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The Elegance of the Hedgehog by Muriel…
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L'élégance du hérisson (original 2006; edition 2006)

by Muriel Barbery

MembersReviewsPopularityAverage ratingConversations / Mentions
6,775434490 (3.82)2 / 727
Member:mcv
Title:L'élégance du hérisson
Authors:Muriel Barbery
Info:Editions Gallimard (2007), (359 p.) ; 21 cm
Collections:Your library
Rating:1/2
Tags:B4, roman

Work details

The Elegance of the Hedgehog by Muriel Barbery (2006)

1001 books (22) 2009 (57) 2010 (46) 21st century (52) art (31) book club (50) class (24) concierge (71) contemporary (35) contemporary fiction (50) fiction (813) France (335) French (199) French fiction (51) French literature (131) friendship (104) literary fiction (32) literature (62) novel (130) own (23) Paris (272) philosophy (245) read (53) read in 2009 (39) read in 2010 (40) Roman (47) suicide (37) to-read (107) translation (54) unread (23)
  1. 131
    The Housekeeper and the Professor by Yoko Ogawa (labfs39, chrisharpe)
    labfs39: Both have incredibly well-drawn, quirky characters that are lovable in their unique humaness. Both have highly intelligent characters that are vulnerable because of their very gift. In both books I learned things in fields not particularly close to me: math in Housekeeper and philosophy in Elegance.… (more)
  2. 20
    A Novel Bookstore by Laurence Cossé (morsecode)
    morsecode: The English-language editions (published by Europa Editions) of both novels are translated by Alison Andersen. There isn't a lot of similarity between the two novels (beyond the fact that both are quite literary), but I do think that someone who enjoys one will enjoy the other.… (more)
  3. 53
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  8. 00
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    jll1976: There is the obvious 'Paris connection'. But, also a similar slow almost dreamlike quality. About the beauty of a 'simple' life.
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English (341)  Spanish (25)  French (23)  Italian (21)  German (10)  Swedish (5)  Finnish (5)  Dutch (4)  Catalan (3)  Norwegian (1)  All languages (438)
Showing 1-5 of 341 (next | show all)
SPOILERS AHEAD!
The Elegance of the Hedgehog is both entertaining and insufferable. One initially annoying character gets better (especially if you skim, or even skip, as I eventually did, the pompous philosophy and haiku chapters, which were just too too pretentiously French.)
Moreover the author got herself in an unfortunate bind: although the book could be a nice chick-lit fantasy with the idealistic message that appearances are deceiving (the story is a delightful, if improbable, cross-cultural, cross-class, older-people romance based on a “meeting of true minds”) the author can’t bring herself to actually consummate the romance, and, rather petulantly, kills her main character off and ends the book. It’s as if she decided that “sad ending” equals “art” (especially if you name-drop a bunch of philosophers and artists, including, naturally, a knowledge of pop culture) and couldn’t accept that her well written novel is an amusing and sentimental popular entertainment. More regrettably, her hasty ending sadly and completely undermines the very message she’s ostensibly selling us about the unimportance of background and class in the "true" connections between people. By its refusal to delve seriously into these issues (through, for instance, character development within a simple, unpretentious story of an unlikely friendship, rather than tedious warmed-over socio-literary digressions) the book comes off as rather inconsequential with a somewhat unpleasant snobby aftertaste. ( )
  lxydis | May 11, 2013 |
This is book we all wished to own and study more thoroughly. We all felt that the insights into the conduct of life warranted further examination and reflection. This title was an especially beautiful read and we were surprised by the "elegance" of language and thought. The discussion was rich and we all approached the story from our unique experiences so that we each read it with a different result and focus. I don't think we've read a book previously, that elicited such varying approaches.
Colleen and Martha joined us at the Khori Japanese restaurant, but Deb H. was unable to make it. ( )
  Bibliofemmes | May 11, 2013 |
Parts were great, others were too philosophical. ( )
  morbusiff | May 9, 2013 |
When I received this book as a present, I intended to read it soon. That took a bit longer than I expected, but now I finally got to it.

It is an unusal book. Not easy to read, for it is quite philosophical. Apart from that it contains several hints to other books, common knowledge, music. I suspect that I've missed quite something of these parts of the book, so I think it will be a wise idea to re-read this book in a little while.
For despite it is an unusual book, I liked it a lot! ( )
  BoekenTrol71 | May 7, 2013 |
Translated from French, this book serves not only as a novel, but as a series of succinct essays on love, hierarchy, and above all, beauty. With very short (normally 2-3) sections, the book is easy to put down and back up again, although I rarely found myself wanting to do the latter. Both narrators are extremely intelligent and highly believable. The language is precise and flows beautifully. And although plot does not come until late in this book, it will not fail to tug at your heartstrings when it does finally arrive. This book will make you in turns laugh and cry, but above all it will make you think. ( )
  Msmydaisy | May 4, 2013 |
Showing 1-5 of 341 (next | show all)
Barbery’s sly wit, which bestows lightness on the most ponderous cogitations, keeps her tale aloft.
added by Nickelini | editthe New Yorker (Oct 20, 2008)
 
Le Figaro has described this book as 'the publishing phenomenon of the decade'. Elsewhere, there were comparisons to Proust. It sold more than a million copies in France last year and has won numerous awards. Does it match up to the hype? Almost. It is a profound but accessible book (not quite Proust, then), which elegantly treads the line between literary and commercial fiction.
added by Nickelini | editThe Guardian, Vicky Groskop (Sep 14, 2008)
 
Even when the novel is most essayistic, the narrators’ kinetic minds and engaging voices... propel us ahead.
 

» Add other authors (41 possible)

Author nameRoleType of authorWork?Status
Muriel Barberyprimary authorall editionsconfirmed
Öjerskog, MarianneTranslatorsecondary authorsome editionsconfirmed
Anderson, AlisonTranslatorsecondary authorsome editionsconfirmed
Enqvist, HelénTranslatorsecondary authorsome editionsconfirmed
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Epigraph
Dedication
For Stephane, with whom I wrote this book
First words
"Marx has completely changed the way I view the world," declared the Pallieres boy this morning, although ordinarily he says nary a word to me.
Quotations
Thus, the television in the front room, guardian of my clandestine activities, could bleat away and I was no longer forced to listen to inane nonsense fit for the brain of a clam - I was in the back room, perfectly euphoric, my eyes filling with tears, in the miraculous presence of Art.
(p.17)
In the heat of the cinema, on the verge of tears, happier than I had ever been, I was holding the faint warmth of his hand for the first time in months. I knew that an unexpected surge of energy had roused him from his bed, given him the strength to get dressed and the urge to go out, the desire for us to share a conjugal pleasure one more time - and I knew, too, that this was the sign that there was not much time left, a state of grace before the end. But that did not matter to me, I just wanted to make the most of it, of these moments stolen from the burden of illness, moments with his warm hand in mine and a shudder of pleasure going through both of us...'
(p.71)
I flinched when she said bring and at that very moment Monsieur Something also flinched, and our eyes met. And since that infinitesimal nanosecond when - of this I am sure - we were joined in linguistic solidarity by the shared pain that made our bodies shudder, Monsieur Something has been observing me with a very different gaze.
A watchful gaze.
And now he is speaking to me.
(p.130)
What is the purpose of Art? To give us the brief, dazzling illusion of the camellia; to carve from time an emotional aperture that cannot be reduced to animal logic. How is Art born? It is begotten in the mind's ability to sculpt the sensorial domain. What does Art do for us? It gives shape to our emotions, makes them visible and, in so doing, places a seal of eternity upon them, a seal representing all those works that, by means of a particular form, have incarnated the universal nature of human emotions.
(p.199)
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Original title: L'élégance du hérisson
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Wikipedia in English (1)

Book description
Renee is the concierge of a grand Parisian apartment building, home to members of the great and the good. Over the years she has maintained her carefully constructed persona as someone reliable but totally uncultivated, in keeping, she feels, with society s expectations of what a concierge should be. But beneath this façade lies the real Renée: passionate about culture and the arts, and more knowledgeable in many ways than her employers with their outwardly successful but emotionally void lives. Down in her lodge, apart from weekly visits by her one friend Manuela, Renée lives resigned to her lonely lot with only her cat for company. Meanwhile, several floors up, twelve-year-old Paloma Josse is determined to avoid the pampered and vacuous future laid out for her, and decides to end her life on her thirteenth birthday. But unknown to them both, the sudden death of one of their privileged neighbours will dramatically alter their lives forever.
Haiku summary

No descriptions found.

The lives of fifty-four-year-old concierge Rene Michel and extremely bright, suicidal twelve-year-old Paloma Josse are transformed by the arrival of a new tenant, Kakuro Ozu.

(summary from another edition)

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