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The Forge of God by Greg Bear

The Forge of God (1987)

by Greg Bear

Other authors: See the other authors section.

Series: Forge of God (1)

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Showing 1-5 of 33 (next | show all)
This is not science fiction that falls into the "Big Ideas" category, but rather into the "threat from space thriller" category. I didn't find the characters all-that-well developed, but in thrillers one rarely does. The important thing with a thriller is whether the author keeps one turning the pages, and Bear certainly did that for me. He's especially good with his end-of-the-world descriptions (told from several perspectives) as the novel climaxes. ( )
  kvrfan | Apr 25, 2015 |
In short, this book is a boring apocalypse.

I wish that I had read this book 15 years ago. Back then I had lower standards. It does a good job of presenting some compelling scientific ideas, like self-replicating space probes and the concept that the earth can be thought of as an organism which will might eventually be spread by humans acting as a sort of seed or spore. Another point in its favor is that this book is at least as scientifically plausible as any other Science-Fiction I've read in the last decade.

However, I didn't much enjoy the book's actual writing. The pace was slow, the action indirect, and the characters dull. The way the author speculated technology would develop (with desktop computers but no cell phones) is occasionally distracting, but quaint. Worst of all the women in this story were emotionally-hyperactive but otherwise flat inert accessories. Even women who were supposed to be brilliant scholars or influential career politicians did nothing except in relation to men. In the author's defense, the men were equally tired cliches. ( )
  wishanem | Jan 27, 2015 |
Get this from your local library. Earth is attacked by unnamed adversary. Book explores the social consequences of the event. I am planning on reading the next book. ( )
  Cataloger623 | Nov 8, 2014 |
The Forge of God by Greg Bear is another classic, nominated for the Nebula, Hugo and Locus Awards when it was originally published in 1987. Bear is the author of one of my all-time favorite s/f novels, Darwin’s Radio. The bottom line is that Bear is a giant in the field, and if you haven’t read The Forge of God and its sequel, Anvil of Stars, then stop reading now and go do that.

The general premise of the novel is based on Fermi’s Paradox, the idea that once a civilization makes enough electromagnetic “noise,” it should attract other civilizations’ attention. So where are they? Well, one answer is that the existence of “noisy” civilizations may be perceived as a threat by other advanced civilizations, so once they show up, they may be exterminated by more advanced alien races.

In this case, geological formations appear that weren’t there before, and the aliens—“The Killers”—use them to destroy the planet. A remnant of Earth’s inhabitants, as well as files of all the cultural and technological accomplishments, are saved by “The Benefactors.” They resettle the survivors on Mars and help them create a livable planet. Bear has done a remarkably good job at creating an action-adventure novel that covers some important ground: We may not be alone in the galaxy, but the others out there may not be nice, either.

Reviewed on Lit/Rant: www.litrant.tumblr.com ( )
  KelMunger | Aug 11, 2014 |
In the middle of the Australian desert, a mountain has appeared where there was no mountain before. Silvery robotic aliens emerge, promising to usher humanity into a new era of technological development, of peace and prosperity. Meanwhile, in Death Valley in California, a similar mountain has appeared – but emerging from this one (and quickly kept under wraps by the US government) is a frail, dying, biological alien, which informs its captives in perfect English that “there is bad news.”

The first third of The Forge of God is probably the most gripping sci-fi mystery I’ve read since Christopher Priest’s Inverted World. The government’s interrogation of the Death Valley alien, termed “the Guest,” is wonderfully ominous and provides tantalising glimpses at what is to come; the alien’s own limitations in the English language are both believable and serve to obscure precisely what it is that’s about to happen to the Earth. Without giving too much away, the Guest is an effectively powerless agent which is merely here to warn us, setting the scene for some kind of alien invasion or destruction.

The title is more than just a metaphor; religion plays a significant part in The Forge of God. The fictional US President, Crockerman, is a devout Christian who is visibly shaken by what the Guest has to say, and interprets it theologically. He eventually comes to believe that he has encountered an angel proclaiming Judgement Day, and that all that is left for the people of Earth to do is pray. Other sci-fi writers might have made Crockerman a scornful caricature, but Bear presents him reasonably and realistically – he is neither stupid nor crazy, and faced with the information he has, and the genuine faith he has, I found his reaction to be eminently believable. (Bear himself is apparently a deist, which goes some way to explaining this.)

It’s a shame, therefore, that Crockerman’s action or lack thereof ultimately has little value, along with most of the rest of the characters in the book. The second two thirds fail to capture the cracking pace of the first, and towards the end the book begins to drag as the characters are faced with their apparent inevitable doom.

This is largely a problem of character. A hard sci-fi writer like Bear is fantastic at coming up with intriguing concepts and putting them inside an enjoyable pot-boiler – the kind of book you can happily burn through on an airplane or beach holiday – but not so great at the slower, more introspective stuff demanded of somebody who has chosen to write about humans living out their last days. He has, for example, that annoying belief common in many sci-fi and thriller writers that characterisation involves giving a physical description of somebody. Every time a character is introduced, no matter how irrelevant, you can bet Bear’s going to tell us how old they are, what colour their hair is and what they’re wearing. The entire first page is actually a rundown of the main character’s physical description. And, typical of writers who do this, all his characters are cardboard cut-outs; mostly white, middle-aged scientists or political advisors with names like Arthur or Edward or Harry. I wish Bear had stuck to his strengths, ignored all the attempted end-of-days sadness, and kept us on the roller-coaster ride the first third of the book is.

One more minor complaint: given that the only scene in the book set outside the US takes place in Australia (and a fairly important scene at that), it wouldn’t have killed Bear to do some light research. I realise Google didn’t exist in the 1980s, but a cursory glance at an encyclopaedia could have told him that Melbourne is not the capital, the Australian Army does not use the “royal” prefix, there are in fact real TV networks and scientific organisations you can use rather than made-up ones, etc. It’s a small thing, and one that non-Australian readers wouldn’t notice, but it annoyed me a lot given that Bear is obviously not averse to a bit of factual reading.

Overall, the The Forge of God begins extremely well – reminiscent of Michael Crichton at his best – but unfortunately loses paces halfway through and ends in mediocrity. It’s nevertheless worth reading for hard sci-fi fans for the first third alone, and despite being less interesting towards the end, it’s still a quick and easy read. There is a sequel, Anvil of the Stars, which I may check out. ( )
  edgeworth | Jul 8, 2014 |
Showing 1-5 of 33 (next | show all)
The disappearance of one of Jupiter's moons, the appearance of "little green men" in Australia and the American Southwest, and the sudden presence of unidentifiable objects on a collision course inside the Earth's core add up to the inescapable conclusion that the Earth has been invaded by an enemy it cannot fight. Powerfully and gracefully written, the latest novel by the author of Eon and Blood Music stands far above most examples of "doomsday" science fiction. Recommended.

» Add other authors (10 possible)

Author nameRoleType of authorWork?Status
Greg Bearprimary authorall editionsconfirmed
Gutierrez, AlanCover artistsecondary authorsome editionsconfirmed
Moore, ChrisCover artistsecondary authorsome editionsconfirmed
Russo, CarolCover designersecondary authorsome editionsconfirmed

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For Alan Brennert, who gave me hell on TV.
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Arthur Gordon stood in the darkness by the bank of the Rogue River, having walked a dozen yards away from his house and family and guests, momentarily weary of company.
For a moment, and no more, he felt himself slide into a spiritual ditch, a little quiet gutter of despair. To simply give up, give in, open his arms to the darkness, shed all responsibility to country, to wife and son, to himself. To end the game--that was all it was, no? Take his piece from the board, watch the board swept clean, a new game set up. Rest. Oddly, coming out of that gutter, he took encouragement and strength from the thought that if indeed they were going to be swept from the board, he could then rest, and there would be an end. Funny how the mind works.
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Amazon.com Product Description (ISBN 0765301075, Paperback)

On September 28th, a geologist working in Death valley finds a mysterious new cinder cone in very well-mapped area.

On October 1st, the government of Australia announces the discovery of an enormous granite mountain. Like the cinder cone, it wasn't there six months ago....

Something is happening to Planet Earth, and the truth is too terrifying to consider....

(retrieved from Amazon Mon, 30 Sep 2013 13:21:09 -0400)

(see all 4 descriptions)

One of Jupiter's moons suddenly disappears, and shortly after, a mysterious mound - a disguised spaceship - is found in the Californian desert. Alan Gordon, science advisor to the President feels something terrible is going to happen.

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