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Mystery Walk by Robert R. McCammon
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Mystery Walk (1983)

by Robert R. McCammon

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Well then.

I have a feeling that this probably wasn't the best of McCammon's books to start with... or, at least I hope that's the case. I was less than impressed with this one for much of the time it took to get through it, and while I guess it was interesting enough (as in I was interested enough to continue on and see what happened), I didn't really ever feel invested in the story or the characters.

Perhaps it was the fact that I listened to this as an audiobook, a recording from tape circa 1983 or so. The reader was... distracting. He kept reading in a much different tone than I felt that the particular scene or situation warranted. Usually someone sounded wheedling or manipulative or threatening in this man's voice, when I feel that I'd have read the scene without the overtones of menace. Sometimes a question is just a question, not an unspoken threat.

There were a lot of "Am I right?" and "Is/isn't that right?" questions and every time - EVERY. SINGLE. TIME. - he read one of them, I'd picture the asking character with their head tilted inquiringly, a fake smile plastered on their face daring the person to contradict. Go ahead. See what happens.

And then there's the pronunciations. Oh man. Grimace was always "Grim Ace" and La Mesa was always "Luh Meesa". Luh Meesa. Really. It was just distracting. Because every time I'd picture fucking Jar Jar Binks.


Ye gods, whatta meesa sayin'?

Ohgodmakeitstopnow.

Yeah, so... aside from that stuff... I don't have much to say about this. I wasn't shocked by the revelations in this story. Rather than being a twisty mountain road with sharp, unexpected turns, this was more like a go-cart course - predictable and tame... I may not have been on THIS particular course before, but they are all pretty much the same.

I've seen the twists, the symbolism, the circular references, the good vs evil, the religiosity all before.

This story just felt formulaic, and so it wasn't really scary or particularly impressive. Maybe it's because the book is almost as old as I am and I've read a lot of other (better) horror before this. That's plausible, but then I think of stories like Richard Matheson's "I Am Legend", William Peter Blatty's "The Exorcist", or Ira Levin's "Rosemary's Baby", stories that are just as old (older, actually) and still amaze and terrify.

This didn't.

But I finished it and overall didn't loathe it, so... 2 stars. Maybe Swan Song will be better? ( )
  TheBecks | Apr 1, 2013 |
This is the novel where McCammon really begins to hit his stride, about a young man who has grown up with the power to help the dead pass over to the afterlife. A power inherited from his Choctaw mother, one that brings his family into conflict with not only a local evangelist but also a branch of the KKK. It is this human conflict from where the novel draws its strength, it is horror in the looser sense, the story is far more interested the interplay of its human characters rather than its supernatural undertones. A coming of age novel that touches on elements of American History, by an author who always feels very much in control of his material. ( )
  unapersson | Jun 18, 2011 |
A great book about the battle between good and evil. ( )
  readerray | Mar 21, 2007 |
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To my friends John Scott and John Willis, who each took a different road
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"Yes, the woman sais at last, lifting her finely shaped chin from where it had rested against one thin brown hand, her elbow supported in turn on the armrest of a cherrywood rocking chair.
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(Click to show. Warning: May contain spoilers.)
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While Billy Creekmore is drawn mysteriously into the house of a murdered family, Wayne Falconer demonstrates miraculous healing powers, while demons grow in his soul.
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