Sometimes an off-key phrase in a soulful song can wrench at the heart, nay, the soul and send one off into that same far-away place that a great book can take you to. Amanda Eyre Ward's second novel,
How to Be Lost, provides for the reader with a finely-tuned ear, a nicely wrought, syncopated, octave-changing story. Featuring a hard-living, almost down-on-her-luck narrator,
How to Be Lost isn't lost at all when it comes to telling a literary mystery wrapped in the arms of a strong woman's tale. Ward's story bounces between New Orleans and New York, taking her protagonist, Caroline, into steely encounters with her somewhat-estranged family, especially her older sister and mother, as they continue, many years after the fact, to deal with the wrenching effects of the unresolved disappearance of Ellie, the youngest of the Winters family. Readers may find uncanny similarities between the eerie tone and dark nature of Deborah Schupack's
The Boy on the Bus but won't be disappointed at all with the story that unfolds and the clever, darkly humorous nature of Ward's pitch-perfect voice.
--E. Brooke Gilbert
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