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Gilead: A Novel by Marilynne Robinson
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Gilead: A Novel (edition 2006)

by Marilynne Robinson

Series: Gilead (1)

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6,589229574 (3.89)1 / 685
Member:Billhere
Title:Gilead: A Novel
Authors:Marilynne Robinson
Info:Picador (2006), Paperback, 256 pages
Collections:Your library
Rating:
Tags:fiction

Work details

Gilead by Marilynne Robinson

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English (222)  Spanish (2)  Danish (1)  Japanese (1)  Norwegian (1)  All languages (227)
Showing 1-5 of 222 (next | show all)
I think this will need a second go-through to really distill what I think. I just got caught up in the gentle pull of its current the first time through.

The protagonist (An elderly congregationalist minister writing a letter to his very young son) describes himself as just the kind of minister I wanted to be when I still thought I could believe in things. It reminds me that my problems with religion and the way I frame religion is not what religion is.

Of course, it doesn't make me want to become a Christian again. It does make me nostalgic for a way I once thought it was possible to live. I still kind of wish it was possible, but even if it were I wouldn't choose a life like that. It is nice to visit that world again.

There is a lot more to Marilynne Robinson's masterful novel than just this aspect, but this was the book for me. It felt like a visit to a familiar but long forgotten place. I liked spending time with the Reverend John Ames and I'm grateful to Robinson for writing him. ( )
  nnschiller | Sep 18, 2014 |
Interesting narrative structure. Emotional book to read. Funny, deep, insightful. GREAT read. ( )
  joshrskinner | Jul 30, 2014 |
One Book South Dakota selection for 2006.
  yellerreads | Jul 25, 2014 |
This is a very gentle, introspective, spiritual book written as a letter from an old man to his very young son.
A powerful read requiring concentration and patience but the effort is worth it. ( )
  rosiezbanks | Jul 22, 2014 |
Elegant, eloquent, pastoral, peaceful, lyrical, spiritual.

'And sometimes boring-as-snot. ( )
2 vote Sandydog1 | Jul 3, 2014 |
Showing 1-5 of 222 (next | show all)
A book about the damaged heart of America, it is part vibrant and part timeworn, a slow burn of a read with its "crepuscular" narrator, its repetitions, its careful languidity.
added by melmore | editThe Guardian, Ali Smith (Apr 15, 2005)
 
It detracts not at all, I hope, from the grave loveliness of Robinson's prose and the lucid profundity of John Ames' reflections, religious and secular, to say that the novel is suffused with emotional suspense that makes a reader's heart say, as the Rev. Ames hears his ailing one thump, "Again, again, again."
added by melmore | editSlate, Ann Hulbert (Dec 6, 2004)
 
''Gilead'' is a beautiful work -- demanding, grave and lucid -- and is, if anything, more out of time than Robinson's book of essays, suffused as it is with a Protestant bareness that sometimes recalls George Herbert (who is alluded to several times, along with John Donne) and sometimes the American religious spirit that produced Congregationalism and 19th-century Transcendentalism and those bareback religious riders Emerson, Thoreau and Melville.
added by melmore | editNew York Times, James Wood (Nov 28, 2004)
 
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Epigraph
Dedication
For John and Ellen Summers, my dear father and mother.
First words
I told you last night that I might be gone sometime and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I'm old, and you said, I don't think you're old.
Quotations
It all means more than I can tell you. So you must not judge what I know by what I find words for.
But it has all been one day, that first day. Light is constant, we just turn over in it. So every day is in fact the selfsame evening and morning.
For me, writing has always felt like praying, even when I wasn't writing prayers, as I was often enough. You feel that you are with someone. I feel I am with you now, whatever that can mean, considering that you're only a little fellow now and when you're a man you might find these letters of no interest. Or they might never reach you for any number of reasons. Well, but how deeply I regret any sadness you have suffered and how grateful I am in anticipation of any good you have enjoyed. That is to say, I pray for you. And there's an intimacy in it. That's the truth.
I'm writing this in part to tell you that if you ever wonder what you've done in your life, and everyone does wonder sooner or later, you have been God's grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.
A little too much anger, too often or at the wrong time, can destroy more than you would ever imagine.
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Wikipedia in English (1)

Book description
Twenty-four years after her first novel, Housekeeping, Marilynne Robinson returns with a story about father and sons and the spiritual battles that still rage in America's heart. In the luminous and unforgettable voice of Congregationalist minister John Ames, Gilead reveals the human conditions and "manages to convey the miracle of existence itself." (0-312-42440-X)
Haiku summary

Amazon.com Amazon.com Review (ISBN 031242440X, Paperback)

In 1981, Marilynne Robinson wrote Housekeeping, which won the PEN/Hemingway Award and became a modern classic. Since then, she has written two pieces of nonfiction: Mother Country and The Death of Adam. With Gilead, we have, at last, another work of fiction. As with The Great Fire, Shirley Hazzards's return, 22 years after The Transit of Venus, it was worth the long wait. Books such as these take time, and thought, and a certain kind of genius. There are no invidious comparisons to be made. Robinson's books are unalike in every way but one: the same incisive thought and careful prose illuminate both.

The narrator, John Ames, is 76, a preacher who has lived almost all of his life in Gilead, Iowa. He is writing a letter to his almost seven-year-old son, the blessing of his second marriage. It is a summing-up, an apologia, a consideration of his life. Robinson takes the story away from being simply the reminiscences of one man and moves it into the realm of a meditation on fathers and children, particularly sons, on faith, and on the imperfectability of man.

The reason for the letter is Ames's failing health. He wants to leave an account of himself for this son who will never really know him. His greatest regret is that he hasn't much to leave them, in worldly terms. "Your mother told you I'm writing your begats, and you seemed very pleased with the idea. Well, then. What should I record for you?" In the course of the narrative, John Ames records himself, inside and out, in a meditative style. Robinson's prose asks the reader to slow down to the pace of an old man in Gilead, Iowa, in 1956. Ames writes of his father and grandfather, estranged over his grandfather's departure for Kansas to march for abolition and his father's lifelong pacifism. The tension between them, their love for each other and their inability to bridge the chasm of their beliefs is a constant source of rumination for John Ames. Fathers and sons.

The other constant in the book is Ames's friendship since childhood with "old Boughton," a Presbyterian minister. Boughton, father of many children, favors his son, named John Ames Boughton, above all others. Ames must constantly monitor his tendency to be envious of Boughton's bounteous family; his first wife died in childbirth and the baby died almost immediately after her. Jack Boughton is a ne'er-do-well, Ames knows it and strives to love him as he knows he should. Jack arrives in Gilead after a long absence, full of charm and mischief, causing Ames to wonder what influence he might have on Ames's young wife and son when Ames dies.

These are the things that Ames tells his son about: his ancestors, the nature of love and friendship, the part that faith and prayer play in every life and an awareness of one's own culpability. There is also reconciliation without resignation, self-awareness without deprecation, abundant good humor, philosophical queries--Jack asks, "'Do you ever wonder why American Christianity seems to wait for the real thinking to be done elsewhere?'"--and an ongoing sense of childlike wonder at the beauty and variety of God's world.

In Marilynne Robinson's hands, there is a balm in Gilead, as the old spiritual tells us. --Valerie Ryan

(retrieved from Amazon Mon, 30 Sep 2013 13:22:11 -0400)

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"In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowa preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He 'preached men into the Civil War,' ..."This is also the tale of another remarkable vision - not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten."--BOOK JACKET.… (more)

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