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Señor Vivo and the Coca Lord by Louis de Bernières
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Señor Vivo and the Coca Lord

by Louis de Bernières

Series: Latin American Trilogy (2)

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Showing 4 of 4
The second book, which follows The War of Don Emmanuel's Nether Parts. Again, a mixture between very silly and very funny and completely horrendous... and just when it is getting really awful and just too real it goes compeletely left-field and fantastical. Definitely worth reading, but not, perhaps late at night. ( )
  FRoundtree | Jan 20, 2009 |
Señor Vivo and the Coca Lord is a parody, pastiche and example of magical realism in equal measure—the tale of a philosophy professor, Dionisio Vivo, from a country not unlike Colombia, who begins a war of letters in the newspaper editorial pages against a major drug trafficker, and is forced to end it in great violence. This is not a book for the faint-hearted (I'm not joking about the degree of violence) nor is it a book for someone who finds the magical realism genre tiresome (de Bernières avoids it ever being twee, but it is a bold and sometimes buffoonish element of the book, played for laughs and sarcasm), but if you like your novels in uncompromisingly primary colours, you might well enjoy it. It's not my favourite of his books, but I did enjoy it—though having read de Bernières for the first time in a while, since I've started to educate myself a little more about the things which underpin what I read, the fact that it's a white British guy writing a satire set in a Latin American country... I don't know quite how to categorise it, but at times it felt a little—voyeuristic? Is that the right word? There were sections where it felt as if he was almost making another country his playground, and that made for uncomfortable reading. ( )
  siriaeve | Dec 29, 2008 |
Louis de Bernieres first novel set in an unidentified country in Latin America . Strongly influenced by Magical Realism very readable and lyrical in parts and extraordinarily and graphically violent in the last few chapters. The contrast between the gently humourous main body of the book and the plainly and coldly told dissection (for lack of a better word) of the main female character while she is still alive but mercifully unconscious towards the end is particularly telling. ( )
1 vote wendyrey | Mar 16, 2008 |
When you've read this you know something of the mess that is South America, overrun by alien cultures but struggling to find itself through the Latinization. ( )
  Avril | Jan 18, 2007 |
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Dedication
To the Honoured and Respected Memory of
Judge Mariela Espinosa Arango
Assassinated by Machine-Gun Fire in Medellin,
on Wednesday 1 November 1989
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Ever since his young wife had given birth to a cat as an unexpected consequence of his experiments in sexual alchemy, and ever since his accidental invention of a novel explosive that confounded Newtonian physics by losing its force at the precise distance of two metres from the source of its blast, President Veracruz had thought of himself not only as an adept but also as an intellectual.
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Amazon.com (ISBN 0375700145, Paperback)

Louis de Bernières is a masterful writer, which is to say his command of the various crafts of writing--creating character, innovative description, telling a whopping good story--weaves a spell and sucks you into the magic. From the moment Dionisio Vivo and Ramón "Cochinillo" Dario attend to the cravate corpse deposited in his garden by the coca lords, you become ensconced in the world of Ipasueño, its passions, ironies, and political intrigues, and cease to be aware of the hand of Bernières behind the scenes.

Dionisio, a professor of philosophy, writes a series of letters, published in the prestigious journal La Prensa, castigating the coca trade, and from there the story spins furiously in many directions and subplots. There's the love affair of the century between Dionisio and Anica Moreno, Lazaro's tragic dance with leprosy, and--to the great pleasure of fans of Bernières's previous novel, The War of Don Emmanuel's Nether Parts--further interactions with the magical jaguars and human inhabitants of Cochadebajo de los Gatos. Events take their course in the way of a grand tragicomedy, with the devastation that's expected followed by the irrepressible joy of life that's never expected and Bernières's tongue-in-cheek touch throughout.

It's a delightfully mesmerizing book. Set in a mythical South American country that's a composite of real South American history and Bernières's fertile imagination, and therefore a perfect companion to take on a south-of-the-border vacation, the book is awash in the realities and flavor of South America and the lunacies of Bernières's genius. --Stephanie Gold

(retrieved from Amazon Fri, 24 Apr 2009 07:58:17 -0400)

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