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Gould's Book of Fish by Richard Flanagan
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Gould's Book of Fish (2001)

by Richard Flanagan

Other authors: See the other authors section.

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Showing 1-5 of 28 (next | show all)
"I scoop the roe out with my fingers, in truth it is not for this small salty pleasure that i covet the sea urchins, but for the bright purple spikes which it's shell is armoured like a lurid aquatic echidna."

- Mixed with spittle & rancid pickled pork fat, he makes ink to paint his fish. ( )
  velvetink | Mar 31, 2013 |
My first Richard Flanagan novel, and I doubt it will be my last. I listened to the audiobook, superbly narrated by Humphrey Bower. Next time I read this it will have to be the standard print - not because I didn't love Bower's narration, but because it's the sort of book where you need to flip backwards (and probably forwards) to try to understand it better.

This is a work of fabulous imagination, rooted in Australia's dark past, at once a fantasy and an expansive philosophy. There are few likeable characters, yet we can see something of ourselves in many of them. I was initially attracted to the book because it is set, in part, in the harsh convict prison of Sarah Island, Tasmania. I read a lot of Australian history, and I'm lucky enough to have been to Sarah Island. But the island of the book is barely recognisable - and therein lies the first of the author's many fabrications. Flanagan descriptions are convincing and utterly believable: yet when he tips reality on its head we wonder why we didn't see it coming.

This is a book that will surprise, disgust, engage and move the reader: most authors would be happy enough to achieve just one of these!
( )
  russwood | Mar 31, 2013 |
I haven't read such a disturbing, dark book in a long time. It was unforgettable, and the beauty of the writing was such a contrast to the subject matter. Plus, it made me do a bit of research on Van Diemen's Land and the Penal Colony system just to see if it was as terrible. It was. ( )
  beckydj | Mar 31, 2013 |
This novel is unique in my experience. Well-written and constructed, it is a very appealing book. In an amazing fashion it tells a fascinating story of the lives of prisoners in nineteenth century Tasmania. It is told in the form of a book within a book, as the original "Illuminated" text morphs into the story of Billy Gould, an itinerant painter whose journeys end badly. The novel is a mix of meditations and wild stories, jumping to and fro, each outlandish scene to be superseded by one stranger still. Along the way he even encounters another painter, John James Audubon. The book itself is beautiful and the story is a delight even as the author's style overwhelmed me. ( )
1 vote jwhenderson | Aug 20, 2011 |
For once a book that lives up to the blurbs! Masterly. ( )
  Mouldywarp | Oct 25, 2010 |
Showing 1-5 of 28 (next | show all)
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» Add other authors (7 possible)

Author nameRoleType of authorWork?Status
Richard Flanaganprimary authorall editionsconfirmed
Blommesteijn, AnkieTranslatorsecondary authorsome editionsconfirmed
Brinkman, SophieTranslatorsecondary authorsome editionsconfirmed
Vastbinder, MiekeTranslatorsecondary authorsome editionsconfirmed
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Epigraph
My mother is a fish.
~ William Faulkner
Dedication
First words
My wonder upon discovering the Book of Fish remains with me yet, luminous as the phosphorescent marbling that seized my eyes that strange morning; glittering as those eerie swirls that coloured my mind and enchanted my soul--which there and then began the process of unravelling my heart and, worse still, my life into the poor, scraggy skein that is this story you are about to read.
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Amazon.com Amazon.com Review (ISBN 0802139590, Paperback)

Gould's Book of Fish, an extraordinary work of fact-based fiction by Tasmanian author Richard Flanagan (Death of a River Guide) is a journey through the fringe madness of Down Under colonialism. Set during the 1830s in a hellish island prison colony off the Tasmanian coast, the novel plucks a real-life thief and prisoner, English forger William Buelow Gould, from the pages of history to act as protagonist-narrator. Through Gould's unique capacity to blend hyperbole, hyperrealism, and self-effacing honesty, the reader acquires a shockingly clear picture of daily torment on the island. Yet more remarkable is Gould's portrait of bizarre ambitions among prison authorities to further principles of art and science amidst so much misery. Key to such plans is Gould's talent as a painter and illustrator. The compound's surgeon, nursing hopes of publishing a definitive guide to the island's fish, leans heavily on Gould's ability to record the taxonomy of various species. Though Gould accommodates his masters, the manuscript, in his hands, becomes testimony to their perverse dreams of civilization and his own quick-witted survival instincts. Throughout, Flanagan never loses the well-imagined voice of Gould's candor or the character's dense descriptive powers, talents that translate into a thrilling text that reads like a blend of Melville and Burgess. --Tom Keogh

(retrieved from Amazon Fri, 08 Apr 2011 04:30:02 -0400)

(see all 2 descriptions)

The most remarkable novel yet from the internationally acclaimed author of Death of a River Guide and The Sound of One Hand Clapping, this is a marvelous historical epic of 19th century Australia, a world of convicts and colonists, thieves and catamites, whose bloody history is recorded in a very unusual taxonomy of fish. In 1828, before all living things were destroyed, William Buelow Gould, a convict in Van Dieman's Land, fell in love with a black woman and discovered, too late, that love is not safe.… (more)

» see all 3 descriptions

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