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Loading... Wind/ Pinball: Two Novels (edition 2015)by Haruki Murakami (Author)
Work InformationWind / Pinball: Two Novels by Haruki Murakami
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. As early writings of Murakami's these works set the foundation for what will be Murakami's writing style. Personally, they lack some of the spark that developed in Murakami's later works, but the exploration of identity and belonging was nonetheless impactful. ( ) What can you say about two novels that the author himself admits are not up to scratch in his foreword? As with Go Set a Watchman, I guess the only reason for reading this book is to experience the nascent activity of an ultimately famous writer. The book consists of two novellas, both concerning an unnamed narrator and his friend the Rat. The Rat character returns to feature in two of Murakami's better known novels, A Wild Sheep Chase and Dance, Dance, Dance. To be honest though, it's so long since I read either that I'm unable to discern any connections between these first novellas and those novels, so I can only judge this book as a standalone work. In that sense, I'd have to say it is pretty unsatisfying. Wind has the benefit of being punchy and concise, but the layout has padded it a great deal, and it's really just an extended short story. The narrator spends the entire story boozing with the Rat and pursuing a girl with nine fingers. It's pretty shallow stuff really, nothing to write home about. Pinball is a bit meatier and the prose is denser and more philosophical. The Rat is a bit more rounded a character here, and the narrator's romantic entanglements are interspersed with a growing awareness of his youth passing with no achievements to show for it, like a pinball game. Some of the Murakami tropes are evident already, especially the inscrutable women drifting in and out of the orbit of befuddled and ineffectual guys. It is a lot less believable here, especially the narrator's relationship with twins in Pinball. This is such a profoundly unequal relationship and they tolerate so much crap from him that it warrants an explanation, which the author never gives. This key relationship is so unlikely that it mars the entire story. Having read several current books by this author I had high expectations. He has the talent to create memorable characters, unusual plots and weave fantasy elements within the story fabric. None of these are exhibited here. Instead the stories meander aimlessly, and there's little to grasp or engage with. I read the first story and was so disappointed I didn't bother with the second. He obviously evolved substantially as a writer since these early stories On the back of my edition there is a review by The Guardian saying: “Early Murakami isn’t Murakami-in-the-making, it’s already and entirely Murakami” The statement can be either very flattering or entirely dismissive of Murakami’s personal growth and writing development. Equally I understand it and comprehend it at two distinct levels as well. For I do agree with the statement to some extent. Namely it is Murakami’s distinct style that is so entirely itself, which is apparent in the language, the storyline and even in the way the novels are divided. What seems to lack in, my opinion, is some sort of a higher goal. Of course that is partly Murakami’s goal. Nevertheless the word novel, novella and other just don’t fit the works. They are more like chronicles. no reviews | add a review
Belongs to SeriesThe Rat (1-2) ContainsDistinctions
Fantasy.
Fiction.
Literature.
HTML:NATIONAL BESTSELLER In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels—Hear the Wind Sing and Pinball, 1973—that launched the career of one of the most acclaimed authors of our time. These powerful, at times surreal, works about two young men coming of age—the unnamed narrator and his friend the Rat—are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami’s later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat. Widely available in English for the first time ever, newly translated, and featuring a new introduction by Murakami himself, Wind/Pinball gives us a fascinating insight into a great writer’s beginnings. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)895.63Literature Literature of other languages Asian (east and south east) languages Japanese Japanese fictionLC ClassificationRatingAverage:
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