"Time is a blind guide."

I'll get right to the point: I was disappointed with Fugitive Pieces. Most of the book is the story of Jakob, who is orphaned during the holocaust, and taken in by a Greek scholar named Athos. After the war they move to Canada, and Jakob grows up to become a poet. Then, about 2/3 of the way through the book, the narrative shifts to Ben, a young professor whose life briefly intersects with Jakob's.

I had high expectations for this Orange Prize winner written by a well-known poet. The language was, indeed, lovely. Jakob's story in particular was well told and poignant in parts. But that wasn't enough for me. By and large, I failed to identify with the characters, and didn't care much about the outcome of their lives and relationships. ( )

A reverie, sometimes dreamy, sometimes nightmarish, with images of the Holocaust, experienced first hand by the first narrator, Jakob. About 3/4 of the way through the book, the narrator changes to Ben, whose parents survived the Holocaust. Two troubled, brilliant men attempting to sort out their lives. At times the book is difficult to follow, but her writing is quite amazing. Not a linear read by any means! I admire this book, but did not love it. ( )

I have never been so bewitched and confused by a novel as I was reading Fugitive Pieces by Anne Michaels. Michaels poetically told the story of Jakob Beer, a poet himself, who survived the Holocaust after being rescued by a Greek geologist. The first part of Fugitive Pieces depicted Jakob’s life as a young man, living in Greece and Canada. The second half of the book was the narrative of Ben, an admirer of Jakob’s poetry, whose personal life was spiraling out of control.

Jakob and Ben share many parallels – both were affected by the Holocaust, survivors’ guilt and a strangling inability to show their love. For me, Jakob’s story was more fascinating. His nightmarish grip on dealing with his sister’s death was haunting. His love for Athos, his surrogate father, and his second wife, Michaela, showed hope. And his recollections of World War II were heart-breaking. All in all, his tale was more humanizing.

To find these story lines, though, the reader must wade through Michaels’ prose. To say it was beautifully written would be an understatement. However, there were times when I read a paragraph and scratched my head, wondering why it was part of the book. The meandering prose was distracting only because I could not fit it into the larger storyline. Perhaps Fugitive Pieces is a book best read twice.

With that said, I can’t say I regret reading Fugitive Pieces, but it’s definitely not a book for everyone. I usually recommend a book based on other titles or genres, but I can’t for Fugitive Pieces. It stands alone as a beautiful but tangled book about love, loss and the power of the human spirit. ( )

In 1940, Greek geologist Athos was digging in a war-stricken Polish city when a small boy emerged from the mud; no one realized that he was alive until he started to cry. Jakob was only seven years old and his entire family had been taken and probably killed by the Nazis. Athos decides to risk his own life by taking the boy home to Greece, where they settle, hide, starve, but begin to know each other and develop a relationship and education. We follow Jakob into adulthood, watching him write poetry that reflects their haunted past as well as their uncertain future.

This book may have been slightly too literary for me. I loved the idea of the story but I’m never all that fond of books told in abstracts. Perhaps I read it too soon after The English Patient, which I still haven’t found the words to review; both books are similar in their slow exploration of the effects of war on people’s psyche and in their meandering focus on people rather than plot. I’m not sure I’m always in a mood for such a read. A week later, however, I find myself pondering this book, wondering about Jakob.

Jakob’s transition from lost and lonely boy to educated, confident, loving man is quite a fascinating one. We first witness Jakob’s life, then the life of another man who is significantly influenced by him and by the war. There are multiple threads running through the novel; perhaps the most important, I felt, were the bonds of love. Jakob loves Athos; he loves his wives; he loves his parents and perhaps most especially, he loves his lost sister Bella, who he manages to carry in his heart throughout his life.

I was a bit perplexed by the addition of the second character in the final 100 pages of the book. I wasn’t as interested in him as I was in Jakob. I can see the parallels between them and I understand the effect of showing the significance Jakob had after his death, but I felt there were unanswered questions and I wanted the answers. This book would be better read with other people in order to think and discuss more closely its literary significance. I’m sure there is a great deal here that I am not picking up on my own. I’m planning to read it again and see what I can find the next time.

http://chikune.com/blog/?p=1067 ( )