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Le Jeu de l'amour et du hasard by…
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Le Jeu de l'amour et du hasard (original 1730; edition 2011)

by Marivaux (Author)

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436557,278 (3.46)2
Marivaux is among the most perfomed of all French playwrights, and "Le Jeu de l'amour et du hasard" is his best known play. The play combines the linguistic refinement of the eighteenth-century salons, the intellectual challenge of the dawning Enlightenment, and the imaginative fancy of the Italian actors who first brought it to life. In Marivaux's own day he was accused of writing in a style seen as affected. Today his linguistic subtlety is perceived as being among his great qualities, though it makes his work particularly difficult for the non-native speaker of French. This edition offers an introduction which elucidates the themes of the play by situating them within the wider context of Marivaux's writing, and notes which clarify the originality of Marivaux's style.… (more)
Member:gambina
Title:Le Jeu de l'amour et du hasard
Authors:Marivaux (Author)
Info:Belin - Gallimard (2011), 128 pages
Collections:Your library
Rating:1/2
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A Game of Love and Chance by Pierre de Marivaux (1730)

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» See also 2 mentions

French (3)  Dutch (1)  Italian (1)  All languages (5)
Showing 5 of 5
> « Peut-on épouser un inconnu ? Ce n'est pas l'avis de Silvia, promise à un certain Dorante qu'elle n'a jamais vu. Avant d'accepter ce mariage, elle décide donc de tester son prétendant sans se faire connaître : elle prendra l'identité et les attributs de sa servante Lisette, pendant que celle-ci se fera passer pour Silvia. Mais ce qui était une bonne idée se transforme en situation cocasse, puisque Dorante a lui aussi échangé les rôles avec son serviteur. L'entrevue des deux valets subitement élevés au rang de maîtres laisse présager de savoureuses répliques, mais pourra-t-elle changer la donne amoureuse de la pièce ? Rien n'est moins sûr, à moins que derrière les travestissements, l'amour ne finisse par reconnaître les siens...
Comme souvent chez Marivaux, le jeu amoureux passe par un jeu de masques : le spectateur, lui, sait toujours qui est qui, mais la naissance du sentiment amoureux et ses multiples secrets n'en finissent pas de le surprendre et de le charmer. »
--Karla Manuele, Amazon.fr

> Par Adrian (Laculturegenerale.com) : Les 150 classiques de la littérature française qu’il faut avoir lus !
07/05/2017 - Deux amants ont la même idée : prendre la place de leurs domestiques pour tester examiner leur homologue. « Marivaudage », double-registre, l’amour triomphe des masques !
Ne pas oublier non plus L’Île des esclaves (1725).
  Joop-le-philosophe | Jan 26, 2019 |
Spontaan en vrolijk, zeer spitsvondig en goede structuur (voor op Molière), maar uiteraard niet echt diepgaand. ( )
  bookomaniac | Sep 20, 2010 |
Pour juger de la qualité du fiancé qu'on voudrait lui imposer, Silvia prend la place de Lisette, sa servante. Mais Dorante, le fiancé, a eu la même idée de son côté... Le dispositif ainsi truqué, la partie commence : jeu de l'amour, mais surtout jeux de l'esprit, marivaudage grâce auquel la vérité va triompher de l'apparence et l'amour de la raison. Assis dans son rôle de confident, le spectateur, seul à savoir que qui croit tromper est trompé à son tour, est seul à saisir l'allusion au vol. Émerveillé, il fait le compte des coups. Et quand le rideau tombe avec les masques, tout le monde - selon l'expres-sion forgée par Marivaux lui-même -, est « tombé amoureux » : Dorante de Silvia, Silvia de Dorante, Arlequin de Lisette, Lisette d'Arlequin... et le spectateur de Marivaux.
  vdb | Aug 14, 2010 |
opera in lingua francese
  bibliotecaristofane | Jul 16, 2018 |
""
  rouzejp | Sep 2, 2015 |
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» Add other authors (24 possible)

Author nameRoleType of authorWork?Status
Marivaux, Pierre deprimary authorall editionsconfirmed
Michel, PierreEditorsecondary authorsome editionsconfirmed
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Marivaux is among the most perfomed of all French playwrights, and "Le Jeu de l'amour et du hasard" is his best known play. The play combines the linguistic refinement of the eighteenth-century salons, the intellectual challenge of the dawning Enlightenment, and the imaginative fancy of the Italian actors who first brought it to life. In Marivaux's own day he was accused of writing in a style seen as affected. Today his linguistic subtlety is perceived as being among his great qualities, though it makes his work particularly difficult for the non-native speaker of French. This edition offers an introduction which elucidates the themes of the play by situating them within the wider context of Marivaux's writing, and notes which clarify the originality of Marivaux's style.

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