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Gilead by Marilynne Robinson
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English (215)  Spanish (2)  Danish (1)  Japanese (1)  Norwegian (1)  All languages (220)
Showing 1-5 of 215 (next | show all)
A slow, thoughtful book written as a letter from a dying man to his young son. It didn't really speak to me, but was beautifully written. ( )
  AlisonSakai | Apr 16, 2014 |
Couldn't finish this in audiobook form. Perhaps I might try again with a written copy. ( )
  Dianekeenoy | Feb 4, 2014 |
The main word that comes to mind with this book is "Quiet." It is peaceful and calm, but somehow as I was rounding the corner into the final third of the novel, I realized how deeply invested I was in the characters. They are sincere and feel so real and the writing is so beautiful that it creeps in and settles around you, making you forget that you don't live in the small Iowa town of Gilead.

“It is an amazing thing to watch people laugh, the way it sort of takes them over. Sometimes they really do struggle with it . . . so I wonder what it is and where it comes from, and I wonder what it expends out of your system, so that you have to do it till you're done, like crying in a way, I suppose, except that laughter is much more easily spent.”

The book is written as a long letter from an elderly minister to his young son. He knows that his death will come before the boy has a chance to grow up and he wants to leave something for him. He wants to explain his life and decisions to him so that he can understand who his father was, even if he doesn't remember him well.

He lived his whole life in the tiny Midwestern town. He remained while others left and yet he is happy in his life. He has a strong faith, but that doesn't mean he never has questions or things he struggles with in his life. There's one man in the town who has always left him feeling disconcerted. He's felt antagonized by him for years, but truly the man is just trying to find his own peace.

“Christianity is a life, not a doctrine . . . I'm not saying never doubt or question. The Lord gave you a mind so that you would make honest use of it. I'm saying you must be sure that the doubts and questions are your own."

BOTTOM LINE: I have a feeling this is one of those books that will keep popping up in my mind over the years. Already I find myself thinking about it and mulling over different parts. I would highly recommend reading it when you are in the mood for a lovely quiet novel. There's no major action, it's about people that feel very real and deal with the same issues we all deal with: acceptance, regret, etc.

“These people who can see right through you never quite do you justice, because they never give you credit for the effort you're making to be better than you actually are, which is difficult and well meant and deserving of some little notice.”

“There are two occasions when the sacred beauty of Creation becomes dazzlingly apparent, and they occur together. One is when we feel our mortal insufficiency to the world, and the other is when we feel the world's mortal insufficiency to us.” ( )
  bookworm12 | Jan 9, 2014 |
Took me a while to get through this one - my first read from this promising author, the last 50 pages were my favorite. The line that touched me deeply from this book is on page 277 - "....., since I knew perfectly well at that time, as I had for years and years, that the Lord absolutely transcends any understanding I have of Him, which makes loyalty to Him a different thing from loyalty to whatever customs and doctrines and memories I happen to associate with Him." ( )
  chetankhullar | Jan 1, 2014 |
I loved Home by this author but I found this a disappointingly slow read in a busy month. ( )
  HelenBaker | Jan 1, 2014 |
Showing 1-5 of 215 (next | show all)
A book about the damaged heart of America, it is part vibrant and part timeworn, a slow burn of a read with its "crepuscular" narrator, its repetitions, its careful languidity.
added by melmore | editThe Guardian, Ali Smith (Apr 15, 2005)
 
It detracts not at all, I hope, from the grave loveliness of Robinson's prose and the lucid profundity of John Ames' reflections, religious and secular, to say that the novel is suffused with emotional suspense that makes a reader's heart say, as the Rev. Ames hears his ailing one thump, "Again, again, again."
added by melmore | editSlate, Ann Hulbert (Dec 6, 2004)
 
''Gilead'' is a beautiful work -- demanding, grave and lucid -- and is, if anything, more out of time than Robinson's book of essays, suffused as it is with a Protestant bareness that sometimes recalls George Herbert (who is alluded to several times, along with John Donne) and sometimes the American religious spirit that produced Congregationalism and 19th-century Transcendentalism and those bareback religious riders Emerson, Thoreau and Melville.
added by melmore | editNew York Times, James Wood (Nov 28, 2004)
 
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Dedication
For John and Ellen Summers, my dear father and mother.
First words
I told you last night that I might be gone sometime and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I'm old, and you said, I don't think you're old.
Quotations
It all means more than I can tell you. So you must not judge what I know by what I find words for.
But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning.
For me, writing has always felt like praying, even when I wasn't writing prayers, as I was often enough. You feel that you are with someone. I feel I am with you now, whatever that can mean, considering that you're only a little fellow now and when you're a man you might find these letters of no interest. Or they might never reach you for any number of reasons. Well, but how deeply I regret any sadness you have suffered and how grateful I am in anticipation of any good you have enjoyed. That is to say, I pray for you. And there's an intimacy in it. That's the truth.
I'm writing this in part to tell you that if you ever wonder what you've done in your life, and everyone does wonder sooner or later, you have been God's grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.
A little too much anger, too often or at the wrong time, can destroy more than you would ever imagine.
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Book description
Twenty-four years after her first novel, Housekeeping, Marilynne Robinson returns with a story about father and sons and the spiritual battles that still rage in America's heart. In the luminous and unforgettable voice of Congregationalist minister John Ames, Gilead reveals the human conditions and "manages to convey the miracle of existence itself." (0-312-42440-X)
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Amazon.com Amazon.com Review (ISBN 031242440X, Paperback)

In 1981, Marilynne Robinson wrote Housekeeping, which won the PEN/Hemingway Award and became a modern classic. Since then, she has written two pieces of nonfiction: Mother Country and The Death of Adam. With Gilead, we have, at last, another work of fiction. As with The Great Fire, Shirley Hazzards's return, 22 years after The Transit of Venus, it was worth the long wait. Books such as these take time, and thought, and a certain kind of genius. There are no invidious comparisons to be made. Robinson's books are unalike in every way but one: the same incisive thought and careful prose illuminate both.

The narrator, John Ames, is 76, a preacher who has lived almost all of his life in Gilead, Iowa. He is writing a letter to his almost seven-year-old son, the blessing of his second marriage. It is a summing-up, an apologia, a consideration of his life. Robinson takes the story away from being simply the reminiscences of one man and moves it into the realm of a meditation on fathers and children, particularly sons, on faith, and on the imperfectability of man.

The reason for the letter is Ames's failing health. He wants to leave an account of himself for this son who will never really know him. His greatest regret is that he hasn't much to leave them, in worldly terms. "Your mother told you I'm writing your begats, and you seemed very pleased with the idea. Well, then. What should I record for you?" In the course of the narrative, John Ames records himself, inside and out, in a meditative style. Robinson's prose asks the reader to slow down to the pace of an old man in Gilead, Iowa, in 1956. Ames writes of his father and grandfather, estranged over his grandfather's departure for Kansas to march for abolition and his father's lifelong pacifism. The tension between them, their love for each other and their inability to bridge the chasm of their beliefs is a constant source of rumination for John Ames. Fathers and sons.

The other constant in the book is Ames's friendship since childhood with "old Boughton," a Presbyterian minister. Boughton, father of many children, favors his son, named John Ames Boughton, above all others. Ames must constantly monitor his tendency to be envious of Boughton's bounteous family; his first wife died in childbirth and the baby died almost immediately after her. Jack Boughton is a ne'er-do-well, Ames knows it and strives to love him as he knows he should. Jack arrives in Gilead after a long absence, full of charm and mischief, causing Ames to wonder what influence he might have on Ames's young wife and son when Ames dies.

These are the things that Ames tells his son about: his ancestors, the nature of love and friendship, the part that faith and prayer play in every life and an awareness of one's own culpability. There is also reconciliation without resignation, self-awareness without deprecation, abundant good humor, philosophical queries--Jack asks, "'Do you ever wonder why American Christianity seems to wait for the real thinking to be done elsewhere?'"--and an ongoing sense of childlike wonder at the beauty and variety of God's world.

In Marilynne Robinson's hands, there is a balm in Gilead, as the old spiritual tells us. --Valerie Ryan

(retrieved from Amazon Mon, 30 Sep 2013 13:22:11 -0400)

(see all 5 descriptions)

As the Reverend John Ames approaches the hour of his own death, he writes a letter to his son chronicling three previous generations of his family.

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