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Ubik (S.F. MASTERWORKS) by Philip K. Dick

Ubik (S.F. MASTERWORKS) (original 1969; edition 2000)

by Philip K. Dick

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4,514841,074 (4)100
Authors:Philip K. Dick
Info:Gollancz (2000), Edition: New Ed, Paperback, 224 pages
Collections:Your library
Tags:Fiction, US Fiction, Sci-Fi

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Ubik by Philip K. Dick (1969)


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Showing 1-5 of 70 (next | show all)
My first Philip K. Dick and hopefully not my last. This was really exciting but not really satisfying. Is their an Ubik part 2 because I want to read more about Joe Chip! It was funny, action packed and philosophical. I love it! ( )
  krizia_lazaro | Aug 10, 2015 |
I remember my best friend,Mark, introduced this book to me my freshman or sophomore year in college. It was so amazing. The literal reality distortion phenomenon the author used was so amazing. ( )
  joeydag | Jul 23, 2015 |
another brain-twister from Philip K. playing with reality and epistemology, he keeps you guessing throughout the latter half of the story by placing everyone in a Matrix or Inception-like world.

there are passages that slide into the prose queue just as though they belong next in the story being told but then, once, you’ve read them, you think: is that right? did he mean to say that? was it a typo or some kind of editorial mistake? Joe Chip was just talking but then the very next paragraph changes the protagonist to Glen Runciter who simply takes over from Joe. the movie equivalent would be one actor being replaced by another during a camera cut between characters and everyone acting as if this were the most natural thing.

answers are not to be had with this book, though, because it ends abruptly, suddenly, as though there is another chapter or even a segue to a second part. again, i was left wondering if this was on purpose or if there had been some kind of editorial mistake. i read this in ebook form and had to check with reviews and overviews of the book to make sure my electronic copy hadn’t been truncated. i wanted more of that world and more answers and more about the characters. sequels, please? none are forthcoming.

it’s the hallmark of the greatest writers, imho, when they can induce the same things in the reader through their writing style that is happening in the tale being told.
( )
  keebrook | Mar 10, 2015 |
I’m somewhere near the middle of Dick’s Exegesis and I decided to try reading something a little lighter, so I chose Ubik. Whoops! Dick manages to turn one of his recurrent existential themes into a bizarre story. Bizarre in the details of the characters and the setting in the mode of a Dr. Who tv show meets the old Batman series. Bizarre in the theme, like Kafka’s Metamorphosis envelops Lovecraft’s New England. The plot sets two competing corporations against each other; one is full of psychic talent and the other, anti-talents. So far, so good. Very good in fact. Then, the explosion happens and everything becomes more and more weird. Just when you think sense is totally beyond your grasp, Dick ties it all together with a reasonable explanation. The art of the story is truly amazing once you look at if from outside. I found the experience of being inside the story, however, disturbing. Very disturbing! ( )
  drardavis | Dec 26, 2014 |
The first time I read Ubik I enjoyed it very much, thanks to the strong premise and the way it subverts expectations. Since then, however, I've reread the book not once but twice, and I find that it falls in my estimation with each new reading.

While it seemed to me upon my first reading that the first portion of the book was intentionally meant by Dick to establish expectations so that later he could pull the rug out from under you, upon rereading there are indications that Dick had no such plans in mind. Instead much of the early portion seems as though it was Dick throwing stuff onto the paper and seeing what would stick: there's an extended portion where the clothes of this future are discussed, and everyone is wearing utterly bizarre outfits. Nothing is done with this idea, and in fact shortly after this when a character is introduced they are wearing what we would consider a regular outfit- and neither the bizarre fashion of the previous segment or the normal fashion of the latter segment warrant notice by the characters.

On a similar, and much more significant scale, the psi and anti-psi aspects of the world also appear upon rereading not to be a central element of the story, but an idea that Dick conceived of and abandoned without exploring. The entire first portion of the book focuses on the psi vs. anti-psi dynamic, and this rivalry is what leads the characters to the moon and their injuries. When the bizarre reality shifts begin to occur in the second part of the novel it's natural to assume that somehow the psi and anti-psi powers are somehow involved, especially given the introduction of Pat Conley and her reality altering powers earlier in the story. Instead, however, the psi/anti-psi angle is revealed in the end to be a red herring, as the explanation has nothing to do with psychic powers. The first time I read Ubik this twist struck me as unexpected and impressive, but here's what I noticed upon my rereadings: the story never actually engages with the psi/anti-psi idea at all. If instead this story was exactly the same, except that people with psi powers were replaced by leprechauns and Joe Chip's team were leprechaun exterminators, would anything be substantively different? Drawn to the moon to combat a leprechaun infestation Joe Chip and his fellow exterminators are ambushed by a tribe of leprechauns, awaking in a bizarre world that they suspect is a group hallucination caused by leprechaun magic. Everything would work out exactly the same, as the anti-psi powers of Joe's team never play a role in the half-life world. Nor do psi powers even make an appearance. Pat Conley's powers never even manifest outside of her lengthy introduction, even when they seem to be able to cure the situation that the team finds itself in. Despite the fact that psychic powers are introduced in the book nothing is actually done with the idea, so that while it does serve as an interesting piece of misdirection, it feels as though this could just as easily have been a happy coincidence for PKD as an intentional choice.

As with many books by Dick the ending includes a twist that appears to draw everything into question, but which doesn't actually make much sense or add anything to the story once you think about it. So what if what the twist ending suggests is reality? It would mean that the story of Joe Chip that came before retroactively doesn't make any sense, or that the rules of where Joe Chip is are different in a way that was never previously hinted. As to the character the twist occurs to, the book ends without that character ever taking action, so the twist is all style and no substance. It's the equivalent of an ending line asking "woah dude, what if what YOU SEE as the color blue is different from what I SEE as the color blue?" Any level of critical thought will leave you unimpressed by the idea on its own, and PKD never explores it in an interesting way either.

Anyway, this book is a fun read, but the first part is largely divorced from and superfluous to the second part. It works to subvert expectations, but it's not clear that Dick deserves much credit for this given that he doesn't ever engage with the ideas that constitute the misdirect- though he could have. The ending twist is stupid when you think about it, but doesn't hurt the book much (not that it ever really does in PKD's work, though I find it a particularly annoying blemish on The Man in the High Castle). If you read Ubik, only read it once and try not to think too hard about it. And don't read this review, I guess. ( )
  BayardUS | Dec 10, 2014 |
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» Add other authors (28 possible)

Author nameRoleType of authorWork?Status
Philip K. Dickprimary authorall editionsconfirmed
Adams, MarcCover artistsecondary authorsome editionsconfirmed
Bishop, MichaelIntroductionsecondary authorsome editionsconfirmed
Dorémieux, AlainTranslatorsecondary authorsome editionsconfirmed
Espín, ManuelTranslatorsecondary authorsome editionsconfirmed
Heald, AnthonyNarratorsecondary authorsome editionsconfirmed
Jones, PeterCover artistsecondary authorsome editionsconfirmed
Langowski, JürgenTranslatorsecondary authorsome editionsconfirmed
Laux, Renatesecondary authorsome editionsconfirmed
Martin, AlexanderTranslatorsecondary authorsome editionsconfirmed
Moore, ChrisCover artistsecondary authorsome editionsconfirmed
Pagetti, CarloTranslatorsecondary authorsome editionsconfirmed
Podaný, RichardTranslatorsecondary authorsome editionsconfirmed
Rauch, PeterCover artistsecondary authorsome editionsconfirmed
Robertson, IanCover artistsecondary authorsome editionsconfirmed
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At three-thirty A.M. on the night of June 5, 1992, the top telepath in the Sol System fell off the map in the offices of Runciter Associates in New York City.
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Haiku summary

Amazon.com Amazon.com Review (ISBN 0679736646, Paperback)

Nobody but Philip K. Dick could so successfully combine SF comedy with the unease of reality gone wrong, shifting underfoot like quicksand. Besides grisly ideas like funeral parlors where you swap gossip for the advice of the frozen dead, Ubik (1969) offers such deadpan farce as a moneyless character's attack on the robot apartment door that demands a five-cent toll:

"I'll sue you," the door said as the first screw fell out.

Joe Chip said, "I've never been sued by a door. But I guess I can live through it."

Chip works for Glen Runciter's anti-psi security agency, which hires out its talents to block telepathic snooping and paranormal dirty tricks. When its special team tackles a big job on the Moon, something goes terribly wrong. Runciter is killed, it seems--but messages from him now appear on toilet walls, traffic tickets, or product labels. Meanwhile, fragments of reality are timeslipping into past versions: Joe Chip's beloved stereo system reverts to a hand-cranked 78 player with bamboo needles. Why does Runciter's face appear on U.S. coins? Why the repeated ads for a hard-to-find universal panacea called Ubik ("safe when taken as directed")?

The true, chilling state of affairs slowly becomes clear, though the villain isn't who Joe Chip thinks. And this is Dick country, where final truths are never quite final and--with the help of Ubik--the reality/illusion balance can still be tilted the other way. --David Langford, Amazon.co.uk

(retrieved from Amazon Thu, 12 Mar 2015 18:22:36 -0400)

(see all 3 descriptions)

A dead man sends haunting warnings back from the grave, and Joe Chip must solve these mysteries to determine his own real or surreal existence

(summary from another edition)

» see all 5 descriptions

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