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Gilead by Marilynne Robinson
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English (141)  Danish (1)  Norwegian (1)  Spanish (1)  All languages (144)
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What I liked:
- The concept of the novel: a father passing down not just his wisdom but his experiences and memories to his son. I think it's a universal longing of parents and the aging to have these not disappear when they die.

- The three difficult father/son relationships explored in the book: the narrator's grandfather and father, who clash over whether war and violence are ever justified, his father and his brother Edward, who becomes an atheist, and his own relationship with his best friend's son, who is is a continual disappointment and a true "prodigal son".

- The race relations touched upon subtly in several instances in the book.

- The gentleness of the story. One can't help but empathize with the old man as he tells stories from his life and others.

What I disliked:
- The gentleness is taken to such an extreme that it's not all that exciting. The writing sometimes drifts into the tedious, becomes repetitious, and begins feeling like "eating your vegetables" - you know it's wholesome but it's not something you savor.

- Some of the fundamental religious beliefs, e.g the pandemic flu having been a sign from God, and people having brought wars onto themselves because they did not see and undersand it as a sign.

- The narrator, a preacher, seems somewhat passive aggressive to me. He often points out an irritation, acts in less than an ideal manner, and then throws out a blanket statement like "I can't really blame him" to conclude. He's also pretty judgmental at times despite having recounted "Judge not" earlier in the book. This does show his humanity and in the end he strives to overcome these things, but I didn't care for it.

Quotes, there were some nice parts and I can understand why others might rate it higher....

On children, what a beautiful message to tell a child:
"...if you ever wonder what you've done in your life, and everyone does wonder sooner or later, you have been God's grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you."

Also:
"Any human face is a claim on you, because you can't help but understand the singularity of it, the courage and loneliness of it. But this is truest of the face of an infant."

On family:
"It simply states a deeply mysterious fact. You can know a thing to death and be for all purposes completely ignorant of it. A man can know his father, or his son, and there might still be nothing between them but loyalty and love and mutual comprehension."

On blessings:
"There is a reality in blessing, which I take baptism to be, primarily. It doesn't enhance sacredness, but it acknowledges it, and there is a power in that. I have felt it pass through me, so to speak. The sensation is of really knowing a creature, I mean really feeling its mysterious life and your own mysterious life at the same time."

On second guessing oneself, I don't know about "years ago" but this one rings true for me:
"I still wake up at night, thinking, That's what I should have said! or That's what he meant! remembering conversations I had with people years ago, some of them long gone from the world, past any thought of my putting things right with them."

On virtue:
"It is one of the best traits of good people that they love where they pity. And this is truer of women than of men. So they get themselves into situations that are harmful to them. I have seen this happen many, many times. I have always had trouble finding a way to caution against it. Since it is, in a word, Christlike."

On the transience of life:
"Though I must say all this has given me a new glimpse of the ongoingness of the world. We fly forgotten as a dream, certainly, leaving the forgetful world behind us to trample and mar and misplace everything we have ever cared for. That is just the way of it, and it is remarkable."

On religion, specifically evangelists:
"Two or three of the ladies had pronouced views on points of doctrine, particularly sin and damnation, which they never learned from me. I blame the radio for sowing a good deal of confusion where theology is concerned. And television is worse. You can spend forty years teaching people to be awake to the fact of mystery and then some fellow with no more thoelogical sense than a jackrabbit gets himself a radio ministry and all your work is forgotten. I do wonder where it will end."

On creation:
"This morning Kansas rolled out of its sleep into a sunlight grandly announced, proclaimed throughout heaven - one more of the very finite number of days that this old prairie has been called Kansas, or Iowa. But it has all been one day, that first day. Light is constant, we just turn over in it." ( )
  gbill | Nov 15, 2009 |
A wonderfully written work in which an aged clergyman looks upon his life through a letter to his young son. It examines the relationships between his father and grandfather, also preachers, his best friend (another preacher), between himself and God, and also his troubled relationship with his best friend's son. (named after himself). It's a story that unfolds slowly, with prose that rewards rolling around the literary palate. A work to savour for those who want to contemplate the meaning of their lives. ( )
3 vote JohnNebauer | Nov 4, 2009 |
Easily one of the best books I read in 2007. Gently meandering poetic prose that manages to both encompass an American experience and the lifetime of a man of doubts and faith. Don't miss this one. ( )
  alissamarie | Oct 25, 2009 |
Easily one of the best books I read in 2007. Gently meandering poetic prose that manages to both encompass an American experience and the lifetime of a man of doubts and faith. Don't miss this one. ( )
  alissamarie | Oct 25, 2009 |
Easily one of the best books I read in 2007. Gently meandering poetic prose that manages to both encompass an American experience and the lifetime of a man of doubts and faith. Don't miss this one. ( )
  alissamarie | Oct 25, 2009 |
Showing 1-5 of 141 (next | show all)
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Epigraph
Dedication
For John and Ellen Summers, my dear father and mother.
First words
I told you last night that I might be gone sometime and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I'm old, and you said, I don't think you're old.
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Wikipedia in English (1)

Gilead (novel)

Book description

Amazon.com (ISBN 0374153892, Hardcover)

In 1981, Marilynne Robinson wrote Housekeeping, which won the PEN/Hemingway Award and became a modern classic. Since then, she has written two pieces of nonfiction: Mother Country and The Death of Adam. With Gilead, we have, at last, another work of fiction. As with The Great Fire, Shirley Hazzards's return, 22 years after The Transit of Venus, it was worth the long wait. Books such as these take time, and thought, and a certain kind of genius. There are no invidious comparisons to be made. Robinson's books are unalike in every way but one: the same incisive thought and careful prose illuminate both.

The narrator, John Ames, is 76, a preacher who has lived almost all of his life in Gilead, Iowa. He is writing a letter to his almost seven-year-old son, the blessing of his second marriage. It is a summing-up, an apologia, a consideration of his life. Robinson takes the story away from being simply the reminiscences of one man and moves it into the realm of a meditation on fathers and children, particularly sons, on faith, and on the imperfectability of man.

The reason for the letter is Ames's failing health. He wants to leave an account of himself for this son who will never really know him. His greatest regret is that he hasn't much to leave them, in worldly terms. "Your mother told you I'm writing your begats, and you seemed very pleased with the idea. Well, then. What should I record for you?" In the course of the narrative, John Ames records himself, inside and out, in a meditative style. Robinson's prose asks the reader to slow down to the pace of an old man in Gilead, Iowa, in 1956. Ames writes of his father and grandfather, estranged over his grandfather's departure for Kansas to march for abolition and his father's lifelong pacifism. The tension between them, their love for each other and their inability to bridge the chasm of their beliefs is a constant source of rumination for John Ames. Fathers and sons.

The other constant in the book is Ames's friendship since childhood with "old Boughton," a Presbyterian minister. Boughton, father of many children, favors his son, named John Ames Boughton, above all others. Ames must constantly monitor his tendency to be envious of Boughton's bounteous family; his first wife died in childbirth and the baby died almost immediately after her. Jack Boughton is a ne'er-do-well, Ames knows it and strives to love him as he knows he should. Jack arrives in Gilead after a long absence, full of charm and mischief, causing Ames to wonder what influence he might have on Ames's young wife and son when Ames dies.

These are the things that Ames tells his son about: his ancestors, the nature of love and friendship, the part that faith and prayer play in every life and an awareness of one's own culpability. There is also reconciliation without resignation, self-awareness without deprecation, abundant good humor, philosophical queries--Jack asks, "'Do you ever wonder why American Christianity seems to wait for the real thinking to be done elsewhere?'"--and an ongoing sense of childlike wonder at the beauty and variety of God's world.

In Marilynne Robinson's hands, there is a balm in Gilead, as the old spiritual tells us. --Valerie Ryan

(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400)

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