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Creationists: Selected Essays: 1993-2006 by E. L. Doctorow
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Creationists : selected essays, 1993-2006

by E. L. Doctorow

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453135,351 (2.69)2
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New York : Random House, c2006.

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I get the feeling that Doctorow found an old box in his attic containing his notebooks from high school English class and decided to publish the contents. Apparently, that semester they were reading only American or German authors. So we learn, among other things, that Poe was a very unusual man who wrote not well but memorably, Hemingway believed that life was a test of manhood and individualism, Fitzgerald had a brilliant youth but flamed out too early, and Kafka took familiar situations and made them seem fantastic in some odd way. What did they all have in common? Well, they created things. So why not start the collection with an essay on Genesis, in which we learn that God created the world, and end with a couple of essays in which we learn that Einstein created concepts that led to the Bomb, which will in turn dis-create the world. ( )
1 vote jburlinson | Sep 14, 2008 |
Some of these essays read easily and some of them read in a very difficult way. It seems that critics often get into the heads of those they are critiquing and they end up writing in a similar style and use similar convolutions. The piece about Herman Melville didn't flow easily but the one about Mark Twain did. I liked the piece about Harpo Marx and the one about nuclear weaponry was thoughtful and I understood it. All-in-all I liked his other book of essays, "Reporting the Universe", better. ( )
  gmillar | Sep 20, 2007 |
Collection of short essays on an interesting range of subjects (Harpo Marx, Kleist, Einstein, Sebald ...), nealy entirely devoid of interesting, original, or well-phrased insights. ( )
  mschaefer | Jan 23, 2007 |
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Amazon.com Product Description (ISBN 0812975642, Paperback)

E. L. Doctorow is acclaimed internationally for such novels as Ragtime, Billy Bathgate, and The March. Now here are Doctorow’s rich, revelatory essays on the nature of imaginative thought. In Creationists, Doctorow considers creativity in its many forms: from the literary (Melville and Mark Twain) to the comic (Harpo Marx) to the cosmic (Genesis and Einstein). As he wrestles with the subjects that have teased and fired his own imagination, Doctorow affirms the idea that “we know by what we create.”

Just what is Melville doing in Moby-Dick? And how did The Adventures of Tom Sawyer impel Mark Twain to radically rewrite what we know as Huckleberry Finn? Can we ever trust what novelists say about their own work? How could Franz Kafka have written a book called Amerika without ever leaving Europe? In posing such questions, Doctorow grapples with literary creation not as a critic or as a scholar–but as one working writer frankly contemplating the work of another. It’s a perspective that affords him both protean grace and profound insight.
Among the essays collected here are Doctorow’s musings on the very different Spanish Civil War novels of Ernest Hemingway and André Malraux; a candid assessment of Edgar Allan Poe as our “greatest bad writer”; a bracing analysis of the story of Genesis in which God figures as the most complex and riveting character. Whether he is considering how Harpo Marx opened our eyes to surrealism, the haunting photos with which the late German writer W. G. Sebald illustrated his texts, or the innovations of such

literary icons as Heinrich von Kleist, Harriet Beecher Stowe, and Sinclair Lewis, Doctorow is unfailingly generous, shrewd, attentive, surprising, and precise.
In examining the creative works of different times and disciplines, Doctorow also reveals the source and nature of his own artistry. Rich in aphorism and anecdote, steeped in history and psychology, informed by a lifetime of reading and writing, Creationists opens a magnificent window into one of the great creative minds of our time.


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(retrieved from Amazon Fri, 24 Apr 2009 07:57:55 -0400)

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