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In Search of Wagner by Theodor W. Adorno
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In Search of Wagner

by Theodor W. Adorno

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My copy of this book is unique. Adorno was searching for the meaning of Wagner. I am searching for meaning in Adorno. Someone who came before me was doing one or the other, or perhaps both. Whoever it was left behind traces of their search: underlinings, sometimes lasting for several pages; marginal notes; graphics. There are even two pencilled epigraphs: [1] "the mixture of D. Michael Quinn and cyberpunk", and [2] "Come Again to the Healing Waters -- Liszt." Now, D. Michael Quinn could either be: (a) a Mormon historian fixated on polygamy and homosexuality, or (b) an orthopedic surgeon practicing in Bloomfield, Michigan. Liszt is, presumably, Wagner's piano-playing father-in-law. Now, mormonism has a somewhat conflicted view of Jews and Judaism, considering Native Americans to be both (1) the lost tribe of Israel, hence blessed by God as the Chosen People and (2) cursed by God with a red skin as a result of their antagonism to the Sons of Nephi. And, of course, we know about Wagner's anti-semitism, although some of his best friends and benefactors were Jews. How Bloomfield, Michigan comes into it, I don't know. The search continues... ( )
  jburlinson | Jan 1, 2011 |
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Author nameRoleType of authorWork?Status
Theodor W. Adornoprimary authorall editionsconfirmed
Zizek, SlavojIntroductionsecondary authorsome editionsconfirmed
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Amazon.com Product Description (ISBN 0860917967, Paperback)

This new edition includes a lengthy foreword by Slavoj Zizek, entitled "Why is Wagner worth saving?"

Richard Wagner's works are among the most controversial in the history of European music because of their powerful aesthetic qualities and, in wider political terms, because of their eventual assimilation into the official culture of the Third Reich.

This concise synoptic account by the most brilliant exponent of Frankfurt School Marxism subtly interweaves these artistic and ideological qualities. It provides deft musicological analyses of Wagner's scores and of his compositional techniques, orchestration and staging methods, quoting copiously from the music dramas themselves. At the same time it offers incisive reflections on Wagner's social character and the ideological impulses of his artistic activity.

(retrieved from Amazon Thu, 14 Feb 2013 13:50:11 -0500)

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