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Loading... The Death of Ivan Ilyichby Leo Tolstoy
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will love Sign up for LibraryThing to find out whether you'll like this book. A man dies slowly and in great agony. He ponders the meaning of life, and this increases his anguish: even worse than the physical pain of a slow, lingering death is the spiritual anguish of realising he has wasted his life. Tolstoy's main target here is dishonesty and hypocrisy. This is established from the opening scene, when Ivan Ilyich's death is announced, and the reaction of his colleagues is to think about how this will affect their promotion chances, while speaking the usual lines about it being a "sad business" and so on. Even his widow, Praskovya Fiodorovna, is more concerned about herself than her dead husband: after telling a mourner about his three days and nights of incessant screaming, she says "Oh, what I have gone through!" Then she tries to find out how she can increase the government pension money due to her from her husband's death. Then Tolstoy takes us on a quick tour back through Ivan Ilyich's life, showing us that he also participated fully in this dishonesty, concerning himself with appearances and advancement. In every decision, even marriage, he is heavily influenced by what other people will think. With each promotion in his career as a judge, he attains more power and money, but it's never enough. At each stage he simply spends more money imitating people higher in the social scale than he is, and wanting to attain that next level. It's not coincidental that he sustains his fatal injury while climbing a ladder to show a workman exactly how he wants a new curtain to be hung. The novel is saturated with vanity, pettiness and materialism, and they cause Ivan Ilyich's spiritual and physical death. Long before Kubler-Ross, Tolstoy hit on the stages of grief in the character Ivan Ilyich. He goes through denial, anger, bargaining, depression and acceptance, although not always in that order. He often swings violently between the different emotions, depending on his own state of mind and on outside events like a doctor getting his hopes up. The only examples of honesty in the book are in children (both Ivan Ilyich's own childhood and his young son Vassya) and in the character of Gerassim, the butler's assistant. Vassya and Gerassim don't lie to him or see him as an inconvenience - they display simple human affection and love for him. Indeed, love seems to be what Tolstoy is saying life is all about - not romantic love necessarily, but a broader kind of love for your fellow human beings and for God. This is what was missing from Ivan Ilyich's life as he immersed himself in petty advancement and the acquisition of meaningless accoutrements. This deathbed revelation at first causes him great agony as he rages against all the lost time, but in the end it's what allows him to find peace. Ivan Ilych has a good life or so it would seem, but when a small accident leaves him slowly dying he has time to reflect on the choices he made. He can't help but question himself. Can success in the material world really be called success? Tolstoy here asks us some big questions. This classic novella was chosen by my university as their pick for The Big Read- a national reading event in North America sponsored by grants from the Nation Endowment for the Arts. Additionally, it was my first real essay into Russian literature. The novella begins, aptly, with the death of Ivan Ilyich, a 45 year old judge in St. Petersburg. His coworkers receive the news, and though they seem to be saddened by the event they also are very concerned over who will get promoted to where in order to fill Ivan's vacancy. One close friend of Ivan's, Peter, drags himself reluctantly to the funeral, only to be grilled by the not-so-grieving widow over Ivan's pension. He finally escapes, and wanders off to play bridge and rid his mind of the death. After briefly covering his death, the story turns to Ivan's life, which it terms as most simple...and most horrifying. We learn that Ivan skimmed through most of his life in a fairly ordinary way: grow up, go to school, have father set up a career, sow some wild oats, find a girl, marry, raise a family, get promoted, buy a house, decorate the house. It is decorating the house in fact that starts the grim chain of events. In trying to show the drapier how to hang curtains, Ivan slips off the ladder and bumps his side against a knob. Seemingly no real harm is done, just a small bruise. Yet that bruise leads him to his death. First he can't taste and enjoy food, then he can't focus on playing cards. Doctor after doctor try various treatments, but all for naught. He steadily declines, becoming more and more angry, frightened, and unreasonable. As the end draws near, he begins screaming- three days and nights he screams. Finally, he has two hours left to live. He stops screaming, stops fighting, and faces his death. it is in this moment that he finally finds peace- perhaps for the first time in his life. He thinks back and sees that his life was not all that it could or should have been, but he knows he can rectify that. Looking at those around him, he sees the pain that his illness is causing them. As he sees this, he realizes that his pain is hard to feel, that it is no longer dominating his mind and soul. He can no longer see death, and instead Ivan sees the joy and light ahead of him- and so he dies. I really enjoyed the story. Tolstoy masterfully begins by putting you in no doubt of the end so the focus is completely on the journey to death. It is undeniably depressing, but the end has a beauty and serenity to it that justifies the whole novella. This is one of these cases where the reader gets really involved in the story and its character: Tolstoi practically doesn't do anything in his novella than letting Ivan Ilych die. It doesn't matter if you can identify yourself with the protagonist or not, sooner or later you feel yourself exposed to your very own agony, even if you aren't even close to your death. A very emotional book.
The light ridicule with which it commences and the black horror in which it terminates... are alike suggestive of the Thackeray of Russia.
References to this work on external resources.
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(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)
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| 59/30 |
Tolstoy brilliantly portrays the anatomy of an illness through which Ivan tortuously ricochets. While he experiences denial, obsession, withdrawal, anger, self-pity, and all the conflicting stages of a serious disease, his family and friends consider the "invisible It" as an intrusion on their well-ordered lives. Although his spiritual anguish is finally relieved in a deathbed revelation, maybe Tolstoy's readers can learn the lesson of examining our lives and making changes before we reach the ultimate finality of death. (