The essence of the thing (original 1997; edition 1997)

This book is a very well written, empathetic, wise book. The chapters are very short (2-3 pages), and largely composed to provide a sharp sense of the emotions of the main characters, and associated friends and family.

'The Essence of the Thing' was published in 1997, but the themes are ageless, and I don't think I've ever seen, read or heard a more articulate 'rationale' behind why a man would 'dump' his lover than what this book provides (I'd recommend the story to readers of all ages, but it provides a particularly good early life lesson for the hetrosexual women in their 20's).

I've also read Madeleine St John's 'The Women in Black' and the style is very similar - you understand the characters without getting too close, the reader is told only information relevant to the immediate story, there is absolutely no excess in words or writing (there was just one line in the whole book that jarred, otherwise I thought it word perfect).

One thing that surprises me is that the author is not better known in Australia, as she is very talented. ( )

If any more proof was needed that smoking is bad for you, it can be found in the opening chapter of this novel. Nicola is perfectly content with her perfectly average life when she pops out to buy cigarettes one evening. When she returns, her live-in lover drops a bombshell with the callous words: “I think we should part”. As if that wasn’t bad enough, he suggests she should move out of their home in London’s Notting Hill and announces that he has organised for the bank to conduct a valuation the coming Monday. Ouch! Thus begins Nicola’s journey to try to rebuild her life and discover “the essence of the thing” that apparently led to the end of a relationship she thought was functioning just fine.
It’s a deceptively simple plot, yet anyone who has been dumped from a great height with little or no warning will feel an itch in their palms as they fight the urge to strangle the giant prat. Not only has the irritating Jonathan changed his mind about Nicola, he’s bought into her flat and now she can’t afford to buy her half back so she has to move out. The shock of not being loved anymore on top of the shock of being homeless is more than enough to contend with but then there’s Jonathan’s incomprehension that she is hurt or in any way put out by his change of heart. The heartache and bafflement she feels are so accurately portrayed that it almost hurts to read the words.
Australian-born Madeleine St. John uses realistic and often witty dialogue between peripheral characters to demonstrate how the break up of two people can have an effect on almost everyone they know. Although she writes with a light touch, she explores the relationship dynamics between four other couples while giving play to the fragility of any relationship. So skilful is she that I even felt sorry for the hapless Jonathan.
St John wrote only four novels before her sudden death of emphysema at 64 in 2006. Her first novel, The Women in Black, is to be made into a film shortly, directed by Bruce Beresford. Beresford was one of a star studded cohort at Sydney University that included St John, Germaine Greer, Robert Hughes, John Bell and Clive James. She was the first Australian woman to be short-listed for the Booker Prize in 1997 for her third novel, The Essence of the Thing. Reportedly a very private person, she was said to be gobsmacked when told of the nomination, but I am not surprised at all by the kudos.
I adored The Women in Black - so much that I gave several copies to friends for Christmas last year. I packed this in my handbag yesterday on my way to meet friends for lunch. I arrived early at the restaurant and started it immediately I sat down; I almost resented having to close it when my lunch companions arrived. It was Friday peak hour and pouring with rain when I headed home. The normal twenty minute drive from one side of Brisbane to the other took just on two hours but the time passed quickly because I was reading this every possible second of the way. I finished it sitting in the car in the garage, reading by the cabin light. That is definitely the sign of an engrossing book! ( )

All in all a pleasant, easy read. A story of a break up. Simple language (which for me is always a good sign), it isn't difficult to fall into the pace of the book, as the author leads us through subsequent stages of Nicola's emotional state.
I've spent a nice evening with the book, but it is not something I would care to reread. Nor does it really raise any questions I could spend time pondering about . ( )

Thirty-somethings Nicola Gatling (like the gun) and Jonathan Finch (like the bird) seemed to be living happily together, until Jonathan’s announcement that he no longer loved Nicola. With rapid-fire dialog throughout the many short chapters, the story tells mainly of Nicola’s anguish, and how she came to accept this unwanted change in her life’s direction. We also see a glimpse of Jonathan’s reasons for his change of heart, and the struggle he wages with his own mixed emotions over his decision. ( )