books you haven't read. Full review here. This is one that has stayed with me. Not a "feel good" book by any means, but one that shows me why I read. The author really pulls you into the mind of the main character. no reviews | add a review
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An ostensibly inured Civil War veteran, Jacob watches helplessly as his neighbors in tiny Friendship, Wisconsin, are stricken with disease: simply hearing a mother say of her daughter, "She's sick," becomes chilling. Yet even as his wife and baby fall ill, Jacob patiently, dutifully tends to the helpless and buries the dead. When panic erupts, however, and he grapples with the tragedies accumulating before him, he feels the prick of spiritual doubt, even succumbs to violence. "Is this the devil's work?" Jacob asks as he struggles to discern the good in a world without order, watches those he serves turn against him, and disregards his own moral outrage.
O'Nan's style is taut and often oddly lovely, its immediacy braced by an unnerving second-person voice. The novel is, at root, spiritually terrifying. It forces us to consider at what remove we truly are from evil. Overwhelmed with checking his own despair, Jacob begins by pondering how to halt wickedness and ineluctably finds himself sustaining its slow creep. You wonder if he ever had a prayer. --Ben Guterson
(retrieved from Amazon Fri, 24 Apr 2009 07:58:18 -0400)
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