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Being Dead by Jim Crace
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Being Dead: A Novel

by Jim Crace

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757245,784 (3.78)16
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Picador (2001), Edition: 1st, Paperback, 208 pages

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Very spare and beautifully written. Slightly too heavy on the anti-spiritual point (eg daughter not being upset). Not sure how much I would have liked it if I didn't think of Jim Crace as a writer that I liked. ( )
  wandering_star | Dec 20, 2009 |
Quite nicely written, though a bit boring. A poor man's Ian McEwan. ( )
  marek2009 | Oct 5, 2009 |
Many other reviews have equivocated on the quality of this book or backed away from what is unique about it by warning readers of the detailed journey into the processes of death and decomposition they must face if they read it. I, too, found the principle characters unappealing, but they are sufficiently specific-yet-universal to give us a reasonably good idea of what is ending when they die.

But it is beginning that interests Jim Crace. What makes this book worth reading is precisely its exploration of that distasteful journey into and beyond death. The lack of a particular statement about the characters as characters may be part of Crace's statement. He stays with them as long as he can, up to the point of death, and then remains faithfully at their sides as they decompose. Thomas Huxley declined to speculate on whether the poor stuff of which he was made would remain forever separate from the great All whence it came. Grace also declines to speculate. He stays with the bodies and what happens to them, because those at least do not remain forever separate. They part company with the person and embark on their own afterlife.

Grace gives us a good enough idea of who it is that is decomposing. But he does not delve further into their characters because it is the dissolution of their individuality he showing us. "Being Dead" is not a composition, but a decomposition, in which we are invited to gaze upon their remains and see not the end of two people but the beginning of something else--something that has its own aesthetic, its own directions, its own entropy, and its own mystery. It is this meditation on that liminal moment of undoing/becoming, written by Jim Crace with exquisite and tranquil grace, that makes this a very special book. His voice is not cold and clinical; on the contrary, in his highly specific descriptions you can hear the music of the spheres. "Being Dead" is one answer to that great line of Dracula's: "To die, to be truly dead-- That would be glorious."
  Winter_Maiden | Aug 7, 2009 |
Well-written. Beautifully captures the physical aspects of life and death. But too clinical for me to care about its characters. ( )
  sonyau | Jul 14, 2009 |
I so disliked the shallow, young people in this novel. I couldn't get to grips with the reason for the central concern of describing the gradual decomposition of the bodies on the dunes over the course of the novel. It is a fascinating idea but I struggled with the plotting around it. What might have worked better would have been a collection of disparate short stories where critical action took place close to where the bodies lay. The opening and closing story could have provided a framing structure. Then again I've never written a book and Jim Crace is an experienced, brilliant writer so what do I know? It's just what I would have preferred. ( )
  dylanwolf | Jul 11, 2009 |
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Yet for all the "experimental" feel that he imparts to his work, the fact is that, to say it again, Crace is working firmly within the mainstream of English fiction, and a good thing that is, for English fiction, at least. A solid yet always adventurous writer, he has done much to revitalize a tradition in danger of becoming moribund.
added by jburlinson | editNew York Review of Books, John Banville (pay site) (Apr 13, 2000)
 
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Being Dead (novel)

Book description

Amazon.com (ISBN 0312275420, Paperback)

Penzler Pick, June 2000: It begins with a murder. Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. They are reliving their first amorous encounter in the sand dunes when they are set upon by the murderer who beats them to death with a rock and steals their watches, their jewelry, and even their meager lunch. From that moment forward, this remarkably written book by Jim Crace becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. Eventually we learn about their first meeting, and that this is not the first time tragedy has struck them in this idyllic setting.

In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death. Celice and Joseph would have been delighted with the description: she was a zoologist and he was an oceanographer, and they spent their lives with their eyes to the microscope, observing the phenomena of life and death. Some readers might find this gruesome, but the facts of death are told in such glorious prose that these descriptions in no way detract from the enjoyment of the book.

After her parents do not return home, their daughter, Syl, must search the morgues and follow up John and Jane Doe reports until she is finally asked to make an identification of the remains in the dunes. We then discover that the reader has had a more intimate relationship with them in death than Syl ever had with them in life. This small gem of a book, not really a mystery in the usual sense, will stay with you long after you finish. --Otto Penzler

(retrieved from Amazon Fri, 24 Apr 2009 07:58:12 -0400)

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