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The Major Works (Oxford World's…
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The Major Works (Oxford World's Classics)

by Alexander Pope

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Who am I to pass judgment on an author who, according to the Oxford Dictionary of Quotations is the third most quoted figure in human history (after Shakespeare and Tennyson)? Who am I but an unappreciative boor? Well, I’m a generally educated reader who invested several weeks of reading time to explore the man and his writing—no more, no less. Judge the merit of my comments for yourself, based on my body of reviews.

I had managed to unhappily wade through this entire book until I started trying to read the last included work: The Dunciad, which is a satire (I think), and is, more to the point, Pope’s attempt to settle the score with every critic and foe he ever encountered. What a sad, pathetic subject for a crowning life work! What a sorry personality he must have been to have chosen such a motive to drive him. I literally could not read more. There is a class of people who I can’t stand, and he’s a prime example of them—people who seek to entangle themselves with others (get in other people’s faces) for the sole purpose of giving their empty lives some desperate sense of meaning. They see no more pressing purpose to life than to derive energy from the process of bickering and quibbling—the ebb and flow of ‘reputation’ and ‘appearance’, of ‘status’ and ‘opinion’. This is so alien to my own sensibilities that I simply had to put the book on the shelf without finishing it.

Frankly, it’s the first book I ever wanted to burn. I felt like ripping the offending pages out, spitting on them, trampling them under foot, and eviscerating each printed word. Pope attracted me because of a few selected quotes that have become immortal. The quotes are fine—taken out of context. But the mind that produced them is undeserving. I can only imagine that the world in which he lived was so lacking in true talent that his ability to find favor in high places vaulted him into that vacuum. And in 54 years of life he managed to accidentally vomit out a few memorable phrases amid volumes of tripe. A monkey at a keyboard could scarcely do worse.

No, I’m being excessively dramatic. It’s my anger at the Dunciad that is driving this. I did enjoy a few selected works—when he chose subjects of a bit more substance (still perilously abstract for modern tastes). I enjoyed his lyrical rendering of a comparison of virtue and vice in his ‘Epilogue to the Satires: Dialogue 1’ (page 399). But really—to wade through 737 pages to find a few pages worth reading? I wish I hadn’t. ( )
  PJWetzel | Apr 16, 2011 |
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This selection, edited by Pat Rogers, was first published as Alexander Pope (1993) in the series "The Oxford authors". It was reissued in the "Oxford world's classics" series as The major works (2006).
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Amazon.com Product Description (ISBN 019920361X, Paperback)

Alexander Pope has often been termed the first true professional poet in English, whose dealings with the book trade helped to produce the literary marketplace of the nineteenth and twentieth centuries. In this representative selection of Pope's most important work, the texts are presented in chronological sequence so that the Moral Essays and Imitations of Horace are restored to their original position in his career.
This edition represents the single most comprehensive anthology of Pope's works. The Duncaid, The Rape of the Lock, and Imitations of Horace are presented in full, together with a characteristic sample of Pope's prose, including satires, pamphlets, and periodical writing. This edition also includes a further reading list, an invaluable biographical index as well as indexes of titles, first lines, and correspondences.

(retrieved from Amazon Thu, 12 Mar 2015 18:25:34 -0400)

(see all 5 descriptions)

Bringing together a combination of Pope's poetry and prose - the major poems in their entirety, together with translations, criticism, letters and other prose, this edition features a comprehensive biographical index, as well as an introduction and useful notes.… (more)

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