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Bob Dylan: Don't Look Back: A Film and Book (1967)

by D. A. Pennebaker (Director), D.A. Pennebaker (Director)

Other authors: Derroll Adams (Actor), Joan Baez (Actor), Tito Burns (Actor), Alan Clarke (Actor), John Court (Producer)7 more, Donovan (Actor), Bob Dylan (Actor), Marianne Faithfull (Actor), Allen Ginsberg (Actor), Albert Grossman (Producer), Bob Neuwirth (Actor), Alan Price (Actor)

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1681162,241 (3.36)8
Portrait of the artist as a young man. In spring, 1965, Bob Dylan a 23 year-old, pixyish troubador, spent three weeks in England. Follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence Dylan is playful and enigmatic.… (more)
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» See also 8 mentions

Celebrating eleven years of Platform
  HIAP | Jul 19, 2013 |
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Author nameRoleType of authorWork?Status
Pennebaker, D. A.Directorprimary authorall editionsconfirmed
Pennebaker, D.A.Directormain authorall editionsconfirmed
Adams, DerrollActorsecondary authorall editionsconfirmed
Baez, JoanActorsecondary authorall editionsconfirmed
Burns, TitoActorsecondary authorall editionsconfirmed
Clarke, AlanActorsecondary authorall editionsconfirmed
Court, JohnProducersecondary authorall editionsconfirmed
DonovanActorsecondary authorall editionsconfirmed
Dylan, BobActorsecondary authorall editionsconfirmed
Faithfull, MarianneActorsecondary authorall editionsconfirmed
Ginsberg, AllenActorsecondary authorall editionsconfirmed
Grossman, AlbertProducersecondary authorall editionsconfirmed
Neuwirth, BobActorsecondary authorall editionsconfirmed
Price, AlanActorsecondary authorall editionsconfirmed

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Portrait of the artist as a young man. In spring, 1965, Bob Dylan a 23 year-old, pixyish troubador, spent three weeks in England. Follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence Dylan is playful and enigmatic.

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